Great advice and guidance are expected to be given by older people. Many advice and great guidance on the other hand are given by unexpected person. Such great advice is sometimes disregarded due to who offered them. On the other hand when someone has to take up a responsibility all other things that may interfere with progress should be avoided. As it is said “When I was a child, I spake as a child, I understood as a child, I thought as a child: but when I became a man, I put away childish things” (King James Version Bible, 1 Cor. 13:11). In Henry IV, Part 1 by William Shakespeare, John Falstaff, a thief disregarded by many, was a friend of Hal. He was found mostly in taverns and whorehouses where he spend all of his money. Many disregard John because of his gluttonous attitude including Hal. This may have been why his advices were disregarded and later rejected by Hal. Great advice can be given to someone by those who appear to be unreliable, but eventually disregarded because of their title; however whatever needed to be done due to acquired responsibilities must be done no matter how hard it may be to complete. Similarly, Falstaff’s advice was disregarded by others including Hal, the Prince of Wales, but as the Prince of Wales he has to take up the full responsibility of a prince later King and disregard youthful and foolish acts.
In the play John Falstaff was a man who was very keen in observing his surroundings seeing many faults and the true intentions of the men he encounter; therefore giving him a great upper hand in helping Hal when king. Firstly, Falstaff have been very keen in observing Hal’s true plans of redeeming himself before taking the throne. In being so smart in knowing before hand of Hal’s intention, Falstaff...
... middle of paper ...
... threat to the downfall of Wales.
A great advice can be given but under disguise of an unexpected citizen, many viewed as unworthy to be around; however to achieve greatness many things that was a part of ones regular routine would have to be sacrificed. Therefore Hal made the right decision in rejecting Hal so that he may acquire the throne in good standing. On the other hand it may cost him great advice and insight on many thing, because Falstaff was very wise minded. One can learn from this play that to achieve greatness many sacrifices would have to be made. Additionally one can also learn to never disregard advice given by anyone because of their status or outer appearance.
Works Cited
“King James Version Bible”. Oklahoma: Academy Enterprises, Inc. 1999.
Shakespeare, William. Henry IV, Part 1. New York: Simon & Schuster Inc. 1994, March 2009. Paperback print.
Falstaff’s blatantly honest soliloquy has provided the audience with a direct insight into his mind, and contrasts well with Hal and Hotspur’s speeches, in which their moral order and regard for honour is evident. Falstaff helps to show the change in Hal to the audience. Falstaff himself is no different to the Falstaff of Act 1, unlike Hal who has obviously undergone a great deal of change. Falstaff’s speech is highly typical of the tavern world’s way of thinking: straightforward, sometimes humorous, spoken in prose, and only the values of the tavern world taken into consideration, with no regard for such insubstantial, un-physical concepts as honour. In this way, and spoken directly to the audience, Falstaff effectively expresses his unashamed resolution not to submit to moral order.
Humans are addicted to judging others on their first impression. Humans will never read into the book, they just look at the cover. Many people, both fictional and nonfictional can not be judged until you study them. Someone who first appears to be only comic relief, could end up to be a very important character. Sir John Falstaff is but one of these people. Falstaff's righteousness hides under his vocalization. John Falstaff's character is hard to understand without analyzing his words. He loves to play games with his speech. Falstaff tricks his audience with complex words and phrases. Often John would win over his opponent by tricking them into saying things that they did not mean or getting them to think that he is not that bad. Falstaff said this in Part I act II scene IV. "... A question not to be asked. Shall the son of England prove a thief and take purses? A question to be asked. There is a thing, Harry, which thou hast often heard of, and it is known to many in our land by the name of pitch. This pitch, as ancient writers do report, doth defile; so doth the company thou keepest. For, Harry, now I do not speak to thee in drink, but in tears; not in pleasure, but in passion; not in words only, but in woes also; and yet there is a virtuous man whom I have often noted in thy company, but I know not his name." In this passage, the Prince and Fastaff trade places in speech and try to make the other look dumb. Fastaff later goes on to say that this wonderful person that the King is talking about. The way Falstaff does this proves him to be very keen. He proves that even though he may look dumb, he will still put up a good fight. Falstaff is very bold about his thoughts and opinions. He stands out because he is not afraid to think his own way. While most people agree, because of the other people around them, Falstaff chooses to make his own decisions and think for himself. This is proven when Falstaff and the prince switch places in a verbal fight. Every one else in the book thinks of the Prince as a perfect young man because he is the prince, however Falstaff is too smart for this, he points out that the prince is a thief.
