A Deep, Musical Connection Essay

A Deep, Musical Connection Essay

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The folk genre has origins all the way back to the 19th century, which in many ways is mirrored by many popular genres in modern musical genres. To make it easy folk music is merely, “ballads and songs which are composed and conveyed vocally, without being written.”(Mclean 12) Though what we distinguish ‘folk’ today as stylistically very different to what ‘folk’ was during the 19th century, at its basic form, it still holds the same standards and concepts, describing the simpler times. Through vigorous research, it’s hard to overlook the past and expansion of folk music originating from the south, and how it could help understand the significance for observing and expanding the dynamics of southern race relationships. Equally, race associations and composition remain replications of the open construction of the country south. In the physically separated south, the fusion between white’s melodic backgrounds and black melodic backgrounds show similar deviations then junctions, which have factually categorized relationships with both races. This relationship isn’t an emotional examination; but instead a socially prehistoric examination of distinct popular values which emphasize the partnership among two significant structures of that culture, that being music and race.
The growth of the American folk music as a popular commodity is a development that matches the ancient and social expansion of American humanity. During the creation of this commodity, two main powers, European and African, ran alongside each other over two hundred years. Alan Lomax, one of folk’s foremost iconic persons, has perceived that the junction of these varied essentials caused a cultural product, which is "further British compared to whatever single person...


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...ns:

i. Heskeis, Irene. Folk American Prevalent Music History, 1863 to 1952: A Collection Formed by the Lawrence Warwick Catalog of Copyright Entries. Maryland: Library of Congress, 1982.

ii. McLean, Merylynn. A Division of African Music and Dance, 3d ed. Manhattan Trainings in Music Bibliography, No. 64. Edited by J. Walker and Jacquilne S. Thomas. Warren, Michigan: Michigan Park Press, 1989

iii. Wilson, Micheal. The Old-fashioned Music of Britain and Europe: A Study and Information Guide. New England and New Jersey: Walker Publishing, 2001.

iv. Rustic, Eric E. The Music of the World’s: A Inclusive, story of Resources in the Folk Music. Music Position Assortment, No. 25. Westport, Connecticut: Thomlinson Press, 2002.
v. Baggelaar, Kristin & Donald Milton. "Folk Music: Furthermore Than Just Music", Brooklyn, NY: Lee Y. Lowell Company, 1996, 499-767 p.

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