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Important symbolism in the yellow wallpaper
Important symbolism in the yellow wallpaper
Important symbolism in the yellow wallpaper
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The Yellow Wallpaper and The Awakening were two works written during the Age of Expression. The entire country was going through an era of Reconstruction; politically, socially, culturally and econmically . The Yellow Wallpaper and The Awakening are feminist works aimed at the psychological, social, and cultural injustices during the era. According to Mizruchi, “ Cosmopolitanism aroused dis-ease: depression and disaection were prevalent in a society whose pace and variety seemed relentless. Yet the same circumstances also instilled hope. For it was widely recognized that the burgeoning heterogeneity of a newly global America would be a source of enduring vitality.”(Mizruchi, 2008) The wives portrayed in these works defeated the attitudes of their husbands during this patriarchal culture. The patriarchal times prescribed a “rest cure” for neurasthenia (minor depression). Today neurasthenia would be called post-partum depression. Rest and quiet was prescribed as an antidote used ardently by the medical establishment in the United States. The medical establishment was dominated by men, like the husband John in The Yellow Wallpaper. The wife in The Yellow Wallpaper defeated her husband John by accepting madness over repression, refusing a life of "unhappy, silent acceptance." John, her husband, forbids her to do anything but marital things. He did not like her to write. Writing symbolized her using her mind. Artistic abilities including writing, was trivial to him. In rebellion, within the yellow wallpapered “cell”, she used her mind to create a Gothic, shadowy world full of her mad fantasies and artistic revolt (including thoughts of burning the house down), and escaping into a suppressed rage. The suppressed rage eventual... ... middle of paper ... ...the “sea” to her death of privacy, freedom, and comfort. t Kate Chopin's story The Awakening and Charlotte Perkins Gilman's story The Yellow Wallpaper draw their power from two truths: First, each work stands as a political cry against injustice and at the socio/political genesis of the modern feminist movement. Second, each text is a gatekeeper of a new literary history. Kate Chopin and Charlotte Perkins Gilman seem to initiate a new phase in textual history where literary conventions are revised to serve an ideology representative of the "new" feminine presence. Two conventions in particular seem of central importance: "marriage" and "propriety". Works Cited Mizruchi S. Rise of Multicultural America : Economy and Print Culture, 1865-1915 [e-book]. University of North Carolina Press; 2008. Available from: eBook Collection, Ipswich, MA. Accessed August 30, 2011.
Kate Chopin and Charlotte Perkins Gilman were both highly influential realist and naturalist writers. Both authors wrote many pieces of literature which are focused around feminist themes and ideas of life and death. Two of these pieces are “The Yellow Wallpaper”, which is written by Gilman, and “Desiree’s Baby”, which is written by Chopin. Many factors have influenced these writers, such as stressors of their time periods, life experiences, and personal beliefs. Both of these short stories exhibit feminism due to life experiences as well as different viewpoints on death based on personal beliefs.
Throughout “The Yellow Wallpaper” and “The Story of an Hour” we, as the reader, see how oppression by husbands during the nineteenth and twentieth century resulted in their wives, quietly longing for freedom. This freedom would be monumental to achieve, but simple in nature. It was the freedom to speak their own minds and makes their own choices.
Kate Chopin wrote “The Story of an Hour” in 1894; it describes a young married women named Louise confronting years of suppression that vanish with her husband’s death leaving her with unimaginable freedom. A few years later in 1899, Charlotte Perkins Gilman wrote “The Yellow Wallpaper” which portrayed a married woman’s struggle against insanity. The similarities between the two would seem unapparent, other than the fact that both women in the stories are married. When submersing oneself deeper into the stories, one can see the analogy between their wedded husbands, and the controlling grips they have on their wives. However, if a person truly descends within the two texts, accord and disparity layers itself with symbolism; the two stories show unique settings and elaborate imagery that pose multiple similarities as well as differences.
“Like a river flows so surely to the sea darling, so it goes some things are meant to be.” In literature there have been a copious amount of works that can be attributed to the theme of love and marriage. These works convey the thoughts and actions in which we as people handle every day, and are meant to depict how both love and marriage can effect one’s life. This theme is evident in both “The Storm” by Kate Chopin and “The Yellow Wallpaper” by Charlotte Gilman; both stories have the underlying theme of love and marriage, but are interpreted in different ways. Both in “The Storm” and in “The Yellow Wallpaper,” the women are the main focus of the story. In “The Storm” you have Calixta, a seemingly happy married woman who cheats on her husband with an “old-time infatuation” during a storm, and then proceeds to go about the rest of her day as if nothing has happened when her husband and son return. Then you have “The Yellow Wallpaper” where the narrator—who remains nameless—is basically kept prisoner in her own house by her husband and eventually is driven to the point of insanity.
In the stories “A Rose for Emily” written by William Faulkner, and “The Yellow Wallpaper” written by Charlotte Perkins Gilman, talk about how two women are experiencing the same emotional situations they have to endure. Both of these stories express the emotional and physical trials the characters have to endure on an everyday basis. In the story “The Yellow Wallpaper” it shows a woman who is oppressed and is suffering from depression and loneliness. In “A Rose for Emily” it is showing the struggle of maintaining a tradition and struggling with depression. Both of the stories resemble uncontrollable changes and the struggles of acceptance the characters face during those changes.
