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mental and physical effects of war
effects of war on family and society
psychological effects of war on children
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War changes men. When it comes to sacrificing for a country, it is presumed that surviving combat could make a man appreciate life, aspire to important things, and value effort and determination. In short, it could make a man take advantage of the great second chance he had been given and work to find both large and small ways to contribute to the public good. Yet despite this assumption, the horror of death had scarred the lives of many war veterans, obviating them from the joy of living. Clint Eastwood’s Gran Torino (2008) explores this idea of returned war vets and presents it through the persona of Walt Kowalski, a racist retired autoworker, Korean war veteran, and the film’s eventual hero of his multiracial Detroit neighbourhood.
Riding on the same wave of patriotism, it is unquestionable that men in combat strive for the love of their country. War veterans, in particular, tend to hold close to their patriotic values even after the end of their battle. As a returned war vet, Walt Kowalski is constructed to be patriotic and have a strong love for America throughout the film. This is established through the film’s incorporation of the American flag in its setting of Walt’s house. Hanging solidly over his square patch of lawn, the flag symbolises Walt’s display of patriotism and his loyalty to his country as well as his imperishable traditional American beliefs. Viewers are constantly reminded of his patriotic sentiment through the consistent use of long panning shots of the American flag outside his house. This reinforces the idea that war veterans still have a compelling faithfulness for their country by expressing it through a simple display of their national flag. However, as much as strong patriotic views are worthy, war ...
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...ao, the film suggests in it inclusion, reveals that he regrets his actions and was unable to redeem himself from his past. Therefore, through the interactions with the Hmong’s shaman and the symbolic lighter, the film encourages the response that war veterans are still clinging to the memory of war.
Gran Torino, directed by, produced by and starring Clint Eastwood, has present ideas about the life of war veterans that had been scarred by the horrors of death. Through the exceptional performance by Clint Eastwood, representing Walt Kowalski as a war veteran, returned war vets are constructed to be patriotic, racist and haunted by their violent past. They are faced with the difficulty of balancing between the remnant memories of past wars and the ever-changing modern society. Therefore, surviving war simply underscored the cruelty and randomness of life and death.
Today’s veterans often come home to find that although they are willing to die for their country, they’re not sure how to live for it. It’s hard to know how to live for a country that regularity tears itself apart along every possible ethnic and demographic boundary… In combat, soldiers all but ignore differences of race, religion,and politics within their platoon. It’s no wonder they get so depressed when they come home. (Junger
Tina Chen’s critical essay provides information on how returning soldiers aren’t able to connect to society and the theme of alienation and displacement that O’Brien discussed in his stories. To explain, soldiers returning from war feel alienated because they cannot come to terms with what they saw and what they did in battle. Next, Chen discusses how O’Brien talks about soldiers reminiscing about home instead of focusing in the field and how, when something bad happens, it is because they weren’t focused on the field. Finally, when soldiers returned home they felt alienated from the country and
Wallace Terry has collected a wide range of stories told by twenty black Vietnam veterans. The stories are varied based on each experience; from the horrific to the heart breaking and to the glorified image of Vietnam depicted by Hollywood. Wallace Terry does not insinuate his opinion into any of the stories so that the audience can feel as if they are having a conversation with the Vietnam Veteran himself. Terry introduces the purpose of the book by stating, “ Among the 20 men who portray their war and postwar experiences in this book. I sought a representative cross section of the black combat force.”(p. XV) Although the stories in this book were not told in any specific order, many themes became prominent throughout the novel such as religion, social, and health.
War is cruel. The Vietnam War, which lasted for 21 years from 1954 to 1975, was a horrific and tragic event in human history. The Second World War was as frightening and tragic even though it lasted for only 6 years from 1939 to 1945 comparing with the longer-lasting war in Vietnam. During both wars, thousands of millions of soldiers and civilians had been killed. Especially during the Second World War, numerous innocent people were sent into concentration camps, or some places as internment camps for no specific reasons told. Some of these people came out sound after the war, but others were never heard of again. After both wars, people that were alive experienced not only the physical damages, but also the psychic trauma by seeing the deaths and injuries of family members, friends or even just strangers. In the short story “A Marker on the Side of the Boat” by Bao Ninh about the Vietnam War, and the documentary film Barbed Wire and Mandolins directed by Nicola Zavaglia with a background of the Second World War, they both explore and convey the trauma of war. However, the short story “A Marker on the Side of the Boat” is more effective in conveying the trauma of war than the film Barbed Wire and Mandolins because of its well-developed plot with well-illustrated details, and its ability to raise emotional responses from its readers.
Gran Torino is one of those films with an outstanding and significant topic presented to its viewers. The character of Walt is introduced as a bitter old man who does not seem to have loving emotions. Living in a low income and immigrant populated neighborhood, the audience is exposed to a different and perhaps unknown perspective, such as Hmong’s cultural norms.
The Roman philosopher Seneca the Younger once said “Perjor est bello timor ipse belli”, which translates to: “the dread of war is worse than war itself”. With this quote, Seneca identifies that war has both its physical and mental tolls on its participants. The psychological and emotional scars of war do much more damage to a solider than the actual physical battles. Tim O’ Brien repeats this idea many years later in his novel “The Things They Carried”, by describing how emotional burdens outweigh the physical loads that those in war must endure. What keeps them alive is the hope that they may one day return home to their loved ones. Yet, the weight of these intangible “items” such as “grief, terror, love, longing” overshadow the physical load they must endure since they are not easily cast away.
