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Impact of modern technology in present days
Modern era advancements in technology
Impact of modern technology in present days
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The modern era, which encompasses the period between the climax of the nineteenth century and the beginning of the twenty first century, has been a prosperous time for the fields of innovation, which may be composed of advances in technology and intangible knowledge. This period of time has included innovations such as the electrical system upon which nearly all homes operate, more comprehensive understanding of the field of astrophysics, advancements in the understanding of atomic theory, and innovations in the field of aeronautics. However, these advances are not the product of ordinary men; rather, they are the product of extraordinary thinkers, who, in all probability, will provide an influence on the world. In order for a person to be capable of providing a lasting influence upon the world, he or she must provide an influence of intellectuality, by which it is meant that his influence is to the fields of research, invention, or scholarship, not an influence in the realm of the public, as influences upon the public may be the product of manipulation. However, leaders who have created influence on the public through the use of their minds may create a lasting influence. Influences may, however, be of intangible intellectual knowledge, such as theoretical physics, which has provided further understanding of the modern world. However, these advances are less likely to provide a lasting influence, unlike the world of engineering, in which the innovations may be more easily seen. Additionally, those who have demonstrated the fields of intellectuality to others may be considered, but the influence they provide is less likely to last, due to the advent of new people with this field. Therefore, it is likely that the thinker with the ...
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...ogical Autopsy helps us understand controversial deaths — Crime Library. Crime Library, n.d. Web. 9 May 2014.
"Sir Isaac Newton: The Universal Law of Gravitation." Sir Isaac Newton: The Universal Law of Gravitation. University of Tennessee, n.d. Web. 8 May 2014.
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"The Perspectives of Neitsche." The perspectives of Nietzsche. University of Pittsburg, n.d. Web. 10 May 2014.
"The Planetary Society." The Planetary Society. The Planetary Society, n.d. Web. 8 May 2014.
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From The Birth of Tragedy, where Wagner's music represented the hope for the re-birth of pre-Socratic Greek culture to The Case of Wagner, where Wagner was the artist of German decadence par excellence, Richard Wagner always personified nineteenth century Germany for Nietzsche. By examining Nietzsche's relationship to Wagner throughout his writings, one is also examining Nietzsche's relationship to his country of birth. In this paper, I carry out such an investigation with a focus on the late period (the writings after Thus Spoke Zarathustra) in order to clarify Nietzsche's view of his own project regarding German (and by extension European) culture. I show that in the late period Nietzsche created a portrait of Wagner in which the composer was a worthy opponent; meaning someone with whom Nietzsche disagreed but viewed as an equal. Nietzsche himself took on several worthy opponents, and he claimed that in his battle with "these objects of resistance" he learned about himself. Wagner was such an object of resistance because he represented the disease of decadence which plagued the culture and from which Nietzsche emphasized his overcoming. The goal of this portraiture was to demonstrate on an individual level what could be done on a cultural level to revitalize the culture and make it healthy.
Friedrich Nietzsche certainly serves as a model for the single best critic of religion. At the other end of this spectrum, Jonathan Edwards emerges as his archrival in terms of religious discourse. Nietzsche argues that Christianity’s stance toward all that is sensual is that grounded in hostility, out to tame all that rests on nature, or is natural, akin to Nietzsche’s position in the world and his views. Taking this into account, Edwards’s views on Christianity should be observed in context targeted at those who agree with his idea, that G-d is great and beyond the capacity of human reason.
While investigating the details of this peculiar relationship, I was struck by the historical and philosophical depth of several discoveries, the fundamental question being this: Why was Nietzsche's perception of both Wagner's music and his character upset simply because Wagner declared his return to God? I envisioned that this question would provide a rather simple essay, one aimed at declaring the cause of the quarrel as a basic Christian vs. Atheist dispute among oversensitive philosophical minds - but this paper has turned out to be a wealth of thought, knowledge, and chance that I can't possibly express in five to eight pages.
September 10, 2009. Cambridge Critical Guide to Nietzsche’s On the Genealogy of Morality, Simon May, ed., 2010. Available at SSRN: http://ssrn.com/abstract=1473095>. Nietzsche, Friedrich.
Acton, Edward, and William Rosenberg. Critical Companion to the Russian Revolution, 1914-1921. Indiana: Indiana University Press, 1997
Friedrich Nietzsche was a critic and a German Philosopher from the 18th century. Nietzsche was the father of psychoanalysis and he formulated several philosophical concepts that have greatly contributed to the understanding of human nature. Nietzsche ideas had been misinterpreted by many people over time specifically, due to his style of writing. Nietzsche style of writing was adopted to strengthen his arguments on various controversial topics. In this paper, I will discuss Nietzsche’s idea of naturalistic morality, master morality, self-mastery morality, and how they connect with the affirmation of nature and strength.
Wagner is not however the corruptor. He, in Nietzsche’s eyes sadly has found himself among the common man, indoctrinated by Christianity in the face of meaninglessness. Nietzsche’s portrayal of his former friend then takes on a more sympathetic tone. Wagner, as evident by Nietzsche’s early praise and admiration, is the most shining example of both, our best chance at post-Socratic salvation in art as well as a depiction of the destructive power that the illness of ...
Althusser, Louis. Lenin and Philosophy and Other Essays. Http://virginiabonner.com/courses/cms4310/readings/althusser.pdf. Ben Brewster, Apr. 1970. Web. 29 Apr. 2014 8.
Friedrich Nietzsche, The Will to Power, trans. Walter Kaufmann and R. J. Hollingdale, ed. Walter Kaufmann (New York: Random House, 1967).
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P. 38-39, Friedrich Nietzsche, “Beyond Good and Evil” Cambridge Texts in the History of Philosophy, translated by Judith Norman, Cambridge University Press, 2002
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Nietzsche’s Genealogy of Morals can be assessed in regards to the three essays that it is broken up into. Each essay derives the significance of our moral concepts by observing
Nietzsche, Friedrich. "Human, All Too Human by Friedrich Nietzsche: From the Soul of Artists and Writers." Classic Authors.net / Great Literature Online. Web. 18 Feb. 2011. .