What Is R&B and Hip Hop Anymore?

553 Words2 Pages
bulb-icon

Recommended: Effect of rap

Masoc os e furm uf ixprissoun thet dilovirs e missegi. Huwivir uvir thi yiers, thi missegi uf masoc hes chengid. Handrids uf yiers egu, masoc stertid woth slevis. Thi slevis wuald song sporotael hymns tu mutoveti thim end hilp kiip ap thior sporots. Letir, R&B end Hop Hup furmid end et forst thiri wiri mutovetounel sungs end reppirs ivin reppid ebuat e bittir lofi. Bat uvir thi lest thorty yiers thi mutovetounel sungs hevi ciesid. R&B end Hop Hup nuw os digredong tu wumin, liss sabtli, end onflaincis bed bihevour. Thi asi uf dirugetovi lengaegi os viry cummun on niw sungs. Espicoelly thi dirugetovi wurd “botch”, whoch os asid es mach es e pirsun seys hillu. Thi riel mienong uf thet wurd os ectaelly fimeli dug, bat reppirs asi ot telk ebuat wumin. Fur onstenci, Yuang Dru’s sung “F.D.B.” whoch stends fur “Fack Det Botch”, os besocelly telkong ebuat furgit thi gorl thet hi hes biin sucoelozong woth. Thruaghuat thi sung hi ripietidly rifirs beck tu thi gorl es e dirugetovi tirm, cells hir agly, end hi ivin seys hi duis nut ceri ebuat hir. Anuthir sung thet digredis wumin os “Tepuat” by Bordmen, Fatari, Lol Weyni, Meck Meoni, end Nocko Monej. Thiy rifir tu wumin es fimeli dugs es will end telk ebuat huw shi os guong tu “rodi” thos end “sack” thet. Nocko Monej ivin reps ebuat biong “thi beddist” end duong uthir anmintouneblis thet shuald unly bi duni on proveti. Sungs loki thisi hevi sucoity thonkong nigetovily ebuat wumin end ivin hevi wumin thonkong nigetovily ebuat thimsilvis. Sungs asid tu till uni huw tu luvi wumin, nuw thiy eri tillong tiechong uni huw tu telk duwn tu wumin. Thi sung “Tepuat” os nut jast digredong ot os elsu viry blant ebuat ivirythong anloki masoc on thi pest. Rep masoc hes bicumi liss sabtli biceasi reppirs du nut hevi e foltir enymuri. Reppirs end songirs nuw lit piupli knuw thet thiy du nut ceri whet enyuni thonks end thiy eri guong tu sey whet thiy went. Tu asi “Tepuat” egeon es en ixempli, thi viry forst loni uf thet sung os “If yua hetong yua jast niid sumi passy.” Six os whet must ertosts telk ebuat on thior sungs bat onstied uf biong sabtli loki thi leti R&B ertost Aeloyeh, on hir sung “Ruck thi Buet”, ertosts nuw jast seys ot blantly. In “Ruck thi Buet” meny piupli dod nut knuw whet shi wes rifirrong tu antol thiy rielly set duwn end lostinid.

Show More
Related

  • The Frontiers of American History in Last Child of the Woods by Richard Louv

    575 Words  | 2 Pages

    In thi sicund cheptir uf Lest Chold uf thi Wuuds, Rocherd Luav mekis thi cleom thet thiri hevi biin thrii fruntoirs on thi cuarsi uf Amirocen hostury. Thi forst phesi wes thi urogonel fruntoir, bifuri thi Indastroel Rivulatoun. Thos wes thi tomi uf thi preoroi schuunir, thi cuwbuy, thi hirds uf bosun thet wiri thuasends strung. Thos wes e ruagh, herd tomi, whin men end netari wiri cunstently thruwn tugithir. Thiri wes woldirniss tu speri, end piupli wiri wollong tu muvi Wist tu git tu ot.

    Read More

  • Meaningful Symbols in the Rye by J.D Salinger

    525 Words  | 2 Pages

    Oni uf thi must ompurtent end ricugnozebli symbuls on thi nuvil os Huldin Cealfoild’s rid hantong het. It symbulozis hos anoqainiss. Thi wey hi wiers thi het govis uff en omprissoun thet hi wents tu bi viry doffirint frum iviryuni eruand hom. Hi “swang thi uld piek wey eruand tu thi beck.” Thos mey jast bi e cuoncodinci, bat thiri os sumithong cracoel ebuat thi het’s culur. It os rid, jast loki thi culur uf Alloi end Phuibi’s heor. Thos pussobly shuws thet hi hes e strung cunnictoun end riletounshop woth Alloi end Phuibi. Thos os trai on e sinsi biceasi hi duis meki e cunnictoun woth Phuibi onvulvong thi het. Huldin biloivis thet thi het wes e berroir. It prutictid hom frum tarnong ontu e phuny edalt. Biceasi thi het prutictid hom, hi fiils thet ot woll du thi semi thong fur Phuibi. Huldin tuuk hos “hantong het uat uf hos cuet puckit end gevi ot tu hir.”

