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Emotional abuse in children essay
The effects of emotional abuse in children
Emotional abuse in children essay
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All she sees are the reeds whispering soft, sweet, crooning, kind words while her parents shout loud, bad-mouth, I TOLD YOU THIS AND I TOLD YOU THAT. Harsh, chemical, acid burning hate they propel at each other each day while she lays in the soft grass. Their words are melting the sugar off the bare, candy-cane box-cut home. “Cuz we’re poor, baby, we’re filthy poor, and you and your new shoes ain’t helpin’.” Money. It always comes back to money. Julia hasn’t got a gold pot or a rainbow, but she wants one so she can dump it all over her parents, dump it on herself and be content. She’s a dandelion in their lives. Make a wish and she’ll fly off to fulfill it, but try as she might, there’s no money that her young self can find. No peace for the searcher. She’s tired. Drifting. A shout shatters her brief pin-thin calm into a million pieces, and when it reknits, the edges are jagged, cutting, more fragile than before but stuck inside her, clawing blood out and pushing themselves in, clear-cut wisdom straight to the heart. It hurts. It’s rooted in her beating artery. I’m growing up, leaving. I’ll never be poor again. ~ Julia Douglass stands at the pier with a friend, Caroline Conway. Caroline, with flyaway autumn hair and parchment pale skin. Caroline, with sweet words and a kind soul. Caroline’s explaining to her how there’s this guy, and he’s really sweet but super lonely because he’s lived out in the country for a while. He’s homeschooled, doesn’t know anybody, and nobody really wants to know him. Julia’s only listening for one word. “And, he’s pretty rich, only son of two business people, and-” Rich. She’s been nursing that wound for a long time, letting it grow and grow until every sunset repre... ... middle of paper ... ...g sound to add to her sway, but she’s pierced by something, stumbling forward and falling to the soft, soggy earth. Some wretched smell fills the air. Julia isn’t looking but she can hear him vomiting non-stop into the metal garbage cans, hear him drop completely to the ground by her side. He’s staring at her in concern and she’s staring at him. A tender moment. Suddenly his eyes turn, refocus and he’s on his feet, staggering back, clutching brick, running away to leave her with glass reeds and metal tree trunks and the soft earth. Triumphant. She’s whimpering now, feeling the bullet and its bloody cut path. Her mewling howl is unnoticed, uncherished among the singing reeds. Shaking hands pull out from under her like molasses and her hands, they’re holding blood which glows magenta in the punk glowstick light. Still triumphant. She’s lying to herself.
Caroline was born into a wealthy family in Massachusetts, the daughter of a psychoanalyst and his self-contained painter-wife. She reflects in her memoir that being in her friends’ houses during her school years, she noted that her family was different from the others: they never hug each other,
At the new place things are not as she expected them to be. In contrast to the rest of her family she has troubles finding friends and she feels like an outcast at school. Luckily she meets a neighbor girl who she becomes best friends with, but soon they are separated when the diarist goes to her grandparents for the summer.
Like Esther, Joan Gilling grew up in the same small town; she also won the writing competition and was sent to New York to work for the same magazine. Joan was also very conscious about how the world identified her as an individual. She didn’t want to conform to what society sa...
She describes seeing through the fresh eyes of a child and because they are so young, they
Relationships are an essential aspect of life. People form new relationships every day and as these relationships become stronger, the individuals involved learn to care for each other and depend on one another in a greater way. Although the film Like Dandelion Dust, directed by Jon Gunn, is based on Karen Kingsbury’s novel, Like Dandelion Dust, there are many noticeable differences between the relationships that are formed in each of the two works. These differences are most apparent in Molly Campbell’s relationships. Molly forms stronger relationships in the novel than she does in the film. This is evident in Molly’s relationships with her husband Jack, her son Joey, and her sister Beth.
The author uses imagery, contrasting diction, tones, and symbols in the poem to show two very different sides of the parent-child relationship. The poem’s theme is that even though parents and teenagers may have their disagreements, there is still an underlying love that binds the family together and helps them bridge their gap that is between them.
