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alfred tennyson as a victorian writer
analysis of the poem in memoriam by lord Alfred Tennyson
Tennyson is a representative poet
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Alfred Lord Tennyson
(an assessment on the events in Lord Tennyson’s)
Start of the Victorian Era, the beginning of the industrial revolution, these were the times in which Alfred Lord Tennyson was born. With a striking good looking beard, Tennyson will be the artist of many thought provoking texts, many texts that will later be argued over and discussed for centuries. “Tennyson has seemed the embodiment of his age, both to his contemporaries and to modern readers,” in the words of Smith. However, an intriguing question to ask is what is it that would Lord Tennyson to write such proving words? By using Alfred Lord Tennyson’s three texts, In Memoriam, The Lady Of Shalott, and Ulysses, the reasons for Tennyson’s thoughts can be unfolded.
To begin, In Memoriam is a very sad and dreadful excerpt that can be easily understood if one is to know that his reasoning for writing it is the loss of a loved one. In Memoriam consists of Lord Tennyson just moping. He’s sad, he has depression and he has no hope for himself. Why would a young man be in such a state without something dramatic happening in his life? It’s because something did happen. Lord Tennyson lost a dear countenance and friend. “Arthur Henry Hallum, has passed away,” says Alena O’ Conner in her article In Memoriam. From the seventh section of his Memoriam line 5-8 he says, “A hand that can be clasped no more—behold me, for I cannot sleep and like a guilty thing I creep at earliest morning to the door.” He’s losing sleep. He’s lost his friend and these lines and the lines following go to show that it is making a dramatic effect on him.
The Lady of Shalott is a prime example of the complicated relationship that Alfred Lord Tennyson had towards women during the 19th Century. Te...
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...; and though we are not now that strength which in old days moved earth and heaven, that which we are, we are.” In other words, we’re not as strong as we used to be. We don’t have that kind of strength anymore. However, we are what we are, and I’m going to push through to the very end.
From the death of a dear friend, to the fall of his own country, these very dramatic events helped Alfred Lord Tennyson come up with the idea to write these texts. In the words of Wilson, “in his own day he was said to be—with Queen Victoria and Gladstone—one of the three most famous living persons, a reputation no other poet writing in English has ever had.” He didn’t just pull them out of nowhere. Which begs another intriguing question. Did all of Lord Tennyson’s stories come from some life event that he had, or did he just make others up for the mere pleasure of being an author?
This essay will explore the social interactions between characters, the effects of appearance on their relationships and how this drives them to make certain decisions. This includes how the claustrophobia of their society is portrayed and its effects through form, style and literary techniques. All four texts explore the conflict between public and private selves. In Othello , Shakespeare reveals the taboo surrounding an interracial sexual relationship between a black man and a white woman during the Sixteenth Century. In Hardy’s Nineteenth Century novel Tess of the d’Urbervilles , we see the clash between sexuality, laws and codes of the time. I will compare these texts to The Franklin’s Tale and Pride and Prejudice , looking at how the rigid codes of courtly love impact on male and female behaviour within relationships and how the social and cultural attitudes and values of Regency England influence young women in their marriage choices.
For it is a commonplace of our understanding of the period that the Victorian writer wanted above all to “stay in touch.” Comparing his situation with that of his immediate predecessors, he recognized that indulgence in a self-centered idealism was no longer viable in a society which ever more insistently urged total involvement in its occupations. The world was waiting to be improved upon, and solved, and everyone, poets, included had to busy themsel...
After centuries of serving as background noise to her husband Ulysses’ odes of sea storms, sirens, and celebrity, the mythological Penelope finally steps into the light in Miriam Waddington’s poem “Ulysses Embroidered.” Functioning as a revisionary text to both the Alfred, Lord Tennyson work “Ulysses” and the tradition of The Odyssey itself, “Ulysses Embroidered” quickly strikes its readers as a fiercely feminist re-envisioning of Penelope and her tale. Waddington’s work allows for an age-old legend to be told in a new way with a bold, feminine speaker, but to what end do her changes remark on Tennyson’s original work? By engaging in two separate modes of revision by both reading against the grain and “constantly [engaging] in dialogue” to work in tandem with the original poem, Waddington
In Tennyson's "Tears, Idle Tears," a strong sense of nostalgia is perceived. In the last
Wolfson, Susan and Peter Manning (eds.). The Longman Anthology of British Literature: The Romantics and Their Contemporaries. Volume 2A. New York: Longman, 1999.
Tennyson’s abstract poetic structure provides comprehension difficulties in finding a single thematic idea. He intertwines historical allusions, along with deep and person feelings through one piece of work. The organic structure of certain Tennyson poetry presents a tone of uncertainty. While his unconventional works give a more solidified aura. Contrary in structure, mood, and tone, “Ulysses” and “The Lady of Shalott”, harbor the underlying theme of coveting to escape from their idle worlds.
