The growth of the American folk music as a popular commodity is a development that matches the ancient and social expansion of American humanity. During the creation of this commodity, two main powers, European and African, ran alongside each other over two hundred years. Alan Lomax, one of folk’s foremost iconic persons, has perceived that the junction of these varied essentials caused a cultural product, which is "further British compared to whatever single person...
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i. Heskeis, Irene. Folk American Prevalent Music History, 1863 to 1952: A Collection Formed by the Lawrence Warwick Catalog of Copyright Entries. Maryland: Library of Congress, 1982.
ii. McLean, Merylynn. A Division of African Music and Dance, 3d ed. Manhattan Trainings in Music Bibliography, No. 64. Edited by J. Walker and Jacquilne S. Thomas. Warren, Michigan: Michigan Park Press, 1989
iii. Wilson, Micheal. The Old-fashioned Music of Britain and Europe: A Study and Information Guide. New England and New Jersey: Walker Publishing, 2001.
iv. Rustic, Eric E. The Music of the World’s: A Inclusive, story of Resources in the Folk Music. Music Position Assortment, No. 25. Westport, Connecticut: Thomlinson Press, 2002.
v. Baggelaar, Kristin & Donald Milton. "Folk Music: Furthermore Than Just Music", Brooklyn, NY: Lee Y. Lowell Company, 1996, 499-767 p.
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