Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Comedy in the play twelfth night
Comedy in the play twelfth night
Critical analysis of TWELFTH NIGHT by William Shakespeare
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Comedy in the play twelfth night
‘Twelfth Night’ or ‘What You Will’ falls into the subgenre of festive comedy. The character Feste attacks authoritative figures during the last days of the Christmas period. As Feste is seen as a mock mayor he often makes absurd declarations aimed at Orsino and Olivia who are surrounded by the emotion of love. However, as this play takes place in the festive period it lacks seriousness which also reflects the decisions that Orsino and Olivia make in the dénouement . But as love is a motivating force, for both Olivia and Orsino it causes them to carry out foolish acts which convey the many social messages that arise in the play. On the other hand, characters such as Malvolio, face difficult situations which causes him to take himself too seriously and therefore lead him to become a hypocrite despite the fact that he is ‘a kind of puritan’ .
Seeing as Malvolio the puritan is a killjoy figure it can be seen that Shakespeare is attacking the conservative. Furthermore, Shakespeare punishes Malvolio in such a way that he becomes dejected, but towards the end of the play in Act 4 Scene 2 the audience show sympathy towards him as Feste (disguised as Sir Topas) persuades him to believe that he is mad in which case he replies ‘Believe me, I am not. I tell thee true.’ As Malvolio says ‘Believe me’ it shows that he is certain that he hasn’t gone insane as ‘Believe’ shows that he has confidence in the truth. Furthermore because Malvolio is a Puritan, by him saying ‘I tell thee true’, the audience believe him as they know that in Puritanism lying is not accepted. Similarly, as Malvolio stopped Feste, Sir Toby, Sir Andrew and Maria from ‘make[ing] an-ale house of [his] lady’s house’ it shows that there are some elements of seriousness i...
... middle of paper ...
...any satirical statements on authoritative individuals such as Orsino and Olivia being made to seem foolish. They can be seen as being foolish because of the way the comic resolution has presented them and the choices they have made in who they marry. In the same way, Malvolio can also be seen as an attack on authority as Shakespeare is mocking the old world characters. Similarly, as Sir Toby and Maria are wedded Shakespeare is also attacking authoritative figures but by doing this Shakespeare shows that ‘Twelfth Night’ is lacking seriousness because throughout the play both comical characters are seen to be engaging in excess laughter. In addition Olivia and Orsino’s haste marriage to Sebastian and Viola indicates that this festive comedy has a lightweight ending which therefore shows that ‘Twelfth Night’ is a trivial comedy in which the authority is also attacked.
Twelfth Night, written by Shakespeare between the years of 1599 and 1601 (“Shakespeare-Online”), is easily one of his most well-known plays. A year after the assumed date of publication, on February the 2nd of 1602, Twelfth Night was performed for the first time (“William-Shakespeare)”. The location of the production is thought to have taken place in the Middle Temple, which was one of four law schools within London that were known as the Inns of Court (“Shakespeare-Online”). Though some would classify Twelfth Night as generic, it is laced with a sharp sense of humor and controversial concerns that can easily be applied to the issues of present day. Many of these issues, such as marriage, gender identity, sex, homosexuality, and social ambition, are relevant in today’s society, making them easy to relate to. The central theme of the play is romance. The characters all experience love, in one way or another, whether it be unrequited or shared between more than one person. The plot is intricately woven, sometimes confusingly so, between twists and turns throughout the multiple acts, but it never strays too far from the subject of adoration. Despite the hardships, misperception and deceit the characters experience, six individuals are brought together in the name of holy matrimony in three distinct nuptials.
According to Elizabethan society, the center of Olivia’s dilemma with her marriage was ensuring her wealth, not marrying a man she loved (Joseph 170). Social class increases division among individuals in society. This play “ is not the story of a Juliet's or an Orlando's love .., but of the very realistic struggles and intrigues over the betrothal of a rich Countess, whose selection of a mate determines the future” (170). Readers looking past these boundaries created by class and gender, can find striking similarities in emotions characters have for each other. The personal struggles the characters face in this play demonstrate the obstacles that individuals faced because of their gender or place in the social hierarchy.
