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Symbolism Nathaniel Hawthorne uses in his stories
Nathaniel hawthorne literary devices in his writings
Symbolism Nathaniel Hawthorne uses in his stories
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What Was He Thinking?
What would you think of a man who left his family, moved over to the next street to watch their lives unfold, and then returned after twenty years as if nothing had happened? What could drive a man to such bizarre behavior? These are the issues that Nathaniel Hawthorne deals with in the story of Mr. Wakefield. The very idea that a man could possibly do such a thing makes the audience want to understand his intentions. It is hard for a modern audience to make sense of such a story because television shows and movies have made today’s society focus so much on easily apparent themes or morals. Hawthorne used this story to examine society’s motivations. In his short story “Wakefield,” it is necessary that Hawthorne uses the narrator as a tool to shed light on Mr. Wakefield’s motives as well as to emphasize the story’s theme, that an individual can only appreciate and understand his life by looking in on it from the outside.
In Hawthorne’s “Wakefield” the narrator’s thoughts and comments bring insight into the motivations of the character of the story. The story includes a long introduction in which the narrator, Hawthorne, describes how he heard the curious story of Mr. Wakefield. Hawthorne supplies his audience with a condensed version of the entire plot of the story. With this introduction, Hawthorne has already informed the audience of the story’s intriguing plot and this intensifies the audience’s desire to find out Mr. Wakefield’s motivations because they cannot comprehend why he would do such a thing. The audience will try to make sense of Mr. Wakefield’s actions, but they will not find a logical explanation. The story may seem unreal but the reader must take the story as it is and focus on the charact...
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..., would argue that Hawthorne was showing his modernism by writing about the strange habits of human nature. Others, such as Morsberger would argue that the story of Wakefield simply mirrors many of Hawthorne’s other works. I do not disagree with either viewpoint, but I feel that Hawthorne simply wanted to create an intriguing story that dealt with people’s motivations. I would argue that he wrote this story to examine a side of human nature that is often forgotten or intentionally left out of a large portion of literature. Hawthorne is able to place the reader within the mind of Mr. Wakefield through his unique approach to story-telling. The result is a fascinating look into the mind of a very interesting character. Hawthorne has done such a wonderful job of luring in the reader that it takes only a few minutes to read “Wakefield,” but you will never forget it.
" men as transmitters of evil. The men involved in the stories have their own flaws, which contribute to the flaws of the women in their lives. Ultimately, Hawthorne in the cases above can be seen as a misogynist who directs. his maliciousness on only women, yet he also uses male characters as vile.
The style of Hawthorne is deft and effective. His examination of Pyncheons two-facedness is formatted like a courtroom interrogation with Pyncheon on the witness chair. The climatic last tirade of the narrator releases all of Hawthorne’s disgust and revulsion in a captivating fashion. The organization and attention to what the reader is expecting keep the argument subtle and critical.
Lang, H.J.. “How Ambiguous Is Hawthorne.” In Hawthorne – A Collection of Critical Essays, edited by A.N. Kaul. Englewood Cliffs, NJ: Prentice-Hall, Inc., 1966.
Nathaniel Hawthorne’s writings have been read for many years, and many of his books have been on the required reading lists in the school curricula. His works convey themes of psychology and human nature through his crafty use of allegory and symbolism. These were essential tools in addressing topics that were too radical to be publicly addressed in the nineteenth century (Magill 1). He used these techniques to criticize some part of society, which is evident in his use of satire in the religious world (Hilton 1). Nathaniel Hawthorne’s writings impacted his contemporary society, despite the fact that his criticism and ideas weren’t widely popular and accepted.
Hawthorne’s Romantic writing ability allures his readers into deep thought of the transforming characters creating himself as a phenomenon. His ability to transform Puritan society in a dark world “attracts readers not only for their storytelling qualities, but also for the moral and theological ambiguities Hawthorne presents so well” (Korb 303). In “Young Goodman Brown” Nathaniel Hawthorne uses Romantic characteristics such as artificiality of the city, escape from reality, and the value of imagination.
