“A Good Café on the Place St.-Michel”
When winter came to Paris, the weather was so bad that to warm up the room where the narrator worked was considerably expensive. One rainy day, Hemingway went to a nice café on St.-Michel. While sitting in a warm café and writing a story, the author spotted and enjoyed watching a beautiful girl sitting at a table by the window. Completely immersed in his writing, he didn’t even notice when and with whom she left. When he finished his work, he ordered some food and drinks, leaving the thoughts about the writing for tomorrow. After a productive day at the café, he went home and offered his wife to leave Paris to go to mountains. She supported his idea.
“Miss Stein Instructs”
After coming back to Paris from the mountains, Hemingway payed frequent visits to his new acquaintance, a fellow writer and art collector, Miss Gertrude Stein. He enjoyed her company and the talks they have had: They discussed their own writing and the writings of other contemporary authors, paintings, and artists. During one of the visits to Stein’s studio, they have talked about homosexuality: Miss Stein made a clear distinction between men’s and women’s homosexuality and claimed that women are happy in homosexual relationships while homosexual men cannot find
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Once, Miss Stein told him that he and everyone who served in the war were a lost generation. When Hemingway tried to show her how inconsistent such an assumption was, she denied him the opportunity to express his opinion. Later, the writer could not get rid of the thoughts about this unjust statement; his rumination lead him to the idea that every generation is in one way or another a lost generation. With that thought in mind he remembered what a good person Miss Stein was and could not be angry at her any
Hemingway’s narrative technique, then, is characterized by a curt style that emphasizes objectivity through highly selected details, flat and neutral diction, and simple declarative sentences capable of ironic understatements; by naturalistic presentation of actions and facts, with no attempt of any kind by the author to influence the reader; by heavy reliance on dramatic dialogue of clipped, scrappy forms for building plot and character; and by a sense of connection between some different stories so that a general understanding of all is indispensable to a better understanding of each. He thus makes the surface details suggest rather than tell everything they have to tell, hence the strength of his “iceberg.” His short stories, accordingly, deserve the reader’s second or even third reading.
Stewart, Matthew C. "Ernest Hemingway and World War I: Combatting Recent Psychobiographical Reassessments, Restoring the War." Papers on Language & Literature 36.2 (2000): 198-221.
...e Americans came back from World War I experienced disenchantment with modern America and were unconnected from society, these people were known as The Lost Generation (O). This term was first coined by Ernst Hemingway to describe the atrocities witnessed by the soldiers in World War I, and whom came back to write literature. Among the people of the Lost Generation was Ernst Hemingway, F. Scott Fitzgerald, ad T.S. Eliot. The war was backed by the people who lived in the U.S. and did not go off to fight, only the soldiers know the true reality of the situation, and how horrible the war actually was and how the war changed them when returning to the United States.
As Gillespie (2010) suggests biographical and historical backgrounds largely influence on literary works, which should not be omitted when considering their philosophical outlook. Therefore, the personal life and specific historical period that the two authors experienced might provide hints for their individual perspective on life and existence meaning. In spite of the enthusiasm on war during almost his life, Hemingway suffered from his physical ailments and mental deterioration and solitude (depression and paranoia) in his late years, which was a hangover from his engaged experience in World War I and World War II (Burwell, 1996). Hemingway was one member of the “Lost Generation”, who were victims of the World War I and struggled with moral and psychological aimlessness when searching for the meaning of life, while A Clean, Well-lighted Place was created at that time. In 1961, Hemingway committed a suicide to end his life. On the other hand, the majority of Carver’s life was in a relatively peaceful post-war period. Though Carver was addicted to alcohol and experienced his unhappy first marriage, in 1983 when Cathedral was published, he has started new li...
