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War and Trauma: Owen & Turner
Dulce et Decorum Est by Wilfred Owen and The Hurt Locker by Brian Turner are captivating and heartbreaking examples of great antiwar poems. Wilfred Owens and Brian Turners first hand experiences of the traumatic horrors of war make their writings overwhelmingly effective. Their poems both express how war is physically and mentally damaging and their words paint vivid pictures of the unspeakable realities of war such as suicide bombers, and the use of mustard gas among other weapons. These poems force the reader to see war for what it really is and not for what it was said to be. Even though Owens and Turners writings are both anti war themed each writer takes a different approach to it. Owens approach to the theme is centered on details and reliving the trauma he has gone through. He pinpoints something that has tortured him and gruesomely describes it. He captures the suffering of a soldier and those who witnessed it as well as addressing those who idolize war. Turner on the other hand takes a direct and bold approach to force the people who haven’t actually lived through war to face the reality of it. Both poems convey the antiwar message, however Owens poem Dulce et Decorum Est approaches the theme more effectively because transitions in the tone throughout the poem, the technical strategies in the writing, and the powerful and detailed use of imagery.
Owens change in tone throughout the poem is effective, because it takes the reader through the emotional state of the soldiers. In the beginning of the poem the tone is weary. The soldiers are feeling tired, trudging through to distant rest (4). With words such as fatigue, marched asleep, limped on, blood-shod Owen creates a worn out ambiance. At ...
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... probably means a painful place deep within you where all the physical and emotional pain goes locked away but it never leaves.
Both poems expose the realities of war and how traumatic it can be. Both Turner and Owen have had first hand experiences of the horrors of warfare. They felt the pain and saw the violence, the hurt. They gave voice to the traumas they lived through; by doing this they forced people visualize what war really is and hopefully cautioned people to rethink their perspectives.
Works Cited
Owen, Wilfred, “Dulce et Decorum Est”, Literature: An Introduction to Fiction, Poetry, Drama, and Writing, Ed. X. J. Kennedy and Diana Gioia, 12 ed. New York: Pearson, 2013. Print
Turner Brian, “ The Hurt Locker”, Literature: An Introduction to Fiction, Poetry, Drama, and Writing, Ed. X. J. Kennedy and Diana Gioia, 12 ed. New York: Pearson, 2013. Print
Similarly, Wilfred Owen’s poem “Dulce et Decorum Est” describes a soldier who witnesses the death of his comrade from poisonous gas. Using imagery and irony, Owen presents a blunt contrast between the propaganda practiced for recruitment and the truth behind the suffering endured by the soldiers. While presented in different formats, both literary works criticize the romanticism of war, arguing that there is no glory in the suffering and killing caused by conflict.
...are a repeat of the title, and also and added line to clarify the actual meaning of the poem. Owen mocks the idea of war being an honorable and nationalistic way to support ones country as he describes a situation in which death is detailed in gruesome detail. This poem is harsh, yet effective in displaying the acts of war and the affect the it has on all of the people involved, especially the foot soldiers who served in the front line, the trenches.
Hardships from hostile experiences can lead to the degradation of one's mental and physical state, breaking down their humanity. Wilfred Owen's struggles with the Great War has led to his detailed insights on the state of war, conveying his first-hand experiences as a front-line soldier. 'Dulce et Decorum Est' and 'Insensibility' displays these ideas and exposes the harsh and inhumane reality of war. From the imagery and metaphors, Owen's ideas about the deterioration of human nature resonates with the reader of the repercussions of war.
To draw into the poet’s world, the poet must draw relations between them, including the reader, making them feel what the poet feels, thinking what the poet thinks. Wilfred Owen does this very creatively and very effectively, in both of his poems, Dulce et Decorum Est Pro Patria Mori and Anthem of Doomed Youth, who is seen as an idol to many people today, as a great war poet, who expresses his ideas that makes the reader feel involved in the moment, feeling everything that he does. His poems describe the horror of war, and the consequences of it, which is not beneficial for either side. He feels sorrow and anger towards the war and its victims, making the reader also feel the same.
In the first stanza, Owen sets the scene through the use of imaginative appeal. This stanza contains a lot of simile and metaphors that show the readers how crushed these men are physically and mentally. The line “Till on the haunting flares we turned ours backs” suggests that Soldiers are turning their back to the lights of the battle field. Being exhausted, their knees are touching, “knock-kneed”, tired of supporting their heavy backpack he compares the condition of the poor soldiers to “old beggars” and “hags”, “like old beggars under sacks”. They are in so much pain, they are not even hearing the noise made by the shells rushing through the air “deaf even to the hoots” they are in a stage of numbness. In a way they are almost dead, like zombies or robots, all they do is follow orders. Owen creates a vivid idea in the reader’s head of how terrible these conditions are through the use of metaphors and similes.
