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Different types of architecture styles
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Public Spaces provide unique experiences and contribute to the identity of a city. Found as places like plazas, parks, marketplaces, within buildings, lobbies and many more. Public spaces are important to our society and therefore face more arguments in design and construction compared to private spaces. In order to create innovative public architecture, considered to be the most civic, costly, time intensive and physical of the arts, the project holds a degree of risk, strife, and negotiation . Overcoming these tasks and creating worthy public architecture is a challenge designers try to accomplish, but are rarely successful. The people involved in a potential public building, can be larger than the building itself. Public architecture tries to please all, even the doubters and critics, but because of the all these factors, a building is closer to failing than succeeding. On a positive note, there are designers who have accomplished what seems like the impossible and created spaces that stand timeless in their place. The Eiffel Tower, Grand Central Station, Sydney Opera House are just a few examples of spaces that provide a unique experience for the people and contribute to the identity of the city. But how does one even begin to fathom what makes a public space worthy to the users and the city? Is it purely the design of the building? Or is it the function of the building? Or is it in fact how the function of the desired spaces and the vision of the designer work together to create the experience? The Walt Disney Concert Hall located in Downtown Los Angeles, CA is an example of a worthy public space, this year marking its tenth year being open still reflects and engages Los Angeles like few other buildings. In the beg... ... middle of paper ... ...alonen. Symphony: Frank Gehry’s Walt Disney Concert Hall. New York: Harry N. Abrams Inc. Publishers, 2003. Gilbert-Rolfe, Jeremy and Frank Gehry. Frank Gehry: The City and Music. Amsterdam: Overseas Publishers Association, 2001. Hawthorne, Christopher. “ Frank Gehry’s Walt Disney Concert Hall is inextricably of L.A.” Los Angeles Times, September 20, 2013. http://www.latimes.com/entertainment/arts/disneyhall/la-et-cm-disney-hall-hawthorne-dto,0,4655702.htmlstory#axzz2mMQ9iyRO Jordan, Vilhelm Lassen. “Brief Historical Survey.” In Acoustical Design of Concert Halls and Theatres: A Personal Account. Essex: Applied Science Publishers LTD, 1980. Ng, David. “ For Architect Frank Gehry, Disney Hall is ‘my home’. Los Angeles Times, September 20, 2013. http://www.latimes.com/entertainment/arts/disneyhall/la-ca-disney-gehry-20130922,0,4449590.story#axzz2mMQ9iyRO
“Form follows function.” Every great Modern architect thought, designed by and breathed these very words. Or at least, their design principles evolved from them. Modern architects Le Corbusier, Mies van der Rohe, Frank Lloyd Wright, Pierre Chareau, and Rudolf Schindler to name a few believed that the function determined the space whether the space was solely for a particular purpose or they overlapped to allow for multiple uses. Form didn’t just follow function, function defined the space. By focusing on the relationship between the architecture and the interior elements, Chareau’s Maison de Verre expanded the idea of functionalism to include not only the architecture but also the space it creates and how people function within that space.
“Lecture, concert will tell State Theater History.” Bay City Times 7 Oct. 2010: C1: Print. LaLonde, Pati. “Out with the old.”
The first piece presented in this concert was Robert Strauss’ Metamorphosen, Study for 23 Solo Strings a piece was composed during the last months of World War II, from August 1944 to March 1945, dedicated it to Paul Sacher. It was first performed in January 1946 with ten violins, five violas, five cellos, and three double basses, this was immolated in the performance by the Atlanta Symphony orchestra on April 13th that I attended. It is widely believed that Strauss wrote the work as a statement of mourning for Germany's destruction during the war, in particular as an elegy for devastating bombing of Munich during the second World War.
On Sunday afternoon November 21, 1999, at 2:00 p.m.at 419th Concert Worldwide, 330th in New York, 218th in Carnegie Hall I attended a MidAmerica production that presented the New England Symphonic Ensemble. This concert contained several different compositions by large groups of musicians, including an orchestra band, and chorus. This concert was divided into three different parts. First there was the Vivaldi which was divided into 12 sections. Virginia-Gene Rittenhouse was the music director, Raymond Sprague was the conductor, Judith Von Housers Voice was the soprano, Mary Nessinger voice was the Mezzo soprano, and Elizabeth Hastings was the portative. There was a reprise in the first section Gloria which opened up the symphony.
Hovering above are pillars of concrete and stone. Its rise and collapse determined by history. A combination of art and science designed to create notorious architecture. The necessity for architecture is distant from extinction and continuously transforming itself with the duration of time creating innovative methods of portraying scenic and functional works of art. The Romans and Greeks established a foundation for architecture that maintains its reputation as remarkable acts of beauty.