There have been many authors and playwrights in the world, but none of them have had as much influence as William Shakespeare. When people look at Shakespeare’s body of work, ranging from romantic sonnets to comedies and tragedies; and his overarching influence over writing nowadays, it is clear that his legacy has withstood the test of time. One of his most popular works is Twelfth Night, which tells a tale of love and mistaken identity. Twelfth Night is one of Shakespeares comedies about people who all seem to love the wrong person. A young noblewoman named Viola ends up on the shores of Illyria. Believing her brother to be dead, she is forced to dress up as a man and enter the court of Orsino, the duke of Illyria, as a eunuch named Cesario. As she spends more time waiting on Orsino, she finds herself falling in love with him but is unable to express her feelings because Orsino is in love with Olivia. At the end, hilarity ensures. As all of this occurs, Olivia’s cousin, Toby, his friend Sir Andrew, and the maid Maria, play a prank on the uptight Malvolio, who is Olivia’s steward and appears to only be around to put an end to the revelries of Toby and Andrew. Maria forges a letter and leaves it for Malvolio to find. Malvolio is a character with many dimensions, and as the play progresses, his true colors are revealed. In Twelfth Night, Shakespeare uses the unfortunate consequences of Malvolio’s actions to show the folly consequences of ambition.
Feste, the fool character in Twelfth Night, in many ways represents a playwright figure, and embodies the reach and tools of the theater. He criticizes, manipulates and entertains the other characters while causing them to reflect on their life situations, which is similar to the way a playwright such as Shakespeare interacts with his audience. Furthermore, more so than the other characters in the play he accomplishes this in a highly performative way, involving song and clever wordplay that must be decoded, and is thus particularly reflective of the mechanisms at the command of the playwright. Feste is a representation of the medieval fool figure, who is empowered by his low status and able to speak the truth of the kingdom. A playwright speaks the truth by using actors and fictional characters, who are in a parallel low status in comparison to the audience, as they lack the dimensionality of real people. Thus, the role Feste plays in the lives of the characters in the play resembles the role the play itself plays in the lives of the audience watching the performance. This essay will explore this comparison first by analyzing similarities between the way in which Feste interacts with other characters and the way the playwright interact with the audience, and then focus on the similarities between the aims and content of these interactions.
Wells, Stanley, and Gary Taylor, eds. "Twelfth Night, or What You Will". William Shakespeare: The Complete Works. Oxford: Clarendon P, 1998.
Malvolio’s dislikeable rigidity nature is shown immediately in his first entrance in the play, in his rude humiliation of Feste, “I marvel your ladyship takes delight in such a barren rascal … unless you laugh and minister occasion to him, he is gagged” (McEachern, 2007). The disapproval towards his rigid humorless attitude immediately follows with Olivia reprimanding her steward’s habit for making a big deal out of everything, “O you are sick of self-love, Malvolio, and taste with a distempered appetite” (McEachern, 2007). Malvolio further manifests his rigid and fun despising personality as he, depicted as a killjoy, spoils the revelry of Sir Toby, Sir Andrew and Feste late in the night “My masters, are you mad? Or what are you? Have you no wit, manner, nor honestly, but to gabble like tinkers at this time of night” (McEachern, 2007). It is exactly this fun despising side, depicted as Malvolio’s “stubborn and uncourteous parts” that earns him the enmity of the revelers. As he thinks, with excellences, that it is his grounds of faith that look on him love him.” Because of Malvolio’s dispositio...
Finally, this compound of overwhelmingly convincing humanity and psychological contradiction is the greatest of Shakespeare’s legacies to the men of his own quality. No ‘part’ in the whole repertory of dramatic literature is so certain of success with almost any audience, and is yet open to such a remarkable variety of interpretation. There are as many Hamlets as there are actors who play him; and Bernhardt has proved that even a woman can score a success. (101)
Dobson, Michael. “Twelfth Night” in The Oxford Companion to Shakespeare. New York: Oxford University Press, 2001.
Disguise and self delusion are important elements of the comedy Twelfth night, Or what you will: that stand at the forefront of the plays. The use of disguise and self delusion throughout Shakespeare's comedy proves that the town of Illyria is dysfunctional. As a result of the disorientation and anarchy caused by these elements, the members of Illyria are unable to fulfill their obligations. Olivia neglecting of her responsibilities as a citizen of the town Illyria and the corrupt Leaders contribute to dysfunction created. Shakespeare has used the comedy to integrate serious issues into the plays including the ideas of genuine love, the uncertainty of gender and the corrupt leaders in the town of Illyria. Disguise and self delusion are catalysts
In Twelfth Night the relationships are anything but romantic. Shakespeare writes from the male point of view which implies an un-easy split between love and physical charm. In Twelfth night the romance is falsely produced by selfish desire. Duke Orsino and Viola stand out from the other relationships. By questioning the relationships between the other couples, Shakespeare highlights the true love between Viola and Orsino and the fake relationship of Malvolio and Olivia which is truly based on Malvolio’s desire of a higher status , despite his status and his personality , Malvolio tries to impress Olivia by dressing up in ridiculous clothes , which does far from his aim , and repulses Olivia.
