Women in Time: Ancient Greece and 19th Century Norway

1729 Words4 Pages
bulb-icon

Recommended: Role of women in society over time

When U2’s Bono sings “women of the future hold the big revelations” (Bono “Get On Your Boots”), he is referencing the rise of women’s roles in Africa in the twenty-first century. Yet, this phrase can also apply to women in other time periods such as the turn of the century (from 1800s to 1900s) in Norway, as seen in Henrik Ibsen’s play entitled A Doll’s House, and in ancient Greece, as seen in the Sophocles’ play entitled Antigone. In the play A Doll’s House, the protagonist is a middle-class woman named Nora, who is married to a pragmatic and self-centered man named Torvald. Throughout the play, Nora begins to see that she has been always trying to please others throughout her life and determines that she needs to gain experience in the wider world to find her true identity. In Antigone, the protagonist, Antigone, is a daughter of the house of Lauis, which is a noble, ruling family that has been through much affliction from deaths in the family. When a law forbids Antigone to honor her traitorous (to the state) brother in a proper burial, Antigone disobeys it to honor the gods’ instructions. This act eventually leads to the deaths of Antigone and other main characters. For the twenty-first century reader, it is important to understand how gender roles and relationships vary from time period to time period in order to fully appreciate the equal status of women in today’s society. The authors of the two feminist plays, Antigone and A Doll’s House, portray the two society’s perspectives of women as vindictive people, the limitations of women, and the growing strong-willed quality of some women that start to rise in the respective time periods.

In both Antigone and A Doll’s House, society generally views women as cruel peo...

... middle of paper ...

...inist approach to literature, the 21st century reader is shown how women’s roles in two different time periods, ancient Greece and 19th century Norway, are quite similar. Both societies include views that women are cruel humans, limitations to women from the state and society, and strong-willed women that are not usually publicized. Additionally, in both of these societies, the limitations of women and the perception that women are vindictive affect women by leading some women, such as Ismene and Mrs. Linden, to believe that they are subordinate people while other women, such as Antigone and Nora, to question this perception. As seen in U2’s song “Miss Sarajevo,” societies can suppress women, yet some women are strong-willed and determined: “...a time to turn your eyes away...for getting on with your day...here she comes to take her crown” (Bono “Miss Sarajevo”).

Show More
Related

  • Women's Roles in Epic of Gilgamesh, Sir Gawain and the Green Knight and The Canterbury Tales

    1479 Words  | 3 Pages

    Over the course of time, the roles of men and women have changed dramatically. As women have increasingly gained more social recognition, they have also earned more significant roles in society. This change is clearly reflected in many works of literature, one of the most representative of which is Plautus's 191 B.C. drama Pseudolus, in which we meet the prostitute Phoenicium. Although the motivation behind nearly every action in the play, she is glimpsed only briefly, never speaks directly, and earns little respect from the male characters surrounding her, a situation that roughly parallels a woman's role in Roman society of that period. Women of the time, in other words, were to be seen and not heard. Their sole purpose was to please or to benefit men. As time passed, though, women earned more responsibility, allowing them to become stronger and hold more influence. The women who inspired Lope de Vega's early seventeenth-century drama Fuente Ovejuna, for instance, rose up against not only the male officials of their tiny village, but the cruel (male) dictator busy oppressing so much of Spain as a whole. The roles women play in literature have evolved correspondingly, and, by comparing The Epic of Gilgamesh, Sir Gawain and the Green Knight, and The Wife of Bath's Prologue, we can see that fictional women have just as increasingly as their real-word counterparts used gender differences as weapons against men.

    Read More

  • Comparing A Raisin In The Sun And Ibsen's A Doll House

    1255 Words  | 3 Pages

    Women and men are not equal. Never have been, and it is hard to believe that they ever will be. Sexism permeates the lives of women from the day they are born. Women are either trying to fit into the “Act Like a Lady” box, they are actively resisting the same box, or sometimes both. The experience of fitting in the box and resisting the box can be observed in two plays: Lorraine Hansberry’s “A Raisin in the Sun” and Henrick Ibsen’s “A Doll House”. In Hansberry’s play, initially, Beneatha seems uncontrolled and independent, but by the end she is controlled and dependent; whereas, in Ibsen’s play Nora seems controlled and dependent at the beginning of the play, but by the end she is independent and free.

    Read More

  • Feminism In Antigone And Wicked

    1786 Words  | 4 Pages

    Captivatingly, both women act daringly, regardless of the culturally constructed labels as women, products of incest and wickedness. They use their “otherness” as a power mechanism, rather than an excuse to passivity. In conclusion, Elphaba and Antigone challenge conventional roles of gender, as they are strong, courageous figures of rebellion and exemplify a lack of traditional gender normativity.