From the early Greek temples of yesteryear, to the high-tech autonomous buildings of tomorrow, the question of whether the function of a building or its aesthetics qualities are more important has plagued the minds of architects around the world. Webster's II New College Dictionary (Please do not use the encyclopedia or the dictionary to open your essay--way too high school.) defines aesthetics as "The branch of philosophy that provides a theory of the beautiful and of the fine arts" (18). The definition of Functionalism is defined by Webster's as "The doctrine that the function of an object should determine its design and materials" (453). Now, if the function of an object decides the type of design and materials used how does one integrate aesthetics into design, and moreover, how important are aesthetics to an architect? Frank Lloyd Wright was one of the greatest and most renowned architects of the 19th and 20th centuries, and while his buildings where lauded for displaying great artistic design, the issue of function was compromised by the blatant fact that his roofs leaked. This is because he let the aesthetics of his buildings become the focus of the structure, and neglected to adequately address the function of the building allowing for this problem to take root in his designs (Palermo, 4 Mar. 1999). As is apparent from Frank Lloyd Wright, there is a certain balance that has to be attained between aesthetics and functionalism in order for a structure to be appreciated as a successful building.
For instance, highly populous and famous cities such as Oslo, New York, Alexandria, and San Francisco hold some of the important architecture projects that have shaped individuals’ lives. Reporter David Owen, in his New Yorker article “Psychology of Space”, argues how the architecture firm Snøhetta utilizes their magic through their projects to build people’s moods, shape their relationships with cities, buildings and other individuals, and create illusions with exhilarating effects. The author’s argument is rhetorically compelling because his arrangement of ideas, selection of words, and supporting evidence maintain his public engaged in the magic of architecture and persuade anyone reading his article that architecture plays a critical role in their lives in numerous
The pianist and concert conductor, Christian Zacharias opened the Los Angeles Philharmonic Classical Music concert with a fascinating performance that left the audience in party mood and in happy f...
All of us grew up in places where we see how public space acts as a social glue. It is a space where the public can experience, values, history, interests and culture together. Public spaces give all of us a chance to relax after our busy lifestyles. It is a space where we can hang out, eat, play, show our culture or just simply sit on the benches and relax. Mike Davis’ chapter “ Fortress L.A.,” from City of Quartz, uses a prose style in describing how reconstruction in Los Angeles was made in a sense to improve the public spaces but, it changed public spaces drastically. The urban designers redeveloped Love Park, by claiming reconstructions can make park more tremendous vista. In certain cases, redevelopments of the public spaces can
“What do we mean when we speak of architectural quality? Quality in architecture […] is to me when a building manages to move me. What on earth is it that moves me? How can I get it into my own work? […] How do people design things with such a beautiful, natural presence, things that move me every single time. On word for it is Atmosphere”
Comprehensive urban planning needs to be sustainable, economic and consider the prevalence of historical buildings within the scope of the design plans. When community leaders and planners convene to discuss and review designs for refurbishing a neighborhood all aspects of potential new construction and how it will fit into existing buildings. Ghasemzadeh states “A good urban planner and/or designer will know the principles to adhere to and steps to take to maintain or improve the conditions of an urban area through effective planning and desi...
Meijenfeldt, E. V., and Geluk, M. 2003. Below ground level: creating new spaces for contemporary architecture. Birkhauser
Providing solutions for the good city pose questions such as: good for whom? what is good? etc. These questions prompt that good and city are two words that form more questions than answers. In these nebula of questions urban design plays an important role because its nature is in the urban and therefore in the city. As Madanipour points out, urban design occupies a potentially strategic place in shaping the city of the future (Madanipour, 2006).
A city has to be beautiful, though the definition of “beauty” is so vague. The beauty can be physical, such as enjoyable parks, streetscapes, architectural facades, the sky fragment through freeways and trees; or it can be the beauty of livelihood, people, and history. As landscape architects, we are creating beautiful things or turning the unpleasant memorial.
If there are more people, more, density, and a good mixture of uses, it will be a safer city... You cannot find a single city that does not wish to make the city center more vibrant or livelier.” This quote from Jan Gehl, the principal of Gehl Architects, illustrates the importance of having a sustainable city. The Central Park project has showcased to the world on how the landscape we design or occupy, can affect our daily activities and surrounding neighborhood. It sets an example of how design must be appreciated as a crucial factor in sustainability and emphasized on the fact the connection of people and nature should not be ignored. All in all, landscape architects are the ones to determine the physical characteristics of the public realm environment, to decide whether a city is attractive to people and whether people will choose to live in the city in the long