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Discuss theory of communication
Discuss theory of communication
The principles of communication theory
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The story “What we Talk about when we talk about Love” by Raymond Carver introduces four grown up characters who have experiences in their marriage life. The story tackles the elusive nature of love. This is evident when the characters vehemently try to describe it. Mel, the talkative surgeon, tries to give his thoughts on love but does not manage to convince the others. The other couple in the room believes they know the real meaning of love but find it difficult to define it. However, in the end of the day, they seem to come to togetherness and are intertwined by the essence of love. The story “Yellow Woman” by Leslie Marmon Silko, tells the story of a young woman who encounters a romantic escapade with a stranger. It involves a girl who runs away with a stranger whom she meets at the river. The stranger tries to convince her that she is the Yellow Woman from an old tale, and he is the Ka’tsina spirit. Silva tries to convince her that they were meant to be together. Although she does not believe him, she continues along with him as he provides her with an escape from reality. In both stories, we can see that love is a stronger emotion than hate, and it wins the day.
In the story by Silko, a young woman is walking by the river when she meets a handsome stranger named Silva. Silva is a cattle rustler living in the mountains and does not belong to any tribe. Although the young woman has a husband and baby, she runs away with the stranger. Although it may seem that Silva is abducting her, she twice returns to him even when she has a chance to run away. As she points out, “And I told myself, because I believe it, he will come back sometime and be waiting again by the river” (1210). When a white rancher confronts Silva and the yellow...
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...his heart and the others hearts beating. This shows that the conversation they had together had brought them closer to one another. This togetherness shows that love is a strong emotions and that it takes the day.
In conclusion, we get to see that the four characters in Carver’s story agree that one can know about love by seeing or feeling it; it may be difficult to define or understand love. On the story of the yellow woman, we get to see a woman who seeks an escape from reality with a stranger she barely knows. Although she barely knows the man, the yellow woman escapes with him leaving her family behind. In both stories, we get to see that love is a very strong emotion.
Works Cited
Carver, Raymond. What we Talk about when we talk about Love. New York: Random House, 2009
Silko, Leslie M. Yellow Woman and the Free Spirit. New York: Simon and Schuster, 1996.
Carver writes about three different characters with a focus on the development of the narrator himself. Although the reader never know her name, the narrator’s wife plays a small role in the story. She introduces the reader to the blind man. When the wife is in the room with both of the men, things seem to go wrong between the two men. The narrator seems to be almost nervous and upset with the wife for paying so much attention to the blind
True love is the love that everyone fantasizes about. It is the love that is unconditional and everlasting. Love is very hard to define since everybody's concept of love is different. However, in order to achieve a good relationship, people must have a well balanced power structure in their relationship, and good understanding and communication between them. In the stories, "The Yellow Wallpaper,'; "Hills Like White Elephants,'; and "A Doll's House,'; one could see the lopsided relationship between the males and females. In these stories the males predominates the females, and the characters seem to lack understanding, and communication toward another, which causes problems in their relationships.
Carver tells the story in first person of a narrator married to his wife. Problems occur when she wants a friend of hers, an old blind man, to visit for a while because his wife has died. The narrator's wife used to work for the blind man in Seattle when the couple was financial insecure and needed extra money. The setting here is important, because Seattle is associated with rain, and rain symbolically represents a cleansing or change. This alludes to the drastic change in the narrator in the end of the story. The wife and blind man kept in touch over the years by sending each other tape recordings of their voices which the narrator refers it to being his wife's "chief means or recreation" (pg 581).
The point of view from the narrators perspective, highlights how self-absorbed and narrow-minded he is. “They’d married, lived and worked together, slept together—had sex, sure—and then the blind man had to bury her. All this without his having ever seen what the goddamned woman looked like. It was beyond my understanding” (Carver...
Gilman, Charlotte Perkins. "The Yellow Wallpaper." The Norton Introduction To Literature. Eds. Jerome Beaty and J. Paul Hunter. 7th Ed. New York, Norton, 1998. 2: 630-642.
The Lais of Marie de France is a compilation of short stories that delineate situations where love is just. Love is presented as a complex emotion and is portrayed as positive, while at other times, it is portrayed as negative. The author varies on whether or not love is favorable as is expressed by the outcomes of the characters in the story, such as lovers dying or being banished from the city. To demonstrate, the author weaves stories that exhibit binaries of love. Two distinct types of love are described: selfish and selfless. Love is selfish when a person leaves their current partner for another due to covetous reasons. Contrarily, selfless love occurs when a lover leaves to be in a superior relationship. The stark contrast between the types of love can be analyzed to derive a universal truth about love.
