Short stories are often written in order to quickly sum up an experience or point out a relevant moral or lesson. Numerous authors prefer to express their own interests or opinions through their short stories. Henry Van Dyke guided his own writing by referring to his worldly and spiritual views aside from his interests and hobbies. Due to his appreciation of nature and the time period during which he lived, Henry Van Dyke relied heavily on themes of death and regret in an effort to convey detailed and subtle cautionary tales.
Van Dyke held an obvious passion for exploring nature and was extremely active. Juliet from Pennsylvania State University states, “…he energetically trampled through forest trails, fished at troutbrooks, scrambled wooded mountains, and took virtual ownership of nature” (Juliet 1). Since he spent much of his time outside, choosing the correct or appropriate setting for his stories was probably extremely easy for him. By referring to his experiences, he was able to identify and select different variables needed to create the right mood for the story. A certain time of day mixed with a certain type of surrounding may arouse specific feelings. His ability to choose these allowed him to quickly and efficiently set the mood at the beginning of the story. The mood itself is a necessary variable required to establish the moral, and Van Dyke was capable of selecting the perfect factors for the setting in order to create those feelings. In the story, he states those factors up front or infers them through careful detail, through both narrative and dialogue. Even though the setting is generally not the main focus of the plot, it is essential to it, next to the ending result and establishment of the theme. Each detai...
... middle of paper ...
..., ultimately displaying a moral or lesson that he learned himself from his own or others’ mistakes. Furthermore, he solely portrayed those lessons to be cautionary advice in an effort to offer his knowledge and transform the world to be a better home.
Works Cited
All Poetry. "Henry Van Dyke." All Poetry. All Poetry, n.d. Web. 15 Mar. 2014.
The Famous People. "Henry Van Dyke Biography." The Famous People. The Famous People,
n.d. Web. 15 Mar. 2014.
Juliet Iwelumor. "Henry Van Dyke." Henry Van Dyke. N.p., n.d. Web. 15 Mar. 2014.
Van Dyke, Henry. “Antwerp Road.” The Valley of Vision. New York: Charles Scribner’s Sons,
1920. 19. Web.
Van Dyke, Henry. “A Remembered Dream.” The Valley of Vision. New York: Charles
Scribner’s Sons, 1920. 4. Web.
Van Dyke, Henry. “Justice of the Elements.” The Valley of Vision. New York: Charles
Scribner’s Sons, 1920. 76-77. Web.
Stephen Crane and Jack London are two contrasting authors who use their own unique writing styles to create two unique genres that capture the reader’s interest. In two of Crane’s more prolific short stories “The Bride Comes to Yellow Sky” and “The Open Boat,” the vocabulary and use of dialogue add a sense of sophistication to his short stories while also making the stories smooth to read and eye-catching; whereas in Jack London’s short story “To Build a Fire,” the protagonist in the story is used as a catalyst for character development, and as an example to the audience of the naïveté of youth. London and Crane varied immensely in their literary techniques of vocabulary, dialogue, and character development demonstrated by the use of the protagonist
Henry's first-person narrative is the most important element of these stories. Through it he recounts the events of his life, his experiences with others, his accomplishments and troubles. The great achievement of this narrative voice is how effortlessly it reveals Henry's limited education while simultaneously demonstrating his quick intelligence, all in an entertaining and convincing fashion. Henry introduces himself by introducing his home-town of Perkinsville, New York, whereupon his woeful g...
The story takes place in a city in the year of 2053 A.D. Cities are imagined to be busy and energetic at night but in this city it is portrayed as deserted and noiseless as the author wrote ¨To enter that silence that was the city at eight o'clock of a misty evening in November...¨ Author Ray Bradbury goes on to explain the setting in several different parts of the story like that the ¨cement was vanishing under flowers of grass¨ or the ¨...cottages and homes with their dark windows...¨ to give an image to each reader. The setting can create a mood or an atmosphere- a subtle emotional overtone that can strongly affect our feelings. An example would be “On a dark, cold night in November 2053, the pedestrian - Leonard Mead- walks alone through the city. The streets and freeways are deserted. Dark tomblike homes line the streets.” Bradbury uses mood and details to explain how dehumanization and technology ruined the society that the character Mr. Mead was
The “Tell-Tale Heart” is a short story written by Edgar Allan Poe and serves as a testament to Poe’s ability to convey mental disability in an entertaining way. The story revolves around the unnamed narrator and old man, and the narrator’s desire to kill the old man for reasons that seem unexplainable and insane. After taking a more critical approach, it is evident that Poe’s story is a psychological tale of inner turmoil.
In traditional writing styles, the main element to give the story meaning is the narrative itself. However, with more modern and distinct styles such as the short stories written where the narrative is no longer the primary stylistic device, but the use of metaphors and distinctive different narrators applies meaning to the stories. Though it is easy to judge what is different from tradition as inferior, this change is no different than the rise of cubism in the art world. Even though initially many would comment on the art not being “real,” or in this case, the stories being poorly written, this style has even more of an effect. After
Many times in life things are not as they seem. What may look simple on the surface may be more complicated deeper within. Countless authors of short stories go on a journey to intricately craft the ultimate revelation as well as the subtle clues meant for the readers as they attempt to figure out the complete “truth” of the story. The various authors of these stories often use different literary techniques to help uncover the revelation their main characters undergo. Through the process of carefully developing their unique characters and through point of view, both Edith Wharton and Ernest Hemingway ultimately convey the significant revelation in the short stories, “Roman Fever” and “Hills Like White Elephants” respectively. The use of these two literary techniques is essential because they provide the readers with the necessary clues to realize the ultimate revelations.