Texts are a representation of their context and this is evident in Robert Stevenson’s novella: “The Strange Case of Dr Jekyll and Mr Hyde”, where many values of late nineteenth century Victorian England values were reflected through the themes of the novel using language and structural features. These values included: technological advances, reputation and masculinity and are demonstrated in the text through literary and structure devices as well as the characterisation of the main character. During the reign of Queen Victoria, there were many technological and scientific advances that impacted how people viewed the society. The nineteenth century saw the rise of ideas such as the ‘fin-de-siecle”, where the progress in technology or science
Southam, B.C. “Tennyson.” Writers and Their Works : NO 218. London: Longman Group, 1971. p.6. print.
The name of the poem I am writing about is called “The Eagle” by Alfred,
330-337. Tennyson, Alfred, Lord of the Lord. The Lady of Shalott. The Norton Anthology of English Literature. Ed.
The eighteenth century witnessed a major revolution, in some ways more profound than the Civil War, the Printing Trade. It was a state of anarchy within which struggling writers, who came from the lower strata, were writing in journals, newspapers, magazines etc. Great consumption of these kinds of writings led to the formation of the Grub Street (a London Street inhabited by literary hacks such as writers of small histories, dictionaries and temporary poems. The term Grub Street is often used collectively for poor and needy authors who wrote for meager sums of money.) This popular culture, which in the view of historians is created, produced and consumed by people themselves, acquired an identity which it never had before. Moreover, it was a time of political strife and patriotism gave way to intense party feelings. Almost all writers could be bought; even the best of them, with a few exceptions, were in the pay or service of one party or the other. Literature became the handmaid of politics and of state-craft. It was at this time that writers like Swift and Pope wrote satires against hack writers, the tradition invented by Dryden in his poem ‘MacFlecknoe’ in which he has mocked and ridiculed writers whom he thought as worthless (Shadwell, Ogilvy etc) and exalted worthy writers of natural poetic talent (Fletcher, Ben Jonson etc).
He wants vengeance against death because he can no longer communicate with his dead friend. This anger anchors the speaker by allowing him to focus on something other than his grief over the loss of his friend. During the next stage of grief, bargaining, an individual wants life to return to the way it was before the loss of a loved one. Depression can be seen in Alfred Lord Tennyson’s poem “In Memoriam A. H. H.” For example, in Canto 46 the speaker writes, “A lifelong tract of time revealed; / The fruitful hours of still increase; /
A brief but powerful poem written by the great Victorian poet, Alfred Lord Tennyson, The Eagle is an inspiring poetic piece. Tennyson, recognized as the greatest poet in Victorian England, was distinguished as poet laureate in1850. Readers from all over looked to his poems for advice on the major issues effecting their lives. Tennyson began writing poetry when he was ten and published his first book of poetry with the help of his brother, Poems by Two Brothers. In 1830 Tennyson published the first volume of verse to appear under his own name, Poems, Chiefly Lyrical. For twelve years after that Tennyson took a break from writing due to death of a close friend. He returned to poetry and in 1842 published Poems, a two-volume collection. Tennyson was so skillful in molding the English language in rhyme and rhythm that his poetry is as popular today as it was 150 years ago. This can be proven by one of Tennyson’s deepest and most symbolic poems, The Eagle. The poem's facade tells of a great American symbol, an eagle, watching over the sea as the leader of the land. Deeper down the poem tells of getting older and trying to hold to life enjoy the time you have.
Evaluate and respond to the presentations of women in the Romantic period. Feel free to discuss presentations of women, by women (such as Austen’s Persuasion) as well as presentations of women by men (such as the “she” in Byron’s “She Walks in Beauty”). Consider the following questions: are these presentations problematic? What do they tell us about the values and briefs of the Romantic Period? Do any of these presentations subvert (complicate, or call into questions) the time’s notions of femininity?
In the beginning of Tennyson's poem, he describes an old yew tree. The tree, to him, is dead and at this early point of his grief he cannot find any life in the nature surrounding him. The old yew "which grapsest at the stones/ That name the underlying dead,/ Thy fibers net the dreamless head,/ Thy roots are wrapped about the bones" (2.1-4). Therefore he sees the tree as an extension of the graves it grew on. The roots are entangled around the dead bones and are as dead as the skull of the person, unable to dream ever again. The world around the tree and grave will begin again to bloom, but Tennyson feels the tree will not change and keep its gloomy appearance throughout the year. He is "sick for thy stubborn hardihood" (2.14) and seems to wish to be like the tree. For if he were also dead, he would not have to feel the pain he is experiencing.