Gaitskill’s “Tiny, Smiling Daddy” focuses on the father and his downward spiral of feeling further disconnected with his family, especially his lesbian daughter, whose article on father-daughter relationships stands as the catalyst for the father’s realization that he’d wronged his daughter and destroyed their relationship. Carver’s “What We Talk About When We Talk About Love” focuses on Mel and his attempt to define, compare, and contrast romantic love, while leaving him drunk and confused as he was before. While both of my stories explore how afflicted love traumatizes the psyche and seem to agree that love poses the greatest dilemma in life, and at the same time that it’s the most valued prospect of life, the two stories differ in that frustrated familial love causes Gaitskill's protagonist to become understandable and consequently evokes sympathy from the reader, but on the other hand frustrated romantic love does nothing for Carver's Protagonist, except keep him disconnected from his wife and leaving him unchanged, remaining static as a character and overall unlikable. In comparing “Tiny, Smiling Daddy” and “What We Talk About When We Talk About Love”, together they suggest that familial love is more important than romantic love, which we relentlessly strive to achieve often forgetting that we’ll forever feel alone without familial love, arguably the origin of love itself.
Fairytales and modern day movies project a stereotypical portrayal of love, idealizing it and ignoring the not so happy ever after when the prince and princess go back to their castle. Walker and Salinger in their respective novels present the idea of love with much more verisimilitude without the traditional symbols of castles and titles. Instead, opting for a warts and all exploration of love, focusing on its utopian and dystopian elements. Walker’s ‘The Color Purple’ is a tale of a black woman who is driven to lesbian love due to the abuse undertaken by men. J. D. Salinger’s ‘The Catcher in the Rye’, similarly speaks of a sexually frustrated young man not able to fulfill his desires due to societal constraints. Both the novels encapsulate realistic elements of love like the healing and harmful effects it can have on humans; we see all the pure forms of love as juxtaposed through the plot line with the absence of parental love, love between siblings and homosexual love. But, through all of the toils begotten by both Celie and Holden, love is a constant. ‘’Love does not delight in evil but rejoices with the truth. It always trusts, always hopes, always perseveres’’.
Ford, Karen. “The Yellow Wallpaper and Women’s Discourse.” Tulsa Studies in Women’s Literature 4.2 (1985): 309-14. JSTOR. Web. 6 April 2011.
In a world where the vast majority of cultures are patriarchal, in response to traditional structures, women often find themselves at war in their minds, hearts and in their own actions. 'Yellow woman' and 'The story of an hour' are examples of how women struggle in a male domintaed society. In these two stories, the women fnd themselves wrestling with thoughts and emotions that our society consider unacceptable. The following statements ,ay be asked and considered of these women:
Raymond Carver uses strategic dialogue and point of view to articulate themes in his short stories. Another tactic Carver uses in his writing is analyzing basic human skills such as the ability to define love through intimate relations between characters that reveal deeper meaning. In the short stories “What We Talk About When We Talk About Love” and “Cathedral,” he investigates relationships and how the characters develop the true meaning of love. While reading these two short stories the reader is able to comprehend the similarities that draw Carver’s works together. Through these stories the reader is also able to understand his outlook on love and human kinship. Carver uses certain strategies and techniques that allow him to bring a parallel between his different stories, but there are also definite things that set each story apart.
New York: Simon & Schuster Paperbacks, 1995.
Golden, Catherine, ed. The Captive Imagination: A Casebook on "The Yellow Wallpaper." New York: Feminist Press, 1992.
The Yellow Paper is a short story published in 1892, and written by Charlotte Perkins Gilman. Charlotte tells of a disheartening tale of a woman who struggles to free herself from postpartum depression. The Yellow Paper gives an account of an emotionally and intellectual deteriorated woman struggles to break free from a mental prison her husband had put her into, in order to find peace. The woman lived in a male dominated society and wanted indictment from it as she had been driven crazy, because of the Victorian “rest-cure” (Gilman 45). Her husband decided to force her to have a strict bed rest by separating her from her only child. He took her to recuperate in an isolated country estate all alone. The bed rest her husband forced into made her mental state develop from bad to worst. The Yellow Paper is a story that warns the readers about the consequences of fixed gender roles in a male-dominated world. In The Yellow Paper, a woman’s role was to be a dutiful wife and she should not question her husband’s authority and even whereabouts. Whereas, a man’s role was to be a husband, main decision maker, rational thinker and his authority was not to be questioned by the wife.
This is in such a tone, that it is suggesting that a higher being is