Stanley and Helmer, the main men characters of the two plays, seem like they are very different when comparing the two to each other. However, they both follow society’s stereotypical roles. Like all average men, Stanley and Helmer are in charge and must always be at the top in their relationship. When Stella orders her husband to come outside with her, Stanley replies, “Since when do you give me orders?” (Williams) This angry comment shows how much he expects Stella, his wife, to obey him completely. Along with society, Stanley believes Stella is stepping out of her bounds when she is giving him an order.
At one point, when she speaks her mind, he gets very angry at her and says, “Don’t you ever talk to me that way… Now just remember…that every man’s a king- and I’m king around here and don’t you forget it (Williams). He wants to make sure that Stella understands that he is a man, and to be a man is...
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...er uses pet names for his wife and calls her “skylark”, “squirrel” and “song-bird. These names dehumanize Nora and make her an animal, showing that Helmer believes he can teach her to listen to him as a person would a pet. When finally coming to the realization of the state of their relationship Nora says, “I think that before all else I am a human being, just as much as you are.” She is not the little doll Helmer thinks she is; one that moves exactly the way he wants her to. Society sees a women as an accessory to a man, not an equal counterpart. A women is no longer even seen as an actual human being when stuck in this type of relationship.
The actions and expressions of the characters portrayed Ibsen’s “A Doll’s House” and Tennessee William’s “A Streetcar Named Desire” accentuate society’s tendency to allow the stereotypical gender roles lead their lives.
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