Abortion is an exceedingly controversial political topic, and it has been hotly debated through the years. Because multiple parties - the mother and the fetus - stand to gain or lose dramatically from each abortion decision, there is much moral gray area; however, society could benefit from looking at the issue philosophically. After all, philosophers often debate moral responsibility. In her argument "A Defense of Abortion," Judith Jarvis Thomson concludes that abortion is morally acceptable in almost all cases. To reach this conclusion, Thomson utilizes analogies for various pregnancy cases and explains why abortion would be morally viable. Through the violinist analogy, Thomson explains why abortion in the case of rape is certainly an understandable
The violinist is terminally ill and his fans have determined that the only way to save his life is to hook him up to the reader. By surviving off of the working kidneys of the reader for nine months, the violinist can make a full recovery. In the scenario, though, fans did not ask the permission of the reader; instead, they went ahead and hooked the two together while the reader was asleep. Right away, the similarities between this scenario and a pregnancy by rape are extremely apparent. For instance, as a woman who is raped had no choice in the matter of becoming pregnant, so too did the reader not have a choice in being linked to the violinist. After nine months of being tied to the violinist, the reader is "free" and the violinist healthy, just as a woman who is raped carries the child for nine months before giving birth. In the case of the violinist, though, Thomson argues that there is no obligation for the reader to give up his or her body simply because the fanatics already hooked the two together against the will of the reader. If the reader truly does not want to give up his or her body for the violinist, there is no obligation to do so. On a similar wavelength, then, Thomson argues that a woman should not have to give up her body for nine months to foster the growth of an organism that she never consented to in the first place. Essentially, she argues that the
In these two cases, it is important to note that the person being depended upon had absolutely no say in whether or not they were initially giving their body up for the sake of the other. Once that is established, it is exceedingly easy to say that there is no duty to use your body to help another. Although many (such as utilitarians, who believe in the maximization of good or happiness for the greatest number of people) would argue that a moral obligation lies in doing whatever possible to ensure the survival of the fetus or the violinist, plenty of others (such as Thomson) can very validly argue that moral responsibility does not include such involved personal sacrifice. Overall, the basis for Thomson 's argument is certainly plausible, though the argument itself is not without its
Thomson’s argument is presented in three components. The first section deals with the now famous violinist thought experiment. This experiment presents a situation in which you wake up one morning and discover you have been kidnapped and hooked up to an ailing violinist so that his body would have the use of your kidneys for the next nine months. The intuitive and instinctive reaction to this situation is that you have no moral duty to remain hooked up to the violinist, and more, that he (or the people who kidnapped you) does not have the right to demand the use of your body for this period. From a deontological point of view, it can be seen that in a conflict between the right of life of the fetus and the right to bodily integrity of the mother, the mother’s rights will trump those of the fetus. Thomson distills this by saying “the right to life consists not in the right not to be killed, but rather in the right not to be killed unjustly”.
In the article, “Killing and Letting Die” by Philippa Foot she argues that Thomson’s argument is invalid. Thomson argues that abortion is sometimes justified because no one has the right to another person’s body and therefore the mother can detach herself from the baby. To highlight on this analogy she presents an example with a violinist. The violinist is in critical condition and in order to be saved he must be attached to a random person. That person is then obligated to be attached to the violinist for if they detach the violinist will surely die. It is true that in both situation there is someone’s life at stake. On violinist case the violinist is simply let die while the abortion case the fetus is killed by the mother. Therefore, I will
According to Thomson, unjust killing comes from the result of depriving someone from a right that they own. In the Henry Fonda case, Fonda was given the magical ability to cure a sickness with just one touch over a fevered brow. So, Fonda has the right to volunteer in touching the fevered brow, but is not obligated to do so because the sick person does not own the right of Henry Fonda’s hand. This analogy is very significant in comparison to Thomson’s argument on justified abortion because it shows that the mother should not be held to any constraints because she has the freedom to her body. Given the fact that the mother has the authority to make any decisions she wants; abortion will always be justified because she is not obligated to give
Patrick Lee and Robert P. George’s, “The Wrong of Abortion” is a contentious composition that argues the choice of abortion is objectively unethical. Throughout their composition, Lee and George use credibility and reason to appeal the immorality of abortions. The use of these two methods of persuasion are effective and compels the reader to consider the ethical significance. Lee and George construct their argument by disputing different theories that would justify abortions. They challenge the ontological and evaluation theories of the fetus, as well as the unintentional killing theory. This article was obtained through Google, in the form of a PDF file that is associated with Iowa State University.