The writer has used a combination of narrative and descriptive styles of writing. He has used the descriptive style to give a step by step illustration on what a man should do, how he should behave and lastly what he should say from the beginning to the end of the story (Meyer 45). The narrative style comes into play as he adds in his characters, the conflicts they will face or words they will use and the settings and or challenges they will encounter throughout the short story. This
In the short story “Magpies” by Thomas King, a unique narrator is used to recount the story of the character Granny’s death and the subsequent conflict involving her burial between Ambrose and Wilma. In his story, King intertwines written and oral literature, and creates an oral voice through a narrator. There are many techniques that King uses to achieve this effect. King’s writing style which is used in “Magpies” is best described by King himself in his essay “Godzilla vs. Post-Colonialism”. He describes this style of narration as “interfusional” which is a “metamorphosis- (from) written to oral, reader to speaker” (Godzilla vs Post-Colonialism 14). Through using the role of a storyteller, King uses the “interfusional” style of writing. The
For a writer, stylistic devices are key to impacting a reader through one’s writing and conveying a theme. For example, Edgar Allan Poe demonstrates use of these stylistic techniques in his short stories “The Masque of the Red Death” and “The Fall of the House of Usher.” The former story is about a party held by a wealthy prince hiding from a fatal disease, known as the Red Death. However, a personified Red Death kills all of the partygoers. “The Fall of the House of Usher” is about a man who visits his mentally ill childhood companion, Roderick Usher. At the climax of the story, Roderick’s twin sister, Madeline, murders him after he buries her alive. Edgar Allan Poe’s short stories employ the stylistic decisions of symbolism, dream-like imagery, and tone to affect the reader by furthering understanding of the theme and setting and evoking emotion in readers.
Short stories are temporary portals to another world; there is a plethora of knowledge to learn from the scenario, and lies on top of that knowledge are simple morals. Langston Hughes writes in “Thank You Ma’m” the timeline of a single night in a slum neighborhood of an anonymous city. This “timeline” tells of the unfolding generosities that begin when a teenage boy fails an attempted robbery of Mrs. Jones. An annoyed bachelor on a British train listens to three children their aunt converse rather obnoxiously in Saki’s tale, “The Storyteller”. After a failed story attempt, the bachelor tries his hand at storytelling and gives a wonderfully satisfying, inappropriate story. These stories are laden with humor, but have, like all other stories, an underlying theme. Both themes of these stories are “implied,” and provide an excellent stage to compare and contrast a story on.
Mood helps in creating an atmosphere in a literary work by means of setting, theme, diction and tone. Throughout the book To kill a mockingbird the author wanted the mood to be sorrowful or vexed or just fret about how the people are acting because seeing how things were being treated or how people acted would be enough to make you feel angry or sad or worried for the people who were in the book. You always wanted to know what was going to come next or how something would end. Vex was a very prominent mood in this story and is definitely the most relevant.
In Edgar Allan Poe's short story "The Tell-Tale Heart," the author combines vivid symbolism with subtle irony. Although the story runs only four pages, within those few pages many examples of symbolism and irony abound. In short, the symbolism and irony lead to an enormously improved story as compared to a story with the same plot but with these two elements missing.
Wilson, Kathleen, ed. Short Stories for Students: Presenting Analysis, Context and Criticism on Commonly Studied Short Stories. Vol 2. Michigan: Gale Research, 1997.
'Young Goodman Brown,' by Hawthorne, and 'The Tell Tale Heart,' by Poe, offer readers the chance to embark on figurative and literal journeys, through our minds and our hearts. Hawthorne is interested in developing a sense of guilt in his story, an allegory warning against losing one's faith. The point of view and the shift in point of view are symbolic of the darkening, increasingly isolated heart of the main character, Goodman Brown, an everyman figure in an everyman tale. Poe, however, is concerned with capturing a sense of dread in his work, taking a look at the motivations behind the perverseness of human nature. Identifying and understanding the point of view is essential, since it affects a reader's relationship to the protagonist, but also offers perspective in situations where characters are blinded and deceived by their own faults. The main character of Poe?s story embarks on an emotional roller coaster, experiencing everything from terror to triumph. Both authors offer an interpretation of humans as sinful, through the use of foreshadowing, repetition, symbolism and, most importantly, point of view. Hawthorne teaches the reader an explicit moral lesson through the third person omniscient point of view, whereas Poe sidesteps morality in favor of thoroughly developing his characters in the first person point of view.
Some of the characteristics of Modernism are: a desire to break conventions and established traditions, reject history, experiment, remove relativity, remove any literal meaning, and create an identity that is fluid. The rejection of history sought to provide a narrative that could be completely up for interpretation. Any literal meaning no longer existed nor was it easily given; essence became synonymous. Narrative was transformed. Epic stories, like “Hills Like White Elephants”, could occur in the sequence of a day. Stories became pushed by a flow of thoughts. The narrative became skeptical of linear plots, preferring to function in fragments. These fragments often led to open unresolved inconclusive endings. This echoes in the short story’s format. The short story functions in fragmented dialogue. Focusing on subjectivity rather than objectivity. Creating characters with unfixed, mixed views to challenge readers.