Shakespeare’s play Twelfth Night revolves around a love triangle that continually makes twists and turns like a rollercoaster, throwing emotions here and there. The characters love each another, but the common love is absent throughout the play. Then, another character enters the scene and not only confuses everyone, bringing with him chaos that presents many different themes throughout the play. Along, with the emotional turmoil, each character has their own issues and difficulties that they must take care of, but that also affect other characters at same time. Richard Henze refers to the play as a “vindication of romance, a depreciation of romance…a ‘subtle portrayal of the psychology of love,’ a play about ‘unrequital in love’…a moral comedy about the surfeiting of the appetite…” (Henze 4) On the other hand, L. G. Salingar questions all of the remarks about Twelfth Night, asking if the remarks about the play are actually true. Shakespeare touches on the theme of love, but emphases the pain and suffering it causes a person, showing a dark and dismal side to a usually happy thought.
Throughout Twelfth Night, disguise and mistaken identity works as a catalyst for confusion and disorder which consistently contributes towards the dramatic comic genre of the play. Many characters in Twelfth Night assume disguises, beginning with Viola, who disguises herself as a man in order to serve Orsino, the Duke. By dressing his protagonist in male garments, Shakespeare creates ongoing sexual confusion with characters, which include Olivia, Viola and Orsino, who create a ‘love triangle’ between them. Implicitly, there is homoerotic subtext here: Olivia is in love with a woman, despite believing her to be a man, and Orsino often comments on Cesario’s beauty, which implies that he is attracted to Viola even before her male disguise is removed. However, even subsequent to the revealing of Viola’s true identity, Orsino’s declares his love to Viola implying that he enjoys lengthening the pretence of Vio...
The author uses convincing dialogue to illustrate Sir Andrew, and Malvolio as witty characters. With the same great expertise, he transforms those characters and exposes their foolishness to the viewers. Sir Andrew is one of the many thoughtless brains in Shakespeare’s Twelfth Night. In the beginning of the play, he was recognized for speaking “three or four languages word for word without book” but later on, Shakespeare unleashes Sir Andrew’s gullible nature (I.iii.24). For instance, when Sir Toby was going back and forth between Cesario and Sir Andrew, delivering false threats, Sir Andrew became extremely frightened and said “pox on ‘t! I’ll not meddle with him” (III. Iv.252). Malvolio impresses the audience with his presentable and well-mannered etiquette. He is described as the naive goody two shoes. However, the audience was able to view his gullible side, when he received a prank love letter, and transformed himself into an air-headed fool dressed up in yellow stockings. Despite his sharp and smart looks in the beginning, he turned out to be a complete chump. Even thoug...
Shakespeare wrote Twelfth Nights as a comedic play on how the theme of love takes an overwhelming influence over characters actions. The play’s treatment of love began with a Duke named Orsino who is madly in love with a character named Olivia but Orsino love is cannot be reciprocated because all her love remains with her dead brother. Later in the play Shakespeare treats love as something that can be a joyful delight regardless of the reality. Olivia’s handmaiden, Maria, plays a prank on Malvolio by forging Olivia’s hand writing to write Malvolio a love letter. After Malvolio reads the letter he begins to show how Malvolio is desperately in love with Olivia by following the letters ridiculous commands with delight. Then towards the end there is an encounter with Viola, Sebastian, Orsino, Olivia and Malvolio. At this point Shakespeare displays love as a joyful
...er to raise his social position, he wishes to marry Olivia and become count. Sir Toby asks Malvolio, “Art any more than a steward? Dost thou think, because thou art virtuous, there shall be no more cakes and ale?” (II.iii.115f) as Malvolio acts as if he’s in a higher social hierarchy than Sir Toby. Maria plays with Malvolio’s ultimate ambition to make Malvolio believe that Olivia is in love with him. Malvolio, who is full of self-love and egoism, falls for this trick immediately. Sir Toby, Sir Andrew and the others find this extremely funny as Malvolio is not of noble blood and under the closed hierarchical system of Shakespeare’s era, a noblewoman, like Olivia, would not marry someone below her social status. Thus, this clearly shows that delusions caused by one’s wants and needs prevent people thinking objectively.