Likewise, Thompson holds that a pregnant woman possesses the right to defend herself against her attacker. No matter if the invader is a rapist attempting to harm her from outside or a foetus that may harm her from the inside. The woman still has a moral liberty to repel her attacker by killing the intruder. Killing a person and abolishing their ‘right to life’ cannot be named as immoral when performed in self-defence. Therefore, an abortion is permissible in the ‘extreme case’ whereby continuing with the pregnancy may result in serious injury or death of the woman. However, it can be argued that although it is permissible to act in self-defence against an invader, the foetus is no such invader and should not be treated like one. Unlike the violinist who was artificially attached to you, the foetus is surviving due to the mother’s biological organs and by the natural processes of reproduction and this yields a special relationship. Therefore, this appears to be a crucial difference between the violinist and the foetus. The natural environment of the violinist is not your body, whereas the natural environment of the foetus is within the mother’s womb. Furthermore, the violinist is trespassing because your body is not their natural environment whereas a foetus cannot
Judith Jarvis Thomson, in "A Defense of Abortion", argues that even if we grant that fetuses have a fundamental right to life, in many cases the rights of the mother override the rights of a fetus. For the sake of argument, Thomson grants the initial contention that the fetus has a right to life at the moment of conception. However, Thomson explains, it is not self-evident that the fetus's right to life will always outweigh the mother's right to determine what goes on in her body. Thomson also contends that just because a woman voluntarily had intercourse, it does not follow that the fetus acquires special rights against the mother. Therefore, abortion is permissible even if the mother knows the risks of having sex. She makes her points with the following illustration. Imagine that you wake up one morning and find that you have been kidnapped, taken to a hospital, and a famous violist has been attached to your circulatory system. You are told that the violinist was ill and you were selected to be the host, in which the violinist will recover in nine months, but will die if disconnected from you before then. Clearly, Thomson argues, you are not morally required to continue being the host. In her essay she answers the question: what is the standard one has to have in order to be granted a right to life? She reflects on two prospects whether the right to life is being given the bare minimum to sustain life or ir the right to life is merely the right not to be killed. Thomson states that if the violinist has more of a right to life then you do, then someone should make you stay hooked up to the violinist with no exceptions. If not, then you should be free to go at a...
...r (directly killing the baby in the womb or slitting the throat of the violinist). I believe the difference is very clear and therefore refutes Thompson's case of the unconscious violinist. This means that premise 4 still stands true.
To help argue her point, Thomson first begins with an analogy comparing an acorn of an oak tree to the fetus in a woman’s body. She begins by giving the view of the Pro – Lifers; “It is concluded that the fetus is…a person from the moment of conception” (page 113). She then goes on to say, “similar things might be said about the development of an acorn into an oak tree, and it does not follow that acorns are Oak trees…” (Page 113). This analogy helps illustrate how much she disagrees with this Pro –life argument. She calls it a “slippery- slope argument” and goes to say, “…it is dismaying that opponents of abortion rely on them so heavily and uncritically” (page 113). Although Thomson makes it clear that she disagrees with the notion that a fetus is a person (…I think the premise is false, that the fetus is not a person from th...
