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Women's roles in literature
Portrayal of women in literature
Portrayal of women in literature
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“Women write differently not because they are different psychologically from men, but because their social experiences are different.” – Virginia Woolf
Bharati Mukherjee is the most accomplished diasporic writer. She is a prominent author of the Indian Writings in English who has induced the study of feminism in her writings. She is widely eulogized as the finest of her cohort of Indian writers in English. This paper aims to highlight the female protagonist who is insightful, anxious, luminous and inventive. Initially fatalities of self denial are in conflict with their internal selves because they ignore their real stance. Her major concern as creative writer is to find and preserve woman’s identity as daughter, wife, mother and most important of all as human beings. Concerns related to women are central to the vision of Mukherjee. The paper aims to discuss the victimization of women and their traumatic experience undergone by women characters in the select works of Bharati Mukherjee. The condition of women has gradually changed globally and the docile female has
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Iowa is the place where Jane encounters violent realities. She witnesses how the usually placid farmer, Harlan, turns violent on Bud Ripplemeyer, the banker from Iowa, after being turned down by him for a loan. He shoots Bud in the back and then commits suicide. Jane also hears the story of the nameless Osage man who tortures his wife to death and then “hangs himself in his machine shed” (Jasmine 156). Violence in Iowa, however, is presented in ambiguous dialectics. The narrator insinuates that despite these violent occurrences, the American people are resilient in their hopes and are optimistic about the future. Therefore, violence the trajectory of everyday life, with its usual ups and downs, unfolds in Jane’s life and she tries to carve out her identity in the image of her
Woolf's main point, that wealth and a room of one's own is necessary in order to becoming a good writer is misleading as it does not take into consideration education, having a good self esteem, access to all resources, not having domestic hindrances. Writing is like a horse,whom you can lead it to the river but you cant make it drink the water. Wealth can only bring you to the river, education, having a good self esteem, access to all resources, not having domestic hindrances is what can make use of the wealth and drink the water. Hence education, having a good self esteem, access to all resources, not having domestic hindrances inclusive of having wealth is essential for a writer especially a female writer to flourish.
However, even though this work was written about a hundred years ago and although Wolf said “in a century’s time very possibly they [values] will have changed completely”, some issues from “A Room of One’s Own” still resonate today (Wolf 30). Respectively, Wolf hoped that a century will be needed for women to reach the same level of recognition and the same opportunities. Nevertheless, up to this day, female writers are not always being treated seriously among public as it is believed that they only write about love and, in general, do not have the same abilities to write. Also, it applies to other spheres that are commonly gendered as male: statistically, there are much fewer women engineers than men in any country. Second, she mentions that male writers are struggling with composing when “material circumstances are against it” while saying that for a female writes the conditions are even worse since no one even believed that writing is a woman’s path. Today, even though the world is a better place for women than it was in her time, women still struggle with the same problem. She brings up the topic of girls being raised differently from boys, and it is a modern issue as well. Generally, girls are expected to be more polite, well-behaved, and calm than boys, and gradually it lead to girls being more
Wagner-Martin, Linda. The Oxford Companion to Women's Writing in the United States. Ed. Cathy N. Davidson and Linda Wagner-Martin. New York: Oxford University Press, 1995.
Much discrimination and misogyny still permeate our social stratosphere, but while reading written words one cannot help but to be placed in the author’s shoes, and therefore accept their words as our own. Cain writes, “Many of the texts written by women during this time reflect the idea that there are natural differences between the sexes. Usually a female narrator…privately addresses a mainly female audience about issues that might seem mainly to concern women” (825). Because the text is written in a female voice, the reading adapts themselves to that voice, and gives credit to the
Virginia Woolf, in her novels, set out to portray the self and the limits associated with it. She wanted the reader to understand time and how the characters could be caught within it. She felt that time could be transcended, even if it was momentarily, by one becoming involved with their work, art, a place, or someone else. She felt that her works provided a change from the typical egotistical work of males during her time, she makes it clear that women do not posses this trait. Woolf did not believe that women could influence as men through ego, yet she did feel [and portray] that certain men do hold the characteristics of women, such as respect for others and the ability to understand many experiences. Virginia Woolf made many of her time realize that traditional literature was no longer good enough and valid. She caused many women to become interested in writing, and can be seen as greatly influential in literary history
Virginia Woolf, an original, thought-provoking feminist author, influenced women to fight for equality and to question the opportunities for women in literature. With her diaries, novels and poems, she stunned her readers with something they have not seen much before: women rebelling. Woolf was frustrated with women and the untouched and suppressed skills they harbor. She once said, “Women have sat indoors all these millions of years, so that by this time the very walls are permeated by their created force, which has, indeed, so overcharged the capacity of bricks and mortar that it must needs harness itself to pens and brushes and business and politics” (Feminist 595). Woolf sought to eliminate the perceived ideas of women and enlighten readers of the skills that women possess.
