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Stylistic devices in a dolls house by henrik ibsen
Literary devices in a doll house by ibsen
The symbolism of a doll's house
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When attending a masquerade, a person is expected to wear a mask. In fact, it’s looked down upon if a mask isn’t worn. But, what if for some people that mask never came off? In A Doll’s House by Henrik Ibsen, each character has constructed their own metaphorical mask that they set firmly in place every morning when exiting their bed. Each character: Nora, Torvald, Kristine and Krogstad all have masks that they put in place when speaking to each other. Throughout most of the play, it is clear that all of the aforementioned characters have multiple facades that they use when speaking to one another; often switching quickly as they begin speaking to someone else. Henrik Ibsen’s use of the masquerade serves as an extended metaphor to show the masks that the characters use in their everyday lives.
At the beginning of A Doll’s House, Nora Helmer seems stable in her marriage and the way that her life has panned out. She doesn’t seem to mind the her husband, Torvald, speaks to her, even if the audience can blatantly see that he is degrading her with the names he chooses to call her. “Hm, if only you knew what expenses we larks and squirrels have, Torvald” (Ibsen, 1192). Nora is notorious throughout Act I to play into the nicknames that Torvald calls her. She portrays that she is this doll-like creature that needs to be taken care of. Furthermore, we see that Nora is excited for her husband’s new job that will increase their income substantially. This is the first mask that the audience is presented with. As the play continues, Nora reveals yet another mask, this is a mask of a woman who so desperately wants to be taken seriously. The audience learns that Nora had previously taken out a loan to save her husband’s life. She proves that ...
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...d children. The final mask of Krogstad that is seen is that of love and caring. In the end Kristine goes back to Krogstad stating that she always loved him and only left him because “I had a helpless mother and two small brothers. We couldn’t wait for you” (Ibsen, 1225). In the end it is Krogstad who has changed for the better, not Nora or Helmer. It is the very man that Torvald so easily condemned for his past mistakes.
Henrik Ibsen uses the masquerade party as a way to demonstrate the masks that the characters so often wear and change depending on who they are speaking to in that moment. The metaphor being that throughout the entire play the characters are preparing for a masquerade party.
Works Cited
Mays, Kelly. "Poems for Further Study." Norton Introduction to Literature. Eleventh Edition. New York: W.W. Norton and Company Inc., 2013. 771-772. Print.
In Henrik Ibsen’s A Doll House, a drama written in the midst of an 1879, middle-class, suburban Europe, he boldly depicts a female protagonist. In a culture with concern for fulfilling, or more so portraying a socially acceptable image, Nora faces the restraints of being a doll in her own house and a little helpless bird. She has been said to be the most complex character of drama, and rightfully so, the pressure of strict Victorian values is the spark that ignites the play's central conflicts. Controversy is soon to arise when any social-norm is challenged, which Nora will eventually do. She evolves throughout the play, from submissive housewife to liberated woman. It seems as though what took women in America almost a century to accomplish, Nora does in a three-day drama. Ibsen challenges the stereotypical roles of men and women in a societally-pleasing marriage. He leads his readers through the journey of a woman with emerging strength and self-respect. Nora plays the typical housewife, but reveals many more dimensions that a typical woman would never portray in such a setting.
Henrik Ibsen was the first to introduce a new realistic mode in theater when he wrote the play A Doll’s House. The ending of the third act of this play was not accepted due to the controversy that it caused during the nineteenth century, because in this era women were not allowed to act the way Nora did, but through women’s movements society slowly started to accept it.
Identifying a lie can at times prove quite troublesome. Some individuals may occasionally claim to spot deception simply by noticing the behavior of someone accused. This gut feeling is by no standards definite, and could be in fact mistaken. On the on other hand, one possible way to expose a lie concerns the revealing of an idea that is most assuredly true, such as with an article that has been written down. Documents usually are quite accurate, for once an idea is put on paper it becomes quite hard to retract. In effect written words relate to the truth, and if understood by the viewer they may expose the lies of those around him. Taking this a step further involves putting truthful, paper into the hands of someone else, perhaps in the form of a letter or note via the post office. In his drama A Doll House Ibsen included three articles of mail to symbolize the truth, and thereby to reveal some of the lies perpetrated by Nora.
While we all may be shown different faces and persona’s each day, it never becomes clear which a true personality is and which is just a mask. Joyce Carol Oates demonstrates the need for her characters to disguise themselves from the rest of society in order to either be accepted by others or to be seen in a more pleasant manner. However, these characters who conceals themselves are ultimately hurt because of their inability to shed their false fronts and accept who they truly are.
Weintraub, Stanley. ""Doll's House" Metaphor Foreshadowed in Victorian Fiction." Nineteenth-Century Fiction 13: 67-69. Web. 6 Jan. 2011.