    Read More

  • Roles of Women in the Odyssey, Sakuntala and Good Country People

    900 Words  | 2 Pages

    The changing role of women in literature from the late 8th century B.C. to the 21 century A.D. is evident that women have become more or less respectful in later works. This is portrayed in the Odyssey, Sakuntala and Good Country People.

    Read More

  • Women in Homer's Odyssey, Joyce's Ulysses and Walcott's Omeros

    1686 Words  | 4 Pages

    This essay explores the role of women in Homer's Odyssey, James Joyce's Ulysses (1922) and Derrick Walcott's Omeros (1990), epics written in very different historical periods.  Common to all three epics are women as the transforming figure in a man's life, both in the capacity of a harlot and as wife.

    Read More

  • A Character Comparison: Nora Vs. Antigone

    1855 Words  | 4 Pages

    In the novels A Doll's House and Antigone, Ibsen and Sophocles respectively create two lead female characters, Nora and Antigone, who confront society's expectations of women in fundamentally different ways. Nora goes against the grain of middle class society by first forging her father's signature and then deceiving her husband, Torvald, throughout their marriage; Antigone, on the other hand, openly challenges and defies the rule of men, including her uncle and King of Thebes, Creon. Although Nora and Antigone share some comparable personality traits, like being strong willed and motivated, they confront the men in their lives and their comparable societies in two distinctive ways, which, as a result, leads to two differing denouements.

    Read More

  • The Role Of Women In The Odyssey

    1018 Words  | 3 Pages

    Greek tragedy incorporates female characters that symbolize women in Ancient Greece. Through the portrayal of Antigone in the playwright, Antigone in Antigone by Sophocles and Penelope in the epic poem, The Odyssey by Homer, these two women play opposing roles depicting how they appear to society through their actions. In both of these stories, they embody the ideals of passionate women who are very loyal and brave. Through other female characters in each story such as Penelope and Ismene, we can construct a better view of traits illustrated by Antigone and Penelope.

    Read More

  • Henrik Ibsen’s A Doll’s House

    1192 Words  | 3 Pages

    Phylogeny versus misogyny, arguable one of the greatest binary oppositions in a work of literature, is present in Henrik Ibsen’s 1879 Norwegian play A Doll’s House. The title itself suggests a misogynist view, while the work mainly consists of feminist ideology, as Ibsen was a supporter of the female as an independent, rather than a dependent on a male. Nora knew herself that her husband did not fully respect her, and this became a major conflict in the play as Nora progressively became more self-reliant in the play. Ibsen created Nora to give an example for all women, showing that they are more than what their husbands make of them. The misogynistic views in the play can be seen through Nora’s husband Torvald, due to the fact that he believed, as the majority of males did at the time, that women were not equal to them socially. This opposition caused a major conflict between the couple that progressed throughout the stage production.

    Read More

  • Gender Inequality In Trifles And A Doll's House

    566 Words  | 2 Pages

    Gender roles and inequality are still evolving and continue to change. It has only been not that long ago that women started to break out their outlined roles and looked at about the same or- almost the same level- as men on a wide scale basis. Indeed, some women in certain parts of the world are still represented in the same way as in both plays that will be compared in this essay. The characters in Susan Glaspell’s Trifles and Henrik Ibsen’s A Doll's House highlight the challenges of gender roles. The attention focused on points of comparison and contrast of men vs women's reactions in the course of both plays, which, allow the audience to think about gender identity and role conflicts. The other common shared view in both plays is that they are both showcased from a female perspective.

    Read More

  • womenant Portrayal of Women in Sophocles' Antigone

    834 Words  | 2 Pages

    Although ancient Greece was a male-dominate society, Sophocles' work Antigone, portrays women as being strong and capable of making wise decisions. In this famous tragedy, Sophocles uses the characters Ismene and Antigone to show the different characteristics and roles that woman are typical of interpreting. Traditionally women are characterized as weak and subordinate and Ismene is portrayed in this way. Through the character of Antigone, women finally get to present realistic viewpoints about their character.