The first influence that Shakespeare illustrates over Prince Hal is that of Falstaff, a fat old man who seems to spend his life in seedy taverns accruing massive amounts of debt. From his devious scheme to rob unknowing travelers at the beginning of the story to his diatribe on what honor is not, it is clear that Falstaff has a very distinct notion of his own personal honor, and he seems to be trying to project that same notion onto Hal; however, as Hal becomes closer to his father, Falstaff's honor becomes less appealing. Falstaff treats Hal and King Henry IV to his own personal code of honor-or lack thereof:
Looking at an overview of Falstaff, he has traits that of a villain, yet in King Henry IV, he is arguably one of the most beloved character, responsible for comedic relief. However I believe this is Shakespeare making a statement, and masking it behind humour. You see, it can be said that Falstaff is a politically driven character, in which everything he does is with purpose, whether that be financial gain or obtaining power. His relationship with Hal was for him to gain favor, once Hal became king. He acts as a great contrast to Hal, as throughout the play, Hal grows and changes stepping up to expectation and embodying a just and righteous ‘man’, so to speak. Falstaff’s character, however remains stagnant, barely changing throughout the play. Even his final actions in the play claiming to have killed Hotspur was with the intent of gaining rewards and power. So why is Falstaff, a character with many negative traits, made to be so likeable?, and Hal a man who is supposedly our beloved hero seen as a rebellious child for half the play? It could be Shakespeare making a comment as to how in politics, you never truly understand a person and their true intentions. Take the quote from Act 4 Scene 2 Line 56 :
He is accepted for his faults and further appreciated for his humor. Once receptive to Falstaff’s follies, an underlying wisdom can be found. Shakespeare offers Falstaff as a guide to living beyond the confines of convention, out of all the order. Disguised in banter, Falstaff calls into question values of morality and nobility. His manner is harmless in both words and actions. Of all the loyalty and disloyalty that incites political turbulence in the play, Falstaff remains inert. He does not enact any cruel aggression in effort to achieve power. Nevertheless, Falstaff commits slight though significant transgressions against Prince Hal and aristocratic values. These transgressions begin in conversation and eventually result in Falstaff’s action on the
Prince Hal, to be focused and intense. King Henry is the first to speak and
Falstaff’s honor speech does not imply cowardice, rather it exemplifies the contrast between himself and King Henry IV. In King Henry IV part one, act 5, Fallstaff explains why honor is not an ideal he strives for. He says that honor drives him to battle and asks, if he dies for honor, what is the reward? Honor will not assist him if he is wounded, it is nothing but air, a word. It is only achievable through death, and it is useless to the dead. Therefore, in the upcoming battle Falstaff will not, as characters in heroic plays had done for centuries, sacrifice himself for love of country. He will instead look out for his own self interest, and attempt to earn acclaim from the actions of others.
In Hamlet’s speech, Shakespeare’s efforts to target his Elizabethan audience develop the theme of the frailty of man. Shakespeare conveys this underlying theme of the play by subt...
Shakespeare, William. "The First Part of King Henry the Fourth." The Necessary Shakespeare. By William Shakespeare and David M. Bevington. New York: Longman Group, 2004.