In her article Thomson starts off by giving antiabortionists the benefit of the doubt that fetuses are human persons. She adds that all persons have the right to life and that it is wrong to kill any person. Also she states that someone?s right to life is stronger than another person?s autonomy and that the only conflict with a fetuses right to life is a mother?s right to autonomy. Thus the premises make abortion impermissible. Then Thomson precedes to attacks the premise that one?s right to autonomy can be more important to another?s right to life in certain situations. She uses quite an imaginative story to display her point of view. Basically there is a hypothetical situation in which a very famous violinist is dying. Apparently the only way for the violinist to survive is to be ?plugged? into a particular woman, in which he could use her kidneys to continue living. The catch is that the Society of Music Lovers kidnapped this woman in the middle of the night in order to obtain the use of her kidneys. She then woke up and found herself connected to an unconscious violinist. This obviously very closely resembles an unwanted pregnancy. It is assumed that the woman unplugging herself is permissible even though it would kill the violinist. Leading to her point of person?s right to life is not always stronger than another person?s right to have control over their own body. She then reconstructs the initial argument to state that it is morally impermissible to abort a fetus if it has the right to life and has the right to the mother?s body. The fetus has the right to life but only has the right to a ...
“On the Moral and Legal Status of Abortion” by Mary Anne Warren is an in depth analysis of what, in Warren’s opinion, it is exactly that defines a person and human being, the moral community, fetal development and the right to life, potential personhood and the right to life, and infanticide. Warren believes that emotion and morality should be entirely separate, and that abortion should be legal for all women, as denial would be stripping women of basic human rights, the rights that a woman holds over an unborn fetus. I personally agree with her arguments on these topics as I agree that women should be allowed to have abortions on their own terms, without subjection of authority or society telling her what she can and cannot do, as well as I agree for the most part on her view of what a person is, potential personhood not outweighing the choice of abortion, and her reasoning on what defines a person of the moral community.
By critically examining Thomson’s (1971) three analogies; the Violinist, the Henry Fonda analogy and the People Seeds analogy, all three analogies fail to show that it is not unjust to deny the foetus the right to the mother’s body. Therefore, the foetus has a right to not be killed unjustly and have the use of the mother’s womb.
A Defense of Abortion In her argument on abortion, Judith Thomson discusses some major points about abortion. She deals with extreme cases and those extreme cases help us to realize a single perspective of abortion. For example, she talks about the violinist attached to you. In that example, you keep everything constant and focus on a single point, violinist being dead if you unattached him.
Thomson concludes that there are no cases where the person pregnant does not have the right to chose an abortion. Thomson considers the right to life of the pregnant person by presenting the case of a pregnant person dying as a result from their pregnancy. In this case, the right of the pregnant person to decide what happens to their body outweighs both the fetus and the pregnant person 's right to life. The right to life of the fetus is not the same as the pregnant person having to die, so as not to infringe on the right of the fetus. In the case of the violinist, their necessity for your body for life is not the same as their right over the use of your body. Thomson argues that having the right to life is not equal to having the right to use the body of another person. They argue that this is also the case, even if the the pregnant person knowingly participated in intercourse and knew of the possibility of pregnancy. In this case it would seem that abortion would not be permissible since the pregnancy was not by force. However, we are reverted back to the case of rape. If a fetus conceived voluntarily has the right not to be aborted due to how it was conceived, then the fetus conceived from rape should also have that same right. Instead of creating a distinction of cases where the fetus has a right to use the body of a pregnant person, Thomson instead makes a distinction of when abortion would be morally
In the Judith Jarvis Thomson’s paper, “A Defense of Abortion”, the author argues that even though the fetus has a right to life, there are morally permissible reasons to have an abortion. Of course there are impermissible reasons to have an abortion, but she points out her reasoning why an abortion would be morally permissible. She believes that a woman should have control of her body and what is inside of her body. A person and a fetus’ right to life have a strong role in whether an abortion would be okay. Thomson continuously uses the story of a violinist to get the reader to understand her point of view.
The mother-son case illustrates that there are more factors in play than just the two that Thomson presents in her thesis. Thomson’s conditions by themselves cannot explain every situation. The relationship between the people involved can also affect whether a decision is morally permissible or not. If that relationship entails that one person is emotionally bound and ethically responsible for the security and well-being of the other, the first cannot knowingly contribute to the death of the second. Thomson’s thesis must be modified to include this condition as well.