In Charlotte Perkins Gilman’s short story, "The Yellow Wallpaper," Gilman makes adamant statements about feminism and the oppression of women during the 19th century. This story allows the reader to see into the mind of a woman who is slowly going insane and suffering from postpartum depression. During the 19th century, women were forced into a certain stereotype, that of wife and mother. Women were not allowed to express and challenge themselves the way men were. Just as the narrator of the story is trapped in her room, women are trapped in pretentious acts that do not allow them to explore their creativity and intelligence. Gilman displays how easily one can go insane when they are suppressed by a patriarchal society. Gilman’s illustration of a subordinate wife, fully dominated by her husband, proposes a sense of gender stereotypes, as well as the treatments prescribed for the mentally ill; as the narrator is forced to become unproductive, John continues to act superior to his wife and treat her like a prisoner and child.
Kate Chopin’s “The Story of an Hour” and Charlotte Gilman’s “The Yellow Wallpaper” are both centralized on the feministic views of women coming out to the world. Aside from the many differences within the two short stories, there is also similarities contained in Chopin’s “The Story of an Hour” and Gilman’s “The Yellow Wallpaper,” such as the same concept of the “rest treatment” was prescribed as medicine to help deal with their sickness, society’s views on the main character’s illness, and both stories parallel in the main character finding freedom in the locked rooms that they contain themselves in.
Takaki, Ronald. A Different Mirror: A History of Multicultural America. Boston: Little, Brown & Co., 1993. Print.
?The Yellow Wallpaper? and ?The Story of an Hour? are two feminist works that highlight the importance of freedom for women in the oppressive world of men. Freedom is not achieved normally in either of the short stories, but is gained through insanity and death. These two stories prove that women?s liberation is an extremely important issue, and the means by which these women gained their freedom is remarkable.
Takaki, Ronald. "A Different Mirror: A History of Multicultural America." 1993. Border Texts: Boston: Houghton Mifflin Co, 1999. 589-596.
Charlotte’s P. Gilman’s story “The Yellow Wallpaper” narrates the repressive nature of the 19th century towards the female figure, and how this ignorant and superior attitude towards women led a young wife and mother to a mental breakdown. Her suppressed mind starting seeking relief by finding a meaning to the yellow wallpaper that surrounded her, reflecting in it the restrictions of her marriage and society.
It becomes obvious that the physician is unaware of the mind of women, and believes the best form of treatment for his wife is confinement and rest. The narrator states, “If a physician of high standing, and one’s own husband, assures friends and relatives that there is really nothing the matter with one but temporary nervous depression—a slight hysterical tendency—what is one to do?” (Gilman, 3). Further support can be proved when viewing “The Yellow Wallpaper” in historical context. Pouba and Tianen illustrate how many of the medical theories and practices of the nineteenth century often misunderstood the female psyche. Physicians often misdiagnosed and placed women in mental institutions for questionable reasons such as nervousness, suppressed menustruation and religious excitement. Women had minimal rights during this time period, even regarding their own mental state
“The Yellow Wallpaper” written by Charlotte Gilman is a chilling portrayal of a woman’s downward spiral towards madness after undergoing treatment for postpartum depression in the 1800’s. The narrator, whose name remains nameless, represents the hundreds of middle to upper- class women who were diagnosed with “hysteria” and prescribed a “rest” treatment. Although Gilman’s story was a heroic attempt to “save people from being driven crazy” (Gilman p 1) by this type of “cure” it was much more. “The Yellow Wallpaper” opened the eyes of many to the apparent oppression of women in the 1800’s and “possibly the only way they could (unconsciously) resist or protest their traditional ‘feminine’ work—or over-work” (Chesler p 11) by going “mad”.
In the story the Yellow Wallpaper, a theme of this that I want to argue is the importance of self-expression for women in the 19th century. People didn't care about advocating for woman’s rights when John and the narrator move into a temporary home. she don't like the necessity of such a move and she starts to wonders if the mysterious house is haunted. John shows his superior attitude toward his wife by laughing at her fancies, a response which the narrator finds quite natural because , she must expect such treatment in marriage. In the yellow wallpaper John, the narrator's husband thinks he knows what she should do and how she should do it which contributed to the narrator madness. When it became the purview of males in the medical profession soon the women in the yellow wallpaper start to feel like she is having a mental illness. the narrator in the yellow wallpaper is suffering from some type of disorder her husband is a physician believes that only complete rest will cure his wife.At first, she tries to fight against the growing lack of energy that
Charlotte Perkins Gilman’s literary work “The Yellow Wallpaper” expresses a dominating relationship between a husband and a compliant wife and her gradual decent into insanity. The wife, suffering from postpartum depression, is secluded from societal influences in attempts to return her to a healthier state of mind. She is not allowed to write or think in her isolated room and over a course of three months becomes more dysfunctional as she is entrapped in what she describes as a former nursery. Her determination to go against her husband’s and physician’s restrictions ultimately makes her surrender into madness because it symbolizes her escape from oppression and resistance from the treatment she is subjected to. Critics may claim that the insanity that the wife suffers from was not the cause of her treatments but existed early in her childhood and that the room in which she occupies is in an insane asylum. However, over the course of time her seclusion makes her fixate on yellow wallpaper in her room. Eventually her fascination of the wallpaper becomes an obsession and she begins to fantasize of imprisoned women behind the paper. By the end of the story she can no longer distinguish fiction from reality and eventually looses any sanity that she held in the beginning of the story. Additionally, the isolated treatments provided by her husband plays a great role in her breakdown and her animalistic behaviors exhibited upon her husband’s return.