In ‘Dulce Et Decorum Est’. Owen, throughout the poem, creates the impression of the trenches for the reader and stanza one helps to set the scene. The soldiers, who have been fighting for a long time in the trenches, are finally returning to their billets to rest. The exhaustion of the men is shown here through similes which compare the men to old beggars and hags, ‘like beggars under sacks’ and ‘coughing like hags’, although they were young men, showing just how exhausted they were and the effects the war is having on them physically. Also, the men are ‘blood-shod’ which makes them seem more like horses than human beings. Owen also uses metaphors in stanza one to describe the terrible tiredness the men were suffering from, ‘men marched asleep’. The stanza describes how the poor conditions of the trenches are putting a strain on the soldiers, until they are ‘knock-kneed’ and having to ‘trudge’ through the ‘sludge’ to get to their place of rest. They are ‘drunk with fatigue’ and limping with wounds or loss of boots. This stanza also illustrates the ...
Owen opens his poem with a strong simile that compares the soldiers to old people that may be hunch-backed. ‘Bent double, like old beggars like sacks.’ ‘like sacks’ suggests the image that the soldiers are like homeless people at the side of a street that is all dirty. This highlights that the clothes they were wearing were al...
A poem which I have recently read is: “Dulce Et Decorum Est” by Wilfred Owen. The main point Wilfred Owen tries to convey in this poem is the sheer horror of war. Owen uses many techniques to show his feelings, some of which I’ll be exploring.
In ‘Anthem of Doomed Youth’ Owen shows another version of the suffering- the mourning of the dead soldiers. When Owen asks “What passing-bells for these who die as cattle?”, his rhetorical question compares the soldiers to cattle as they die and suffer undignified. Owen uses this extended metaphor to confront us with the truth, that there are too many fatalities in war. As such, the soldier’s deaths are compared to livestock, to emphasise their poor treatment and question our perspective about soldiers dying with honour. With an overwhelming death toll of over 9 million during WWI, Owen depicts how the soldier’s die with the repetition of “Only the...” to emphasise the sounds of war that kills soldiers in the alliteration ‘rifles’ rapid rattle.’ Owen also illustrates the conditions that the soldiers died in and how they were not given a proper funeral in the cumulation ‘no prayers nor bells,/ nor any voice of mourning.’ Owen painfully reminds us that we have become complacent with the deaths of soldiers, seeing them as a necessary sacrifice during human conflict. Thus, Owen shows us what we have overlooked about war, that is, that it brings endless death and long-lasting grief to the surviving soldiers and the people around
Ultimately, we have two poems which can be compared on the grounds of their subject, but are poles apart regarding their message. The structure of these poems is not what would be typically expected from a war poem, but are structured on the basis of these typical structures in order to create some sense of familiarity. Brooke’s poem expands on this familiarity while Owen attempts to deliberately sabotage it. In regards to content, Brooke shows throughout his perception of the nobility of dying for one’s country, whilst Owen uses all of his poetic techniques to show the opposite.
...e see a young boy being taught how to use weapons. In “Exposure”, Owen depicts a group of soldiers freezing to death at war, even though they aren’t in the midst of fighting. Lastly, in “Dulce Et Decorum Est” we read about a soldiers who struggles to get his mask on during a gas attack (when the enemy releases a gas deadly upon inhale). Owen describes the soldiers slow death in detail. Not only do these images provide the reader with first hand accounts of war, but they also show Owen’s feelings towards the war. All of these images that are glued into his head will be there forever, which is why he incorporates these realities in his poems, so that everyone can realize that war is nothing more than a inhumane act of terror.
Chaos and drudgery are common themes throughout the poem, displayed in its form; it is nearly iambic pentameter, but not every line fits the required pattern. This is significant because the poem’s imperfect formulation is Owen making a statement about formality, the poem breaks the typical form to show that everything is not functioning satisfactorily. The poem’s stanza’s also begin short, but become longer, like the speaker’s torment and his comrades movement away from the open fire. The rhyming scheme of ABABCDCD is one constant throughout the poem, but it serves to reinforce the nature of the cadence as the soldiers tread on. The war seems to drag on longer and longer for the speaker, and represents the prolonged suffering and agony of the soldier’s death that is described as the speaker dwells on this and is torn apart emotionally and distorts his impressions of what he experiences.
Owens work can be defined by his use of language to transport the reader to the frontline of the war. His works evoke great emotion in the reader to empathize with feelings and circumstances of the soldiers he wrote about at the time. In his poem, Disabled, Owen shows the life of a soldier after the impacts of war as many soldiers were left without limbs. In the eyes of society, they were no longer fully human. He depicts how they were treated as outcasts, ostracized and left to die a lonely death:
As a poet, Wilfred Owens wants to show the effects of warfare from the viewpoint of a soldier during a War. Owens uses his own experience as a fighter to capture the reader’s attention and get across his point. He often uses graphic imagery and words to depict his thoughts about war. Wilfred Owens, poems, “Dulce et Decorum est” and “Anthem for doomed youth” talk blatantly about the effects of warfare on the soldiers, their loved ones, and those who make an ultimate sacrifice by making a statement about the efficacy of war.
The poem is divided into three sections with each part dealing with a different stage of the experience. In the first stanza, Owen describes the state the soldiers are in. The first line states that the platoon is “Bent double, like old beggars” (1). This gives the reader a vision that they are exhausted and compares them to the look of beggars on the street, who often times, look very ragged and shabby. The line “coughing like o...