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The importance of african american literature
Essay on african american literature
The importance of african american literature
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Zora Neale Hurston was best known for her novels and different collections of folklore. She was a writer who associated with the Harlem Renaissance that celebrated the African American culture of the south. Her first novel, “Their Eyes Were Watching God”, was a best-selling novel in 1937.
Zora Neal Lee Hurston was born on January 7, 1891 in Eatonville, Florida. She was the fifth of the eight children to Lucy Ann Potts and John Hurston (“Zora Hurston” 3). Her mother had died in 1904 when she was thirteen. She dropped out of school after her death. When young Zora had seen her older sister, Sara hurt and rejected, she having bad attitudes because of her new stepmother. A few years later, Zora got into a physical fight with her stepmother causing her father to be on his daughter’s side.
When young Zora’s school wasn’t paid well, she was put to work by scrubbing the floors and working in the kitchen. It was an only way for her to do in order for her to continue her education. While staying with her older brother, Bob, Zora had befriended with a white woman. She had like Zora as a friendly and sisterly way. When the white woman had heard about a job opening as a maid to a singer, she wanted Zora to apply for the job (Lutz 7). At the age of sixteen, she had decided to join the job in a traveling theatrical show when they ended up in New York during the Great Depression (“Zora Neale” 1).
In 1918, Hurston had spent two years at Morgan before she graduated. She did well on all of her classes, except for math. She continued to finish Morgan so she can get easily transfer from high school to college (Lutz 8). For the first time in her life after many years, Hurston didn’t have any financial problems. She had arrived in New York in 1925 ...
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...hat taught them survive racial oppression (Kaplan 5).
Hurston had a psychological motivation to present for the black culture. She had drawn the materials for her novels for the rural, and most of her southern black life she had known as a young child and recorded folklore by collecting trips during the late 1920s and 1930s (Kaplan 5).
Works Cited
“Hurston, Zora Neale.” World Book Online Info Finder. World Book, 2014. Web. 28 Apr. 2014
“Hurston, Zora Neale.” Britannica Biographies. Encyclopedia Britannica, Inc. 1994-2012 Web. 2
May 2014.
Zora Neale Hurston, Cambridge: American Women Playwrights, 1900-1950.
Kaplan, Deborah. Ed. “Zora Neale Hurston”. Critical Survey of Long Fiction, Fourth Edition. New York: Salem Press, 2010.
Lutz, Norma Jean eds. Harold Bloom. “Biography of Zora Neale Hurston. Bloom’s Biocritiques. New York: InfoBase Publishing, 2003.
Hurston, Zora Neale. Their Eyes Were Watching God. Harper Perennial Modern Classics: Reissue Edition 2013
Zora Neale Hurston was born in Notasulga Alabama on, January 7, 1891. When she was a little girl her family moved to the now iconic town of Eatonville Florida. She was fifth child of eight of John Hurston and Lucy Ann Hurston. Eatonville was one of the first all-black towns to be established in the United States. Zora’s interest in literature was piqued when a couple of northern teachers, came to Eatonville and gave her books of folklore and fantasy. After her mother died, her father and new stepmother sent her to a boarding school. In 1918 Hurston began her undergraduate studies at Howard...
Hurston, Zora Neale. "Sweat." Norton Anthology of Southern Literature. Ed. William L. Andrews. New York: Norton, 1998.
Zora Neale was an early 20th century American novelist, short story writer, folklorist, and anthropologist. In her best known novel Their eyes were watching God, Hurston integrated her own first-hand knowledge of African American oral culture into her characters dialogue and the novels descriptive passages. By combing folklore, folk language and traditional literary techniques; Hurston created a truly unique literary voice and viewpoint. Zora Neale Hurston's underlying theme of self-expression and search for one’s independence was truly revolutionary for its time. She explored marginal issues ahead of her time using the oral tradition to explore contentious debates. In this essay I will explore Hurston narrative in her depiction of biblical imagery, oppression of African women and her use of colloquial dialect.
Zora Neale Hurston grew up in Eatonville, Florida also known as “Negro Town” (Hurston, 1960, p.1). Not because of the town was full of blacks, but because the town charter, mayor, and council. Her home town was not the first Negro community, but the first to be incorporated. Around Zora becoming she experienced many hangings and riots. Not only did Zora experience t...
Zora Neale Hurston was, the daughter of a Baptist minister and an educated scholar who still believed in the genius contained within the common southern black vernacular(Hook http://splavc.spjc.cc.fl.us/hooks/Zora.html). She was a woman who found her place, though unstable, in a typical male profession. Hurston was born on January 7, 1891 in Eatonville, Florida, the first all-incorporated black town in America. She found a special thing in this town, where she said, "... [I] grew like a like a gourd and yelled bass like a gator," (Gale, 1). When Hurston was thirteen she was removed from school and sent to care for her brother's children. She became a member of a traveling theater at the age of sixteen, and then found herself working as a maid for a white woman. This woman saw a spark that was waiting for fuel, so she arranged for Hurston to attend high school in Baltimore. She also attended Morgan Academy, now called Morgan State University, from which she graduated in June of 1918. She then enrolled in the Howard Prep School followed by later enrollment in Howard University. In 1928 Hurston attended Barnard College where she studied anthropology under Franz Boas. After she graduated, Zora returned to Eatonville to begin work on anthropology. Four years after Hurston received her B.A. from Barnard she enrolled in Columbia University to begin graduate work (Discovering Authors, 2-4). Hurston's life seemed to be going well but she was soon to see the other side of reality.
Hurston, Zora Neale. Their Eyes Were Watching God: A Novel. New York: Perennial Library, 1990. Print.
Rosenblatt, Roger. “Roger Rosenblatt’s Their Eyes Were Watching God.” Rpt. in Modern Critical Views of Zora Neale Hurston. Ed. Harold Bloom. New York: Chelsea House, 1986. 29-33. Print.
Hurston, Zora Neale. Spunk: The Selected Stories of Zora Neale Hurston. Berkeley, CA: Turtle Island Foundation, 1985. Print. 106 pages
Meyer, Michael. The Bedford Introduction to Literature. Ed. 8th ed. Boston: Bedford/St. Martin's, 2008. 2189.
Zora Neale Hurston was a novelist, folklorist, and anthropologist. Zora plays an important role for the Harlem Renaissance. Zora Neale Hurston is considered one of the titans of twentieth-century African American literature. Despite that she would later fall into disgrace because of her firm views of civil rights, her lyrical writing which praise southern black culture has influenced generations of black American literary figures. Hurston’s work also had an impact on later black American authors such as Ralph Ellison, Alice Walker, and Toni Morrison.
Quarterly 40.1 (2001): 79-92. Rpt. In Zora Neale Hurston, ed. Harold Bloom. New York: Infobase Publishing, 2008, 181-195.
Hurston, Zora Neale. “Sweat.” The Custom Library of American Literature. John Bryant. Boston, Massachusetts: Pearson Custom Publishing, 2008. 440-445.
Appiah, K.A. and Gates, Henry Louis, Jr. eds. Zora Neale Hurston: Critical Perspectives Past and Present. New York: Amistad Press, Inc., 1993.
In conclusion, Hurston was a modernist writer who dealt with societal themes of racism, and social and racial identity. She steps away from the folk-oriented style of writing other African American authors, such as Langston Hughes, and she addresses modern topics and issues that relate to her people. She embraces pride in her color and who she is. She does not hate the label of “colored” that has been placed upon her. She embraces who she is and by example, she teaches others to love themselves and the color of their skin. She is very modern. She is everybody’s Zora.