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The Tempest - sample essays
Literary devices in On Going A Journey
The Tempest - sample essays
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Journeys are a valuable thing. Without journeys every single person in this world would not know what they know today, they would not be here today and without journeys the world would not be as we know it. A thorough study of the text ‘The Tempest’ by William Shakespeare, the painting ‘Entre le trous de la Memoire’ by Domenique Appia and the song Lucy in the Sky With Diamonds by John Lennon and Paul McCartney, reveals that a journey is much more then just a movement from one place to another. There are three types of journeys, imaginative, physical and inner. An imaginative journey is one in which the individual doesn’t in fact have to go anywhere in the physical sense. The journey is replaced by an expedition that is fuelled by the human capacity to imagine. Imaginative journeys create endless possibilities. They can offer an escape from the realities of life, and are frequently used to comment on social or human traits and characteristics. The three studied texts are each great example of the three different types of journeys.
The play ‘The Tempest’ by William Shakespeare’s is a great example of inner and imaginative journeys. Shakespeare’s characters embark on their own inner journeys. All of which are initiated and controlled by Prospero’s vision. It is clear that most of the action and character development is carried out according to Shakespeare’s character Prospero’s decisions. He is the grand conductor, and leads the other characters through development experiences. At the beginning of the play Prospero conjures the tempest, aligning the characters and creating the accidents, plans, fate and fortune that take place. Once on the island Prospero manages every move and thought of all of the characters. With the help of Ari...
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...ting imaginative and physical journey that a person has gone through whilst under the influence of drugs. This is suggested by the chorus as the first letters of the words Lucy Sky and Diamonds, create the symbol for the drug LSD. Lennon and McCartney’s use of second person in context with reality and fantasy, successfully takes the listener on an imaginative journey, while also conveying the physical journey partaken by drug user.
‘The Tempest’ by William Shakespeare, Entre les trous de la Memoire’ by Domenique Appia and ‘Lucy in the Sky with Diamonds’ by John Lennon and Paul McCartney are all representative of the three different types of journeys, imaginative, physical and inner. These three texts have influenced the way I look at and understand journeys and have expanded my knowledge of journeys and what I believe to be the value of journeys.
Throughout all texts discussed, there is a pervasive and unmistakable sense of journey in its unmeasurable and intangible form. The journeys undertaken, are not physically transformative ones but are journeys which usher in an emotional and spiritual alteration. They are all life changing anomaly’s that alter the course and outlook each individual has on their life. Indeed, through the exploitation of knowledge in both a positive and negative context, the canvassed texts accommodate the notion that journeys bear the greatest magnitude when they change your life in some fashion.
The concept of journey is represented in both “The Conciliation” by Benjamin Duterrau and “The National Picture” by Geoff Parr. Both texts represent journey in a different way but still use a variety of techniques such as symbolisation, setting, mood and costume in order to convey this to the viewer. “The National Picture” also uses elements of “The Conciliation” in a way that conveys the concept of journey in the piece.
At some point in every one’s life they go on a journey, whether it be a journey that circumferences the entire world or a journey of solely self-exploration. Either way a crucial part of life is going on a journey and finding out the type of person you are. Journeys are important for people because journeymen almost never end their journey the same way they started them. This is true for both Gilgamesh in The Epic of Gilgamesh and Candide in Candide. Both characters went on grand, strenuous and extensive journeys and both of them found out more about the world but more importantly more about themselves.
The premise of the novel (Year of Wonders) could be seen as the antithesis of a journey as the villagers voluntarily agree to undertake a quarantine, which means they literally cannot go anywhere. In what way does this text represent a journey?
There are reasons that the Lord of the Rings trilogy has spanned nearly one hundred years, allowing children to connect with their grandparents through their love of the tale, and that stories like Harry Potter have defined a generation: the story of a journey is one that audiences love to hear. Reading and watching about journeys can make the reader/watcher experience that journey with the characters. Journeys, however, do not have to be fantastical or magical to be powerful to a person. T.S. Eliot and Robert Frost, for example, were both modernist poets, but they were creators of journeys that seemed much simpler. This is not to say, however, that the journeys they wrote of were incredibly similar. Eliot’s “The Love Song of J. Alfred Prufrock” and Frost’s “The Road Not Taken” both depict in first-person form physical journeys by the speakers, through a city and through the woods, respectively, but also the metaphorical journey taken through life. The speakers of each of these poems are in different stages of their life-journeys, which provides them each with a different perspective. The speakers also have very different attitude to their journeys, showing that the stage and setting of a journey can greatly affect how that journey is perceived by the journeyer.