Nora had a secret that whole play that Torvald didn’t know about. Nora saved his life by taking him out on a long vacation away from everything so he could clear his mind at a very bad time. She told Torvald the money really came from her Papa. The money really came from a loan she took out from Kogstad that was forged. Krogstad was a former bank employee and long friend of Torvald’s. Torvald was very angry when he first found out of this because he was scared of his appearance, but when Krogstad met a old girl friend of his he didn’t worry about the loan.
Although Krostad’s blackmail does not change Nora’s whimsical nature, it opens her eyes to her underappreciated potential. “I have been performing tricks for you, Torvald,” (Find a different quote perhaps?) she exclaims in her confrontation with Torvald. She realizes that she has been putting on a facade for him throughout their marriage. Acting like someone she is not in order to fill the role that her father, Torvald, and society expected her to have.
to discover and educate herself. She must strive to find her individuality. That the perception of woman is inaccurate is also supported by the role of Torvald. Woman is believed to be subordinate to the domineering husband. Instead of being the strong supporter and protector of his family, Nora's husband is a mean and cowardly man. Worried about his reputation he cares little about his wife's feelings and fails to notice many of her needs. The popular impression of man is discarded in favor of a more realistic view, thus illustrating society's distorted views. Ibsen, through this controversial play, has an impact upon society's view of the subordinate position of women. By describing this role of woman, discussing its effects, and predicting a change in contemporary views, he stressed the importance of woman's realization of this believed inferiority. Woman should no longer be seen as the shadow of man, but a person in herself, with her own triumphs and tragedies. The exploration of Nora reveals that she is dependant upon her husband and displays no independent standing. Her progression of understanding suggests woman's future ability to comprehend their plight. Her state of shocked awareness at the end of the play is representative of the awakening of society to the changing view of the role of woman. "A Doll's House" magnificently illustrates the need f...
Krogstad who was fired from the bank by Torvald is going to blackmail Nora if she does not help him get his job at the bank back. " When your husband was ill, you came to me to borrow two hundred and fifty pounds."
The truth always has a way of coming out, no matter how hard one tries to keep it hidden. In Henrik Ibsen’s compelling play, A Doll’s House, the truth that Nora has been hiding comes to light through Krogstad and his deceitful actions. However, one may propose the question of Krogstad’s necessity in Nora’s action of leaving her family. Certainly, Krogstad acted as a catalyst in the story and pushed Nora to make the decision to leave, but Nora still would leave her family even without help from Krogstad. Her husband’s attitude towards her, her defiance against Torvald and ultimately society, and her thirst for independence and self-actualization prevail above everything else in her life, causing her to desert her husband and their doll house.
In Henrik Ibsen’s A Doll’s House, many characters perform actions that end up costing them literal money, morals, and even friendships. One of these characters is Torvald, whose dislike for anything “ugly,” cost him relationships with many other characters in the play. It is hinted throughout the play that Torvald never wants to be around anything ugly, and it is clear that the other characters know about this fetish for beauty. The first place where this impartiality towards ugliness is present is where Krogstad tells Nora that he plans on telling Torvald about their contract if she doesn’t get him his job back, and Nora explains her feelings about this.
The play, A Doll’s House, by Henrik Ibsen is not only about the Helmers’ marriage, but also about the institution of marriage itself. There are three key points that appear in the play in which Ibsen highlights what detrimental effects could occur when a marriage is unequal. In the first act, we can observe and agree that within the Helmers’ marriage there is an imbalance of power. Helmer says to Nora, “What are little people called that are always wasting money?”
“Feminism isn’t about making women stronger. Women are already strong. It’s about changing the way the world perceives that strength” (Pugachevsky). G.D. Anderson, the modern feminist who stated this quote, and Nora Helmer from Henrik Ibsen’s A Doll’s House share similar views regarding the strength of women: it is overshadowed by the world’s inability to recognize it. In his revolutionary play A Doll’s House, playwright Henrik Ibsen exceeds his years by breaching the controversial subject of women’s rights.
It is human nature that when first meeting someone that you remain cautious or reserved. It is not until you are comfortable with that new person until your guard comes down and you really get to know someone. After becoming friends, a person will usually let you in on some secrets or stories of their past but when a person feels threaten the first defense is to lie. In Henrik Ibsen’s play “A doll’s House” we learn all about Mrs. Nora Helmer. As the play begins she is looking forward to Christmas with her family but with money being tight she looks for a way to “help” the family with finances only to end up in a bigger mess.
As the play goes on, Nora seems to transform from her delicate little character into something much more. At the end of act one, Krogstad goes to Nora for the recollection of the money she had borrowed from him. "You don?t mean that you will tell my husband that I owe you money?" (21). Since Nora was wrong in doing so socially, she could not tell Torvald or anyone else about her problem. Not only would that affect their social standard but also Torvald's ego, which inevitably would happen anyway. After Krogstad threatens to expose Nora for forging her father's signature, she realizes that no matter what she does Torvald was going to know the truth. The flaw with...