Hal is the Prince of Wales and heir to the British throne was able to manipulate both the nobles and the court in order to satisfy his needs. Firstly, his ability to speak confidently between the lower class and upper class allowed him to gain authority of many things. In the beginning of the play, Poins tells Hal and Falstaff there is a robbery planned for...
The father/son relationship is a significant theme in this play, alongside Prince Hal’s other relationships with important male figures such as Hotspur and Falstaff. Falstaff is one of the favorites of this play, rather obvious that he is the brunt of a multitude of jokes; somehow maintains certain poise. On the other hand, we have Hotspur, a talented and brave young man the King wishes were his son: “That some night-tripping fairy had exchanged/ In cradle-clothes our children where they lay/ And called mine “Percy,” his “Plantagenet”!/ Then would I have his Harry, and he mine” (1.1.86-89). Both Hotspur and Hal are the intended future leaders of their country, but Hal doesn’t seem to understand his role in its entirety (at least his actions haven’t proven his maturity to the likes of King Henry IV). The King would prefer Hal act in a more appropriate manner when...
Throughout the play of Henry IV: Part 1, King Henry of London has begun preparing the kingdom for his son, Prince Hal, who will soon inherit the throne. Unfortunately, King Henry is apprehensive of his wild child, frightened that he won’t be able to transition from rowdy boy to respectable king. In this passage, Prince Hal is dramatically explaining his scheme, professing that he is capable of successfully inheriting the throne. Through this explanation, it is clear that he has avoided much of his inescapable responsibilities throughout his childhood. By looking at Shakespeare's use of contrasting point of views, we can see that Prince Hal wanted to deliberately victimize and justify his current facade, as well as create the image of the person
He is happy being a drunkard and someone who indulges what he wants. But he also realizes that it is not the type of life that a prince, or a king, should associate himself with, which leads him to his pleading—another reason the scene is prophetic. He pleads with Henry about his morality, much like he will do later in the play and in Henry IV: Part II. Though the play extempore is supposed to prepare Henry for his encounter with his father. Falstaff realizes it may be a good time to practice the inevitable encounter that he will have with Hal once he becomes king. This argument can be further developed when one realizes that it was Falstaff that called for the play extempore, not Hal. Falstaff knew he wanted a trial run before Hal’s kingship, so he gave himself one. However, Hal’s only reaction to Falstaff’s final speech is his line, “I do, I will” (2.4. 465). Some may take this as his answer to Falstaff that he will pardon him, and continue to be his friend. But the argument could be made that Hal is saying that line more to himself than to Falstaff. He is saying that he will do what’s necessary to be a good king. That he does have what it takes to leave a life he enjoys for a life of
Falstaff is a central element in the two parts of Henry IV, he is supports the structure of the play. Yet he does seem to be a mainly fun maker, a character whom we laugh with and laugh at. The perfect example for this was the fat knight's account of the double robbery at Gadshill. The part of plump Jack is joyously expanded and diversified, for the delight of men and the glory of, Shakespeare. It is plain that the role of Sir John is not restricted to what is indispensable to Shakespeare's main purpose. Falstaff lies at the very foundation of these plays, that it is a structural necessity.
The relationship between a father and his son is an important theme in Shakespeare's Henry IV, Part One, as it relates to the two main characters of the play, Prince Hal and Hotspur. These two characters, considered as youths and future rulers to the reader, are exposed to father-figures whose actions will influence their actions in later years. Both characters have two such father-figures; Henry IV and Falstaff for Prince Hal, and the Earl of Northumberland and the Earl of Worcester for Hotspur. Both father-figures for Hal and Hotspur have obvious good and bad connotations in their influence on the character. For example, Falstaff, in his drinking and reveling, is clearly a poor influence for a future ruler such as Prince Hal, and Worcester, who shares Hotspur's temper, encourages Hotspur to make rash decisions. The entire plot of the play is based on which father-figure these characters choose to follow: had they chosen the other, the outcome would have been wholly different.