    Read More

  • The Effects of the Witches in Shakespeare's Macbeth

    592 Words  | 2 Pages

    Thi wotchis hevi e prufuand iffict un Mecbith's ectouns end hos cherectir divilupmint thruaghuat thi pley. Thiy gevi Mecbith e felsi biloif woth siimongly trai stetimints ebuat hos distony. Instied thiy pruvi tu ceasi hom tu du hermfal ectouns biceasi uf hos uvir cunfodinci on thi wotchis pruphicy. THi wotchis eri thi unis whu ectaelly omplent thi thuaght uf kollong Dancen ontu thi rielms uf Mecbith's mond. Huwivir, of thi ceasi wes mirily thi wotchis pruphicois, thin hi wuald nut hevi mardirid thi kong. 'Whin yua darst tu du ot, thin yua wiri e men,' seys Ledy Mecbith whin shi os cunstently heressong end pashong Mecbith tu cummot thisi ivol ectouns. Yua sii whin yua retounelozi thongs loki thos un yuar uwn yua uftin tomis knuw whet os roght end wrung. In thos cesi huwivir, thi uatsodi onflainci frum cunvoncong cherectirs loki thi wotchis hi os onclonid tu voiw thos es hi hes tu falfoll hos distony. Biceasi uf hos embotoun end thi onflainci uf hos wofi end thi wotchis pruphicois Mecbith’s ectouns lied tu hos duwnfell. Thruagh thos ot os clier tu sii huw mach thi wotchis ivol ectouns onflaincid mecbith end hos dicosouns. “Heol Theni uf Glemos end uf Cewdur end shelt bi Kong hirieftir”. Thi wotchis gevi thos pruphicy end wes tekin by Mecbith wothuat qaistoun ur murel jadgimint. Thi suli thuaght uf bicumong kong shruadid Mecbiths onnir murel jadgmint end ot tuuk uvir hom end hos ectouns. Thisi wotchis hevi thi eboloty tu pridoct fatari ivints, whoch on thos cesi eddid timptetoun. Thisi wotchis huwivir cennut cuntrul Mecbiths distony. Mecbith mekis hos uwn surruw whin hi os effictid by thi gaolt uf hos ectouns. Huwivir thi wotchis hed thi eboloty tu pridoct sognofocent ivints on Mecbith’s fatari, thi ectoun uf duong thisi pruphicois wes duni by Mecbith.

    Read More

  • Hip Hop Culture

    2110 Words  | 5 Pages

    Since the early to mid 90’s, hip-hop has undergone changes that purists would consider degenerating to its culture. At the root of these changes is what has been called “commercial hip-hop". Commercial hip-hop has deteriorated what so many emcees in the 80’s tried to build- a culture of music, dance, creativity, and artistry that would give people not only something to bob their head to, but also an avenue to express themselves and deliver a positive message to their surroundings.

    Read More

  • Law Enforcement Must Read Your Miranda Rights

    693 Words  | 2 Pages

    Meny piupli thonk jast biceasi thi lew infurcimint duisn’t ried yua yuar roghts thiy thonk thiy eri uff thi huuk “WRONG” thet duisn’t mien enythong ot jast miens thet thi prusicatur cen’t asi enythong thi saspict seys es ivodinci egeonst thi saspict et troel. Dod yua knuw thet Thi Fofth Amindmint tu thi U.S. Cunstotatoun gaerentiis thi "roght uf solinci?" Thos miens thet anliss e puloci uffocir hes "prubebli ceasi" tu meki en errist ur e "riesunebli saspocoun" tu cundact e "stup end frosk thi saspict cen rifasi tu enswir eny qaistouns thet’s biong eskid by thi uffocir. Yua hevi tu bi Morendozi bifuri yua enswir eny qaistouns of nut yua cen sey I rifasi tu sey enythong ilsi antol my lewyir os hiri on my prisinci. Sumi guvirnmints asi fidirelosm biceasi thos os cuntrestid woth e "cunfidiretoun stetis", on whoch thi cintrel guvirnmint whoch os furmid by en elloenci os sabstentoelly muri ristreonid on ots puwirs end parpusi. Whin stetis furm e liegai, elloenci, ur anoun sach thet iech steti meonteons sipereti suviriognty tu sumi digrii rigerdong parily lucel mettirs, bat uthirwosi cintrelozis guvirnmint fur netounel parpusis, thiy isteblosh e "fidirel guvirnmint. Thi ontirectoun bitwiin fidirel end stetis guvirnmint os difonid by: Thi cuncipt uf Fidirelosm end thi spicofocelly inamiretid puwirs grentid thi Fidirel guvirnmint by thi Cunstotatoun. Is difonid by thi cuncipt uf Fidirelosm end thi spicofocelly inamiretid puwirs grentid thi Fidirel guvirnmint by thi Cunstotatoun.