There is much debate in feminist circles over the "best" way to liberate women through writing. Some argue that a female writer should, in an effort to recapture her stolen identity, attack her oppressive influences and embrace her femininity, simultaneously fostering dimorphic literary, linguistic, and social arenas. Others contend that the feminization of writing pigeonholes women into an artistic slave morality, a mindset that expends creative energy on battle and not production, and inefficiently overturns stereotypes and foments positive social change; rather, one should lose gender self-consciousness and write androgynously.
Woolf's first assertion is that women are spatially hindered in creative life. "A woman must have money and a room of her own if she is to write fiction," Woolf writes, "and that as you will see, leaves the great problem of the true nature of women. . .and fiction unresolved" (4). What Woolf seems to say is that being female stifles creativity. Woolf does not assume, however, that a biological reason for this stifling exists. Instead, she implies that a woman's "life conflicts with something that is not life" (71). In other words, mothering, being a wife, and the general daily, culturally defined expectations of women infringe upon creativity, in particular the writing of fiction. The smothering reality of a woman's life - - housekeeping and child-rearing duties, for example - - distract a woman from writing. Sadly, Woolf notes, even if a woman in such circumstances manages to write anyway, "she will write in a rage where she should write calmly.
There is no doubt that the literary written by men and women is different. One source of difference is the sex. A woman is born a woman in the same sense as a man is born a man. Certainly one source of difference is biological, by virtue of which we are male and female. “A woman´s writing is always femenine” says Virginia Woolf
What are the psychological and physical conditions to compose a fiction work? Why Shakespeare plays are not pen by women? These fascinating and frivolous questions are posed in “Shakespeare Sister” an excerpt from Virginia Woolf. Mrs. Woolf develops a real pragmatics of feminist on daily base. An efficient that women face for centuries, such as women’s rights in education.
Recent years have witnessed a large number of Indian English fiction writers who have stunned the literary world with their works. The topics dealt with are contemporary and populist and the English is functional, communicative and unpretentious. Novels have always served as a guide, a beacon in a conflicting, chaotic world and continue to do so. A careful study of Indian English fiction writers show that there are two kinds of writers who contribute to the genre of novels: The first group of writers include those who are global Indians, the diasporic writers, who are Indians by birth but have lived abroad, so they see Indian problems and reality objectively. The second group of writers are those born and brought up in India, exposed to the attitudes, morale and values of the society. Hence their works focus on the various social problems of India like the plight of women, unemployment, poverty, class discrimination, social dogmas, rigid religious norms, inter caste marriages, breakdown of relationships etc.
Women’s writing, particularly in The Golden Notebook is about the fact that women are assessed from a completely different point of v...
Mahasweta Devi, always writes for deprived section of people. She is a loving daughter, a clerk, a lecturer, a journalist, an editor, a novelist, a dramatist and above all an ardent social activist. Her stories bring to the surface not only the misery of the completely ignored tribal people, but also articulate the oppression of w...
Being a Feminist and having a Feminist point of view in observing every cultural, social and historical issue had been translated as having a feminine centered and anti-masculine perception. Unlike the general and common knowledge about feminism, it is not only an anti-masculine perception towards social and individual issues. Feminism according to Oxford dictionary is the theory of the political, economic and social equality of the sexes that more commonly known as the pursuit of equality for women’s rights. On the other hand, in studying literary books as it will be in this paper, the mentioned definition is not applicable. Therefore, in this paper Feminist criticism will be used in order to study some characters’ lives in “Like water for chocolate” and “Season of Migration to the north” novels. Feminist criticism according to Oxford dictionary is a type of literary theory that points out different genders, races, classes, religions that are depictured in literature and will be used in this paper.
Many female writers see themselves as advocates for other creative females to help find their voice as a woman. Although this may be true, writer Virginia Woolf made her life mission to help women find their voice as a writer, no gender attached. She believed women had the creativity and power to write, not better than men, but as equals. Yet throughout history, women have been neglected in a sense, and Woolf attempted to find them. In her essay, A Room of One’s Own, she focuses on what is meant by connecting the terms, women and fiction. Woolf divided this thought into three categories: what women are like throughout history, women and the fiction they write, and women and the fiction written about them. When one thinks of women and fiction, what they think of; Woolf tried to answer this question through the discovery of the female within literature in her writing.