When a writer picks up their pen and paper, begins one of the most personal and cathartic experiences in their lives, and forms this creation, this seemingly incoherent sets of words and phrases that, read without any critical thinking, any form of analysis or reflexion, can be easily misconstrued as worthless or empty. When one reads an author’s work, in any shape or form, what floats off of the ink of the paper and implants itself in our minds is the author’s personality, their style. Reading any of the greats, many would be able to spot the minute details that separates each author from another; whether it be their use of dialogue, their complex descriptions, their syntax, or their tone. When reading an excerpt of Hemingway’s A Moveable Feast one could easily dissect the work, pick apart each significant moment from Hemingway’s life and analyze it in order to form their own idea of the author’s voice, of his identity. Ernest Hemingway’s writing immediately comes across as rather familiar in one sense. His vocabulary is not all that complicated, his layout is rather straightforward, and it is presented in a simplistic form. While he may meander into seemingly unnecessary detail, his work can be easily read. It is when one looks deeper into the work, examines the techniques Hemingway uses to create this comfortable aura surrounding his body of work, that one begins to lift much more complex thoughts and ideas. Hemingway’s tone is stark, unsympathetic, his details are precise and explored in depth, and he organizes his thoughts with clarity and focus. All of this is presented in A Moveable Feast with expertise every writer dreams to achieve. While Hemingway’s style may seem simplistic on the surface, what lies below is a layered...
Through the characters' dialogue, Hemingway explores the emptiness generated by pleasure-seeking actions. Throughout the beginning of the story, Hemingway describes the trivial topics that the two characters discuss. The debate about the life-changing issue of the woman's ...
Hemingway’s characters exemplify the effects of combat because World War I had a negative impact on them; the veterans lead meaningless lives filled with masculine uncertainty. Jake and his friends (all veterans) wander aimlessly throughout the entire novel. Their only goal seems to be finding an exciting restaurant or club where they will spend their time. Every night consists of drinking and dancing, which serves as a distraction from their very empty lives. The alcohol helps the characters escape from their memories from the war, but in the end, it just causes more commotion and even evokes anger in the characters. Their years at war not only made their lives unfulfilling but also caused the men to have anxiety about their masculinity, especially the narrator Jake, who “gave more than his life” in the war (Hemingway). Jake feels that the war took away his manhood because he is unable to sleep with Brett as a result of an injury. Although he wants to have a relationship with Brett, and spends most of his time trying to pursue her, she rejects him because he cannot have a physical relationship with her. At several points in the novel, Brett and Jake imagine what their lives could have been like together, had he not been injured during the war. Thus, his physical injury gives him emotional distress because he cannot have a relationship with the woman he always wanted. The traditional American perception of...
The World War One novelist Ernest Hemingway once wrote, “There were many words you could not stand to hear and finally only the names of places had dignity. Abstract words such as glory, honor, courage, or hallow were obscene” (Hemingway, ‘A Farewell to Arms’, 1929). Hemingway knew the horrors of war. He was a veteran of World War One. This was a war where 65 million troops were mobilized, and 37 million were killed, wounded, or went missing. War was seen as glorious until these views were brought in. Hemingway became famous for his writing as a member of the ‘Lost Generation’ of American writers. He, along with writers such as Gertrude Stein, F. Scott Fitzgerald, and T. S. Eliot made up the great American writers of the time. However, they did have their European
Hemingway has a very simple and straightforward writing style however his story lacks emotion. He makes the reader figure out the characters’ feelings by using dialogue. “...
Ernest Hemingway was an intricate and dedicated writer who devoted a significant portion of his life to writing multiple genres of stories. Throughout his stories, the similarities in his style and technique are easily noted and identified. Two of the short stories he wrote contain themes and motifs that specifically explain the plotline. The first story, “The Snows of Kilimanjaro,” sets its scene in the depths of a desolate area in Africa, where the main characters, Harry and his wife, decide to make their home. After living there for a few years, Harry ventures out and falls into a thorn bush, thus infecting his leg with gangrene. A few weeks later, he finds himself on the brink between life and death, unable to treat such a severe infection. Throughout the whole story, his life is flashing before his eyes as he recalls all of the major events that occurred in his past. By nightfall, Harry is acting unusual, and he begins to feel as if life is not worth living anymore. After he drifts off to sleep that evening, his wife goes to check on him and discovers that her husband has passed away (Hemingway 52-77). The second great work of Hemingway, “The Short, Happy Life of Francis Macomber,” is also set in a deserted section of Africa. Francis and his wife, Margot, are on a safari adventure along with their tour guide named Wilson. The way these three characters interact with each other creates tension and provides an adequate plot for the story. The trip begins with the couple intending on hunting big game. At first they track down a lion that continuously roars throughout the night, and later decide to chase after buffalos. To add to the complications of the trip, Margot has an intimate relationship with their tour guide. The story c...