    Read More

  • The Evolution of the Role of Women in British and American Literature

    1818 Words  | 4 Pages

    “Girls wear jeans and cut their hair short and wear shirts and boots because it is okay to be a boy; for a girl it is like promotion. But for a boy to look like a girl is degrading, according to you, because secretly you believe that being a girl is degrading” (McEwan 55-56). Throughout the history of literature women have been viewed as inferior to men, but as time has progressed the idealistic views of how women perceive themselves has changed. In earlier literature women took the role of being the “housewife” or the household caretaker for the family while the men provided for the family. Women were hardly mentioned in the workforce and always held a spot under their husband’s wing. Women were viewed as a calm and caring character in many stories, poems, and novels in the early time period of literature. During the early time period of literature, women who opposed the common role were often times put to shame or viewed as rebels. As literature progresses through the decades and centuries, very little, but noticeable change begins to appear in perspective to the common role of women. Women were more often seen as a main character in a story setting as the literary period advanced. Around the nineteenth century women were beginning to break away from the social norms of society. Society had created a subservient role for women, which did not allow women to stand up for what they believe in. As the role of women in literature evolves, so does their views on the workforce environment and their own independence. Throughout the history of the world, British, and American literature, women have evolved to become more independent, self-reliant, and have learned to emphasize their self-worth.

    Read More

  • Treatment of Women in Ancient Literature

    2408 Words  | 5 Pages

    Women were often subjects of intense focus in ancient literary works. In Sarah Pomeroy’s introduction of her text Goddesses, Whores, Wives, and Slaves, she writes, “Women pervade nearly every genre of classical literature, yet often the bias of the author distorts the information” (x). It is evident in literature that the social roles of women were more restricted than the roles of men. And since the majority of early literature was written by men, misogyny tends to taint much of it. The female characters are usually given negative traits of deception, temptation, selfishness, and seduction. Women were controlled, contained, and exploited. In early literature, women are seen as objects of possession, forces deadly to men, cunning, passive, shameful, and often less honorable than men. Literature reflects the societal beliefs and attitudes of an era and the consistency of these beliefs and attitudes toward women and the roles women play has endured through the centuries in literature. Women begin at a disadvantage according to these societal definitions. In a world run by competing men, women were viewed as property—prizes of contests, booty of battle and the more power men had over these possessions the more prestigious the man. When reading ancient literature one finds that women are often not only prizes, but they were responsible for luring or seducing men into damnation by using their feminine traits.

    Read More

  • Portrayal of Gender Roles in the 19th Century in Ibsen's A Doll's House

    915 Words  | 2 Pages

    ..." A Doll's House," by Henrik Ibsen portrays the genders role of nineteenth century women and men in society. Torvald's perception of his wife of how she is a helpless creature shows the overall role which women fill. Women are responsible for the purity of the world through their influence in the home and through the upbringing of their children. They had to beg and ask for permission to do certain activities and essential things.

    Read More

  • Sacrificial Role of Women in A Doll´s House by Herik Isben

    1243 Words  | 3 Pages

    The role of women has changed significantly throughout history, driven by women who took risks in setting examples for others to follow. Henrik Isben, author of A Doll's House, said “ A woman cannot be herself in society of the present day, which is an exclusively masculine society, with laws framed by men and with a judicial system that judges feminine conduct from a masculine point of view” (Innes 147). This proves that Isben was aware of male dominance in society during that time period. In his drama, “A Doll's House,” it deals with gender favoritism and male dominance.

    Read More

  • Women's Role in Society Analyzed and Debated in Henrik Ibsen’s A Doll’s House

    909 Words  | 2 Pages

    For various reasons, the role of women in society has been analyzed and frequently debated throughout history. Henrik Ibsen’s A Doll’s House is no exception to the rule. In Norway, and during the Victorian period in history, women’s responsibilities were simply to keep house or do small jobs on the side such as sewing or light secretarial work. Henrik Ibsen may have had several intentions when writing his play A Doll’s House, but the one that stands out so clearly is the role of women in the time period from which the play takes place and just how doll-like they were treated in Victorian society. Women during this period were by no means the decision-makers of their households. Husbands or fathers were the heads of the household and many times women didn’t even know what state their financial affairs were in. It was often times only when something drastic happened that a woman would become aware of these things. For instance, if a husband should fall sick or even pass away and there were no male relatives to help take care of things, often times the woman would have to step up and distinguish what needed to be done in order to take care of things. We see a variation of this situation in Ibsen’s play. We meet a woman, Nora, and her husband Torvald and in it we witness the deterioration of their life together through Nora’s eyes. Throughout this analysis of A Doll’s House, I will address several things concerning Ibsen’s play. I will give a synopsis of the play, an analysis of three major characters: a.) Nora, b.) Torvald, and c.) Krogstad. I will discuss the language of the play and themes. I will give an in-depth look at the playwright himself as well as information on his creation of the play. I will give an idea of ...

    Read More

More about Women in Time: Ancient Greece and 19th Century Norway

Open Document