...e has lost. Set in the gymnasium of IKM-Manning High School, this funeral accurately portrays the devastation felt when a loved one has perished in war and is returned in a casket. This photo focuses on the home coming of a soldier, but unlike “V-J Day in Times Square”, it’s shown in a negative way. The vivid colors of the U.S. flag’s stripes as well as the blue from the VFW flag are bold against the seemingly monochrome photo. Red, white, and blue are distinct in this photo, representing the Americanism and freedom that this soldier has brought. The balance of colors is split: bold colors of freedom on one side, and black of the garments of mourners on the other. Although there is freedom, there was a price to be paid; a life. People all over the country lose family and friends to the perils of war. Unfortunately for this soldier, he came home resting in peace.
There you stand over the body of a fallen friend, a brother or sister in arms. You are asking yourself why them, why not you? What could have I done to save them? That is when you wake up, sweating, panting. It was just a night terror, yet it feels the same as the day they died, even though it has been ten years. This is just one of the many emotional scars soldiers of war face. Though why do we go to war when this is the cost? For many it is because they are unaware of the psychological cost of war, they are only aware of the monetary cost. Tim O 'Brien addresses the true cost of war in The Things They Carried. O 'Brien suggests that psychological trauma caused by war impedes daily life in young Americans drafted into the Vietnam war. He does
“What's too painful to remember, we simply choose to forget.” They are lyrics from the song “The Way We Were.” It is a simplistic thought that has been made many times throughout the course of time. It is a philosophy that many people have lived by for ages. The blocking out of traumatic events is done by the best of us and it utilized prominently in war movies. A one-sided view point is the only way to create a plot. As the erasure of memories is used in war movies, it can also be seen by Leonard Shelby in Memento. Through this idea, I will prove that Memento is a type of war movie.
The Godfather is most notably one of the most prolific films of its time. This "gangster" film displayed many transformations of permeating color to give the viewer observable cues in its mise en scene that drew one right into the movie. The dramatic acting set the tone of the film with a score that lifted the viewer right out of their seat in many scenes. The directing and cinematography made The Godfather ahead of its time. The nostalgic feel of family importance and the danger of revenge lets us into the life of the Mafia. Even though no other techniques would have given the viewer a feeling of inside the mob like the mise en scene of the power the godfather held, the characters are reinforced literally and figuratively because the story views the Mafia from the inside out, and the cinematography of the film gives it a dangerous and nostalgic feel.
Clint Eastwood’s film “Gran Torino” traces the end of the life of Walt Kowalski. He has recently gone through a lot – the death of his beloved wife, his distant relationship with his son, his emotional scars from the Korean War and his bad health. All these things stop him from living a proper life. He doesn’t care about himself much – he smokes even though he is sick, he doesn’t eat a lot, he refuses to confess even though that was his wife’s last wish. However, all this changes when he meets the Hmong Family that lives next door. At the beginning he detests them because of their similarity to the Koreans, but later, as he gets to know them, they become the family that he was never able to have. The story traces the psychological changes in Walt’s character due to his unusual bond with the Hmong family, which changes are one of the main strengths of the film.
Jenkins, Mary. "Clint Eastwood, A Reluctant Savior In 'Gran Torino'." (2008): n. page. Web. 23 Feb. 2012.
The film Gran Torino directed by Client Eastwood challenges The issues of stereotypes through the attributes of contemporary assumptions of status, gender and ethnicity. Exploring the themes of absence of a male dominate figure, enabling protagonist Theo to be a feminine figure exploits the idea of gender portrays the Hmong men to be stereotyped.Ethnicity and status also express multiple meanings through the cinematography and the Hollywood narrative style illustrates many representation of the western and eastern cultures These key terms gender, ethnicity and status all intertwine with each other during the entire film. The Hmong culture have been stereotyped by the western culture concerning that the American way is the only way which evidently challenges the ideas and ideologies of the Hmong society. the film illustrates the idea of realism but underlines the factor that cultures outside of America should obtain the manners and ideas of an American to survive in society. there is clear indication that classical Hollywood narrative, mis en scene and cinematography style can support stereotypes about gender, ethnicity and status.
Gran Torino is a suspense film directed by Clint Eastwood, which portrays the relationship between a 78-year-old Koran war veteran and his neighbors who are from Laos. The main character, Walt is a racist who still has memories from the horrors of war and has a dislike for anyone, including his own family. After his young neighbor Thao is coerced by his cousin’s gang into stealing Walt’s prized Gran Torino, a unusual relationship forms between the pair. Walt starts to respect Thao and his culture while fulfilling a fatherly role that Thao is lacking. Eventually, Walt has to confront the gang knowing that the confrontation will end in his death. Apart from the stereotypical, get off my lawn quote, this film depicts the relationship of family concerning the care for older adults, the struggle with despair and meaning later in life, and the morality of a good death. This paper will address each of these themes.
Gran Torino focuses on the life of Thao as he tries to live a normal life despite being pressured to join a neighborhood gang. Thao’s family moved to America to live a better life and Thao wants to be successful, but the gang in his neighborhood prevents