In the early portion of the 1920’s, Gertrude Stein told Ernest Hemingway, “All of you young people who served in the War, you are the lost generation.” (Shi 987) After World War I, those who served returned to a world that had lost morals, ways of life and a traditional status quo. Consequently, young soldiers were forced to reconcile with a world that seemingly lacked meaning. To compensate, the generation turned to alcohol, sex and tainted love affairs. (Shi 988) From 1920-1926, a series of novels, including Hemingway’s The Sun Also Rises formed a modern form of literature (Reynolds 6); furthermore, these novels were based on the “Lost Generation,” and the issues that perpetually following the Great War. Ernest Hemingway himself was a member of this generation, an...
In his novel A Farewell to Arms, Ernest Hemingway transfers his own emotional burdens of World War I to his characters. Although considered to be fiction, the plot and characters of Hemingway’s novel directly resembled his own life and experience, creating a parallel between the characters in the novel and his experiences. Hemingway used his characters to not only to express the dangers of war, but to cope and release tension from his traumatic experiences and express the contradictions within the human mind. Hemingway’s use of personal experiences in his novel represents Freud’s Psychoanalytic theory regarding Hemingway’s anxieties and the strength and dependency that his consciousness has over his unconsciousness.
The lost generation was a group of writers who gained much popularity and grew in their literary expansion post WWI from 1918 through 1930. (Lost Generation) Prior to enlisting in the war, Americans were promised an upbringing of patriotism and honor for serving one’s country. They found returning home that the honor in which they believed to be fighting for was nothing more than witnessing innocent men killed. Upon returning back from WWI the image of patriotism and honor faded when the realism of the after effects of the war and the consequence became apparent in our young men. World War I destroyed the virtuous envision young American men had towards their country when they returned home after witnessing friends dying in battle and many returning home in a state that left them both physically and emotionally impaired. (The Lost Generation: American Writers of the 1920's)
Written just after the first global war, Hemingway delivers a subtle anti-war novel. World War I ended in 1918; A Farewell to Arms was published eleven years later. Although eleven years seems as if it would be enough time to forget, no time span can allow Hemingway to forget the effects of World War I. After World War I, Hemingway is struck with countless nightmares. Hemingway uses these nightmares and flashbacks to write A Farewell to Arms (Analysis 1). When reflecting on the novel, a blogger writes, “A Farewell to Arms is a war novel, not in the sense that it glorifies the war, but as all know, it describes the cruelty, madness of the war which deprives human life and happiness” (Analysis 1). During the novel, Hemingway displays his anti-war message by showing how the characters indulge in distractions to escape the reality of war. Love and sex, alcohol, and religion are all ways characters distracted themselves.
... much to be learned about the deeply troubled and equally enthusiastic Ernest Hemingway. From thrill-seeking to several failed marriages nearly every aspect of his life shines through into his style, attitude, and life choices most clearly of all his writing both professional and informal. The straightforwardness and simplicity of his prose ushered in a new style drastically different from the flowery, embellished descriptions and drawn out stories from the previous century. Ultimately Ernest Miller Hemingway will forever be a timeless, classic American writer who succeeded despite his alcoholism, faltering health, intimacy issues, and presumed psychological disease which is most likely the perpetrator creating both his risky escapades and adulterous rendezvous in addition to his debilitating bouts of depression, bitterness, and eventually suicidal behaviors.