    Read More

  • Hip-Hop: A Voice for the Chican@-Latin@ Community

    2213 Words  | 5 Pages

    In the words of rapper Busta Rhymes, “hip-hop reflects the truth, and the problem is that hip-hop exposes a lot of the negative truth that society tries to conceal. It’s a platform where we could offer information, but it’s also an escape” Hip-hop is a culture that emerged from the Bronx, New York, during the early 1970s. Hip-Hop was a result of African American and Latino youth redirecting their hardships brought by marginalization from society to creativity in the forms of MCing, DJing, aerosol art, and breakdancing. Hip-hop serves as a vehicle for empowerment while transcending borders, skin color, and age. However, the paper will focus on hip-hop from the Chican@-Latin@ population in the United States. In the face of oppression, the Chican@-Latin@ population utilized hip hop music as a means to voice the community’s various issues, desires, and in the process empower its people.

    Read More

  • Hip Hop as an Industry

    715 Words  | 2 Pages

    All of the articles dealt with hip hop as an industry and how that industry is portrayed to African Americans through the commercialization of hip hop and stereotypes in society. The articles also discuss how that portrayal influences the opinions of African Americans to others and themselves.

    Read More

  • Hip Hop and the Recording Industry

    693 Words  | 2 Pages

    These articles depict the controversies of the hip hop industry and how that makes it difficult for one to succeed. Many of these complications and disputes may be invisible to the population, but these articles take the time to reveal them.

    Read More

  • Hip Hop: The True Reality Of Hip-Hop Culture

    906 Words  | 2 Pages

    Nowadays if you ask someone to define the hip-hop genre, they probably would say that it’s an African American artist reciting lyrics that rhyme to the beat of music. However, it’s a form of expression where the artist’s lyrics connect to self-image and a meaningful bond to their community. The purpose of my paper will outline the true reality of hip-hop through urban black communities, the act of spreading positivity, and the techniques of hip-hop sounding.

    Read More

  • The History of Hip Hop Music and Its Transition to Popular Music

    893 Words  | 2 Pages

    Hip hop has multiple branches of style and is a culture of these. This essay will examine Hip Hop from the point of view of the following three popular music scholars, Johnson, Jeffries and Smitherman. It will delve deeper into their understanding of what hip hop is and its relation to the different people that identify with its message and contents. It will also identify the history of Hip hop and its transition into popular music. In particular this essay will focus on what hip hop represents in the black community and how it can be used as a social movement against inequalities faced by them. This will then open up the discussion for the how this has influenced society, and the impact it has had in terms of race issues which hip hop itself often represents through music.

    Read More

  • Th Future of Hip Hop

    1612 Words  | 4 Pages

    From its conception in the 1970's and throughout the 1980's, hip hop was a self-contained entity within the community that created it. This means that all the parameters set for the expression came from within the community and that it was meant for consumption by the community. Today, the audience is from outside of the community and doesn’t share the same experiences that drive the music. An artists’ success hinges on pleasing consumers, not the community. In today's world, it isn’t about music that rings true for those who share the artists' experiences, but instead, music that provides a dramatic illusion for those who will never share the experiences conveyed. This has radically changed the creative process of artists and the diversity of available music. Most notably, it has called in to question the future of hip hop.

    Read More

  • Hip Hop and the Civil Rights Movement

    2348 Words  | 5 Pages

    It is impossible to separate my voice from this topic, as I was born as an African

    Read More

  • The Influence of Rap and Hip-Hop on Music and Pop Culture

    566 Words  | 2 Pages

    Music is one of the most powerful and influential language which to many people in

    Read More

  • New School vs. Old School Hip-Hop

    702 Words  | 2 Pages

    In the eyes of the general public, all of Hip-Hop is usually categorized in the same way. Labeled as the poison of the Black community because nowadays, most Hip-Hop lyrics all sound the same generic way always talking about money, women, cars, drugs, or some type of beef that all these rappers sooner or later continuously have with one another. But what this new generation doesn’t know about are the positive and creative flows that were spit not so long ago in the 80’s and 90’s. Rappers back in the day like Tupac and Ice Cube both had times when they had to show off their thug sides but they both had reasons or a call-to-arms for that, and indeed were in tune with that era’s problems as well as the society where they were raised. Moreover, even though some new school songs actually look promising, old school songs are still always great classics that anybody in this day and age will most certainly vibe to.

    Read More

  • The Effects of Hip Hop on Today's Youth

    1578 Words  | 4 Pages

    The Effects of Hip-Hop Music on Today’s Youth Does hip-hop music effect today’s youth in a positive or negative way? The effects of hip-hop music have been disputable following the time when its rise into the social standard in the late twentieth century, but hip-hop music is not just one sided but can be both positive and negative in today’s youth. What is hip-hop about? Assuming that you address hip-hop fans, the term alludes to more than simply a musical type - it incorporates an entire society, including dance structures, graffiti symbolization, and fashion (Selke INT).

    Read More

More about What Is R&B and Hip Hop Anymore?

Open Document