Her body jolted from the prickles of pain like needle stabbing her skin. Her eyelid slowly fluttered open. She remained stilled, providing adequate time for herself to adjust as the blurry fog began to dissipate from her
Throughout the story, she surprises Winston by bringing items such as genuine chocolate, sugar, and coffee to their meetings. During one of Julia’s and Winston’s encounters, Julia claims excitedly, “Real sugar. Not saccharine, sugar. And here’s a loaf of bread- proper white bread, not our bloody stuff- and a little pot of jam. And here’s a tin of milk…” (Orwell 140). In this quote, Julia has brought a sack filled with forbidden luxury items such as sugar, bread, jam, and milk as well. Her motives behind stealing from the Inner Party aren’t directly correlated with rebelling against the party, but instead, the satisfaction that she gains from indulging in such rare pleasures. In the same scene, Julia has smuggled one more thing in addition to the food. After asking Winston to turn away for a brief moment, Winston states, “She had painted her face. She must have slipped into some proletarian quarters and bought herself a complete set of makeup materials” (Orwell 142). Not only had Julia stolen food but she was also able to obtain makeup which was extremely rare and considered illegal. Both of these quotes express Julia’s excitement when able to indulge herself with such luxury items. Her motives for opposing the party differ drastically from Winston’s. Winston is more wrapped up with his curiosity towards the functionality of the Party and
A bird whistled. Agnes followed the sound. She was stuck in the woods and her only hope was the bird. She would have laughed at herself if she wasn’t so worried about being lost. The mischievous bird with dark brown feathers whistled louder. Agnes sobbed as tears of fear began to run down her cheeks, “Please lead me home!” Agnes was a free spirited child. She was just over five feet tall with a slender appearance. Her auburn hair and silky bright yellow sundress flowed in the summer breeze that made the thick green leaves on the trees sway in the wind. Her eyes were a deep olive green and she had freckles all over rosy red cheeks.
A long breath leaves pale, cracked lips. Glassy grey eyes look longingly into the night sky. Dark hair splayed out beneath her in the crimson liquid that was soaking into the ground. A long gash from her shoulder to her ear. "Shit...." she mumbled, tears gathering behind her lashes. "Shit, I'm so sorry..." Her mind was going a mile a minute, ears still ringing from the impact. Finally it stopped on one person, a dark haired girl of the same age, staring at her with a sad look. "I'm sorry..." She whispered, weaker this time. "You were my purpose..." She said quietly. Her eyes blinked slowly as to accommodate the black spots dancing across her vision. As soon as that girl had left, she stopped counting the pills she took, stopped looking both ways before crossing the road. Because she had no will anymore, no joy. And now, no life left in her body. The lights of an ambulance were approaching fast,
She wants to find ways to keep herself sane and secure. She has no security if no one loves her nor has the financial stability. Lawrence then also writes, "The men might be foul-mouthed, the women in the kitchen might have bad reputations, her brothers might have illegitimate children. But so long as there was money, the girl felt herself established and brutally proud, reserved." Lawrence is portraying that all the negatives in her life brings her down, but she can have money and be satisfied and content. However, since her family has no source of income because of the deaths of her parents, she nor her brothers have no money. The negativities stricken her with despair and hopelessness which then leads to her how lonely she is because she may never find anyone that will compensate for her lack of income. She is driven by a domesticated life and maybe a spouse that can fulfill that—which is where Dr. Fergusson comes in to play. Dr. Fergusson is as well forlorn
She stared in morbid fascination at her life draining away, violent sobs ceasing at the sight of each bloody drop. The blood soon coated her artist’s hands, then her leg, and finally the carpet underneath her. Realizing this was it, all the pain was finally going to be over, that no one would ever be able to throw cruel remarks her way again, she stretched out on the floor of her room, spreading her arms out in a twisted version of a snow angel. Red soaked the carpet, faster than she dared hope and dared believe, and letting out a twisted laugh, she sent one final ‘fuck you’ to all those who had said she was too weak to do anything for
She wanted to show him her heart and let him see for himself the cuts, scratches and bruises tainting her heart. She wanted to scream that she did care but she held it all back. Why? Because she could see Ma’s disappointed face, her head shaking sternly. Ma would tell her that one day they would for what she was worth, gold. But the only thing was that she couldn’t see the love and possibly there was none for her.
and leaning into the bed. She sounds like she is going to begin hyperventilating. She picks