Historically journeys were seen as the physical movement of a group of people migrating from one place to another. Additionally, journeys were usually only found throughout the history of civilization and religion. Despite this, journeys come in all aspects and are found in a variety of mediums. Specifically, two journeys that are found in the literary works of The Epic of Gilgamesh and Monkey: A Journey to the West are physical and intellectual. These two stories exemplify what a journey consists of by construction the plots around each protagonist participating in both journeys.
A physical journey occurs as a direct result of travelling from one place to another over land, sea or even space. The physical journey can occur individually or collectively, but always involves more than mere movement. Instead physical journeys are accompanied by inner growth and development, catalysed by the experiences and the decisions that impact the outcome of the journey. These journey concepts and the interrelationship between physical and emotional journeys is exemplified in the text; The Adventures of Huckleberry Finn by Mark Twain, The Road Not Taken by Robert Frost, the children’s book Lost and Found by Oliver Jeffers and the film Stand By Me directed by Rob Reiner.
The Beowulf and Dante 's Inferno are both epic poems which are still widely read, and in both works, the protagonist experiences a journey. In most ways, however, these two poems and these two journeys are nothing alike. These to text are based on a hero’s journey but they have a couple of things that aren’t the same. A hero’s journey describes the typical adventure of the archetype known as The Hero, the person who goes out and achieves great deeds on behalf of the group, tribe, or civilization. Both Poems are very alike but there is things in their journey that set them apart.
These timeless tales relate a message that readers throughout the ages can understand and relate to. While each of these tales is not exactly alike, they do share a common core of events. Some event and or character flaw necessitates a journey of some kind, whether it is an actual physical journey or a metaphorical one. The hardships and obstacles encountered on said journey lead to spiritual growth and build character. Rarely does a person find himself unchanged once the journey is over.
Shakespeare's play, The Tempest tells the story of a father, Prospero, who must let go of his daughter; who brings his enemies under his power only to release them; and who in turn finally relinquishes his sway over his world - including his power over nature itself. The Tempest contains elements ripe for tragedy: Prospero is a controlling figure bent on taking revenge for the wrongs done to him, and in his fury he has the potential to destroy not only his enemies, but his own humanity and his daughter's future.
Due to the innate nature of discovery, it becomes an intrinsic urge for one to explore and to be enlightened and transformed by an intense event that can change or challenge ones’ understandings and perceptions of ourselves and others. Discoveries are usually confronting; it is a transformative process for the individual and for broader society, creating renewed understandings and perceptions on society. This is reflected through the SBS hybrid Reality TV/Documentary composed by Ivan O’Mahoney “Go Back To Where You Came From [2011] (GB)”, which presents the spiritual change of the individuals involved as they embark on a physical journey living as a refugee. Whereas in Homer’s novel (translated by Robert Fagles) “The Odyssey [2006]”, the characters were transformed deeply through the multiple challenges that they were presented with, which created the theme of self-discovery.
The persona begins to think about how he cannot take both paths and be the same “traveler”
The ride to eternity, driven slowly by the gentleman in the topic, presents a proverbial journey that the writer communicates to people as dependent
I feel “Poetics” provides a sound blueprint for constructing a story that will immerse an audience into an adventure. By providing, a real...
Many of the classical travel narratives of the past are presented with a main character, with the story revolving around their journey and experience in foreign places. Examples of the traditional way of travel writing are classics like Love and War in the Apennines by Eric Newby, which is about the writers’ journey to Italy and how he met different people, including his wife, throughout the trip (Dalrymple & Theroux, 2011). There are also recent books like Eat, Pray, Love by Elizabeth Gilbert which talks about a middle-aged woman’s travel experience as well as her self-discovery during her trip to India. It is a traditional way of travel writing to be a personal narrative and focus on a hero or heroine. In this essay, I will talk about a piece of writing conforming to this idea and another that does not, they are, namely Triumph on Mount Everest by Stacy Allison and Why We Travel by Pico Lyer.