Nathaniel Hawthorne was one of the first American writers to pioneer the unprecedented and unforeseen gothic genre which resulted in the exposure of darker themes across America in the 19th century. This new genre sprouted the “brooding” romantics who revolved around the human’s capacity for evil as a main theme of their works. Being one of the “brooding” romantics, Hawthorne followed the Puritans’ belief that everyone is a sinner as a result of being a descendent of the Puritans associated with the infamous Salem witchcraft trials. Not only was he related to the despicable Puritans, but also, he had to live with the guilt that his dishonorable great-great grandfather, Judge Hathorne, was “the only one who refused to apologize for his role
Nathanial Hawthorne besieged with his ancestral ties to the Salem Witch Trials and his loathe for a Puritan society, lead him to create an allegory of a young man’s quest and his struggle between good and evil. Hawthorne wrote figuratively about Puritanical ideals, beliefs and social appearance in Young Goodman Brown. Also, the short story is centered on New England’s history, mostly inspired by Puritan beliefs.
Lang, H.J. “How Ambiguous is Hawthorne?” In Hawthorne – A Collection of Critical Essays, edited by A.N. Kaul. Englewood Cliffs, NJ: Prentice-Hall, Inc., 1966.
Hawthorne creates a serious and somber tone throughout much of the story. From the start, the audience gets a sense that Brown will go through relentless agony from the devilish stranger. His diction in the opening paragraphs is a good indicator of this. He uses words such as “melancholy”, “evil”, “dreary”, and “grave” to evoke a certain mood in the reader. There is little relief from this seriousness that would suggest that Hawthorne’s attitude about the story be hopeful. Brown’s attitude and actions portray a negative view of Salem and its people. He ponders the hypocrisy of the town as well as that of the Puritans. He examines the possibility that evil and corruption exist in a town that is supposedly characterized by piety and devout faith.
III. Comparable aspects of Hawthorne's characterization in The Scarlet Letter and The House of the Seven Gables
The man, Nathaniel Hawthorne’s religious background, seclusion from society, and devotion to his craft can be related to his novel The Scarlet Letter. His religious upbringing as a Puritan is what gave him the knowledge to write about Boston’s Puritan society in his novel. Hawthorne’s great-grandfather, who one of the judges at the Puritan witchcraft trials, was like the magistrates of The Scarlet Letter that attempted to make a society that would be a “Utopia of human virtue and happiness”. A further parallel found between Hawthorne’s life and the novel is the element of seclusion found in each. Hawthorne secluded himself from society with his few family members and close friends. In the same way Hester Prynne was secluded from society in her “little, lonesome dwelling” that “stood on the shore, looking across a basin of the sea at the forest-covered hills toward the west” out of the circle of the town.
Although he should lose faith in himself as an effective human, husband, and master the absurdity of Hawthorne’s tale lies in the anomaly of Wakefield’s return home as if having been gone no longer than the week he intended to stay away. However, because Hawthorne judged not the actor but the actions, we still rally in the wonderment of knowing "each for himself, that none of us would perpetrate such a folly, yet feel as if some other might" (Hawthorne 76).
When the news came of his father’s death, Hawthorne’s mother withdrew into her upstairs bedroom, coming out only rarely during the remaining forty years of her life. The boy and his two sisters lived in almost complete isolation from her and from each other (29).
Since ours is an age that has found irony, ambiguity, and paradox to be central not only in literature but in life, it is not surprising that Hawthorne has seemed to us one of the most modern of nineteenth century American writers. The bulk and general excellence of the great outburst of Hawthorne criticism of the past decade attest to his relevance for us (54).
'Young Goodman Brown,' by Hawthorne, and 'The Tell Tale Heart,' by Poe, offer readers the chance to embark on figurative and literal journeys, through our minds and our hearts. Hawthorne is interested in developing a sense of guilt in his story, an allegory warning against losing one's faith. The point of view and the shift in point of view are symbolic of the darkening, increasingly isolated heart of the main character, Goodman Brown, an everyman figure in an everyman tale. Poe, however, is concerned with capturing a sense of dread in his work, taking a look at the motivations behind the perverseness of human nature. Identifying and understanding the point of view is essential, since it affects a reader's relationship to the protagonist, but also offers perspective in situations where characters are blinded and deceived by their own faults. The main character of Poe?s story embarks on an emotional roller coaster, experiencing everything from terror to triumph. Both authors offer an interpretation of humans as sinful, through the use of foreshadowing, repetition, symbolism and, most importantly, point of view. Hawthorne teaches the reader an explicit moral lesson through the third person omniscient point of view, whereas Poe sidesteps morality in favor of thoroughly developing his characters in the first person point of view.