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The status of medieval women
The status of medieval women
The status of medieval women
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Introduction
Geoffrey Chaucer’s “The Canterbury Tales” is a collection of stories written between 1387 and 1400 about a group of thirty people who travel as pilgrims to Canterbury (England) and on their way, they tell stories to each other about their lives and experiences. The stories constitute a critique of English society at the time, and particularly of the Church, while women seem to be presented in a different way than they are in other contemporary works.
The aim of this essay is to present the ways in which the portrayal of women is different, and trace their role within Chaucer’s masterpiece. In doing so, first some general characteristics of how women were viewed during the medieval period are presented, and then there is an analysis of how they are presented in Chaucer and the differences from the stereotype.
The Medieval Society and Women
The medieval period was characterized by major social changes that were reflected both in the everyday lives of people but also in the literature produced during that period. One of the most important changes was the decline of feudalism which was accompanied by a rise in commerce and trade and consequently offered prosperity to some parts of the English society, making the distance between the nobility and the lower classes even greater. However, at the same time there was space for the rise of the middle class who gained prestige and shaped the society in a much different way than it was up until that point (Schlauch, 1956).
The Church also had a central role in medieval England which was a Catholic country, therefore the Bible had a deep impact on medieval Englishmen’s values. The position of woman was inferior and they were subject to the will and decisions of men as the soci...
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... to portray this through his writing, challenging the standards of medieval literature, but at the same time introducing a whole new perspective that would characterize a whole period and would place him among the most renowned writers of his time.
Works Cited
Baldwin, Charles Sears. An Introduction to English Medieval Literature. Charleston: BiblioBazaar, 2009. Print.
Brewer, Derek. Chaucer in His Time. London: Longman, 1973.
Chaucer, Geoffrey. The Canterbury Tales. Trans. and Ed. Chris Lauer. London: One World Classics, 2009.
Hulbert, J.R. “Chaucer’s Pilgrims.” Chaucer: Modern Essays in Criticism”. Ed. Edward Wagenknecht. New York: Oxford University Press, 1970.
Martin, Priscilla. Chaucer’s Women: Nuns, Wives, and Amazons. Iowa City: Univ. of Iowa Press, 1990.
Schlauch, Margaret. English Medieval Literature and Its Social Foundations. Oxford: Oxford UP, 1956.
Cox, Catherine S. Gender and Language in Chaucer. Gainesville, Florida: U of Florida P, 1997.
Hansen, Elaine Tuttle. Chaucer and the Fictions of Gender. Berkeley: U of California P. 1992. Print. (Kennedy Library PR1928.W64 H36 1992)
The dominance of men in the Middle Ages is unethical, irrational, and dangerous; women are given few rights and the opportunity to earn rights is non-existent. The dictates to the dominance is formed by the internal combination of man’s personal desire and religious interference. In Geoffrey Chaucer’s, The Canterbury Tales, the combined perspectives’ on a haughty Pardoner and non-subservient wife is the stronghold of separation in moral roles. The moral roles between men and women are exemplified in the rankings of religious hierarchy for men are at the top and women towards the bottom. Even prestigious women, ones with noble connections, are subservient to men, but contradictorily have religious affiliations. The “Wife of Bath’s Tale” is a perfect example of defying man’s dominance and the “Pardoner’s Tale”, a problematic reasoning of why selfishness connects moreover to the manipulation. The frailties of religious reasoning however, will cause The Pardoner and the Wife of Bath to be separated from society’s morals.
Boardman, Phillip C. "Geoffrey Chaucer (c. 1343-1400)." Enduring Legacies: Ancient and Medieval Cultures. 6th ed. Boston: Pearson Custom Pub., 2000. 430-54. Print.
From The Riverside Chaucer, Third Edition. Ed. Larry D. Benson, Ph.D. New York: Houghton Mifflin, 1987. Chaucer, Geoffrey. A. The Canterbury Tales.
Ellis, Roger. Patterns of Religious Narrative in the Canterbury Tales. Banes & Noble: Totowa, 1986.
Traditional female characteristics and female unrest are underscored in literary works of the Middle Ages. Although patriarchal views were firmly established back then, traces of female contempt for such beliefs could be found in several popular literary works. Female characters’ opposition to societal norms serves to create humor and wish- fulfillment for female and male audiences to enjoy. “Lanval” by Marie De France and “The Wife of Bath’s Tale” by Geoffrey Chaucer both show subversion of patriarchal attitudes by displaying the women in the text as superior or equal to the men. However, “The Wife of Bath’s Tale” also incorporates conventional societal ideas by including degradation of women and mistreatment of a wife by her husband.
In The Canterbury Tales, written by Geoffrey Chaucer, the stereotypes and roles in society are reexamined and made new through the characters in the book. Chaucer discusses different stereotypes and separates his characters from the social norm by giving them highly ironic and/or unusual characteristics. Specifically, in the stories of The Wife of Bath and The Miller’s Tale, Chaucer examines stereotypes of women and men and attempts to define their basic wants and needs.
Mandell, Jerome. Geoffrey Chaucer : building the fragments of the Canterbury tales. N.J. : Fairleigh Dickinson University Press, 1992.
... allows the present day reader to gain insight into commonly held beliefs regarding women during the 14th century. By allowing Alison to have a sense of humor and joke about aspects of her marriage, Chaucer was able to make numerous points regarding women that would not have been acknowledged had a female author created them. By making Alison a laughable character, Chaucer was able to make points about women such as the unfairness of double standards, the acknowledgement of female desire, and the reality of women marrying well to improve their economic situations. Chaucer also provides us with detailed examples of commonly held stereotypes regarding women that are still relevant approximately seven centuries later.
Hansen, Elaine Tuttle. Chaucer and the Fictions of Gender. Los Angelos, CA: University of California Press, 1992. Print.
The Canterbury Tales. Trans. Nevill Coghill. Literature: The British Tradition. Ed.
In Geoffrey Chaucer's The Canterbury Tales, The Wife of Bath is a strong woman who loudly states her opinions about the antifeminist sentiments popular at the time. Chaucer, however, frequently discredits her arguments by making them unfounded and generally compromising her character. This brings into question Chaucer's political intent with the Wife of Bath. Is he supportive of her views, or is he making a mockery of woman who challenge the patriarchal society and its restriction and mistrust of women? The Wife's comedic character, frequent misquoting of authorities, marital infidelity, and her (as well as Chaucer's) own antifeminist sentiments weaken the argument that Chaucer supported of the Wife's opinions.
Hansen, Elaine. Chaucer and the Fictions of Gender. Berkeley: University of California Press, 1992. 188-207.
Hansen, Elaine Tuttle. (1992). Chaucer and the Fictions of Gender. University of California Press, Ltd: England. (pgs 188-208).