The Matrix is a film directed by the Wachowski Brothers depicting a future in which machines rule. The machines have created a complex computer program called “the matrix” which simulates a form of reality. The machines have enslaved humans by hooking them up to the matrix so that they can harvest them as an energy source. A number of people have been able to escape the matrix and they continue to fight the war against the machines in hopes of being able to free everyone still trapped within the matrix. Throughout the film the main characters Neo, Morpheus, and Trinity enter back into the matrix several times for various reasons. Because the film bounces back and forth between reality and the matrix, the film induces a strong theme of appearance versus reality. In this essay I will examine the numerous ways the film furthers this theme of appearance versus reality through its editing style and innovative use of special effects.
In the first action sequence where Trinity is cornered in a windowless room by several members of law enforcement, the audience is introduced to the idea that everything might not be as it appears. In this scene Trinity is able to disarm and eliminate the threat posed to her by the members of law enforcement. While doing this, she displayed the ability to move and react faster, hit harder, and defy gravity. The visual effects used to give Trinity these abilities in the film have come to be known as “bullet time.” The Wachowski Brothers have described bullet time as “a visual analogy for privileged moments of consciousness within the Matrix." Bullet time was a major component of establishing the theme of appearance verses reality. These visual effects were used several times throughout the film. It illustrat...
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...es onto to bend the spoon and as he does so, his face is reflected within it. As the spoon bends Neo’s reflection bends as well, symbolizing the change in his perception of what is and isn’t real.
The Matrix is an action/sci-fi film that was met with great financial and critical success. With the film be filled symbolism and various themes, The Matrix has been proclaimed by some as one of the greatest sci-fi films ever made. One of the most predominant themes being that of appearance verses reality. The Matrix used a multitude of visual effect, filming, and editing techniques to incorporate this theme with in the film. When you combine these elements together like “bullet time,” the appearance of the characters, set design, and the symbolism behind the use of mirrors, it makes clear that the theme of appearance verses reality is meant to the cornerstone of the film.
Let me briefly explain a simplified plot of The Matrix. The story centers around a computer-generated world that has been created to hide the truth from humans. In this world people are kept in slavery without their knowledge. This world is designed to simulate the peak of human civilization which had been destroyed by nuclear war. The majority of the world's population is oblivious to the fact that their world is digital rather than real, and they continue living out their daily lives without questioning their reality. The main character, Neo, is a matrix-bound human who knows that something is not right with the world he lives in, and is eager to learn the truth. He is offered the truth from a character named Morpheus, who proclaims that Neo is “the One” (chosen one) who will eventually destroy the Matrix, thereby setting the humans “free.” For this to happen, Neo must first overcome the Sentient Program agents who can jump into anyone's digital body. They are the Gate Keepers and hold the keys to The Matrix.
The Matrix relies heavily on the technique of symbolism. It is used frequently throughout the film implying both vital and obscure things. For example, the use of sunglasses. They indicated a characters strength and vulnerability. Or the doors representing the choices in Neo's life, the signs strategically placed throughout the film or even Neo's name being an anagram of the word "one".
A race of ancient beings hold the only weapon capable of destroying an interstellar force of pure evil that emerges every 5000 years. This weapon happens to be a young woman named LeeLoo, the career launching point for indie actress Mila Jovovich, who was recently genetically re-built with a 3D printer (how eerily relevant) and proceeds to crash into the hover-taxi of special forces veteran Korben Dallas played by exploding movie star Bruce Willis. With the comedy relief of Chris Tucker playing out-of-control radio DJ Ruby Rohd and a mish-mash of influences from 1970's and '80's graphic magazine Heavy Metal, the cult hit Blade Runner, and of course Star Wars is laden throughout The Fifth Element but the story itself is holy original and a wonderful experience.The Matrix changed cinema forever and it's influence can be seen in almost any action movie made today. A Star Wars for the digital age, The Matrix launched Keanu Reeves to super-stardom for his portrayal of Neo, an ordinary computer hacker who learns that he may be the savior of mankind. With the old wizard mentor Morpheus played by Laurence Fishborne guiding Neo through "The desert of the Real" this movie truly captures the imagination during the beginning of the Digital Age, introduces many interesting philosophical questions, and remains a cinematic classic to this
This student of Philosophy now sees the movie The Matrix in a whole new way after gaining an understanding of some of the underlying philosophical concepts that the writers of the movie used to develop an intriguing and well thought out plot. Some of the philosophical concepts were clear, while others were only hinted at and most likely overlooked by those unfamiliar with those concepts, as was this student when the movie first came out in theaters all those many years ago. In this part of the essay we will take a look at the obvious and not so obvious concepts of: what exactly is the Matrix and how does it related to both Descartes and Plato, can we trust our own senses once we understand what the Matrix is, and how Neo taking the Red Pill is symbolic of the beginning of the journey out of Pl...
For the common moviegoer and book aficionado, the movie, The Matrix and Do Androids Dream of Electric Sheep? are bizarre and peculiar. These works are not the usual themes of normal movies and books. These works have a lot of elements in common. Both works have matrices. The movie and the book stress the idea of reality. In both works the idea of what s real and what s not is the central theme.
The Matrix series is much more than an action-packed sci-fi thriller. After one view of this film for the second and third time, we start to notice a great deal of symbolism. This symbolism starts to paint a completely different picture than the images of humans battling machines. It is a religious story, with symbols deeply set in the Christian faith. The Matrix contains religious symbolism through its four main characters, Morpheus, Neo, Trinity and Cypher. In that each character personifies the “Father,” the “Son,” “Satan,” and the “Holy Spirit” of the Christian beliefs only shown through the amazing performances of the actors. A critic by the name of Shawn Levy said "The Matrix slams you back in your chair, pops open your eyes and leaves your jaw hanging slack in amazement."(metacritic.com)
The movie "Matrix" is drawn from an image created almost twenty-four hundred years ago by the greek philosopher, Plato in his work, ''Allegory of the Cave''.The Matrix is a 1999 American-Australian film written and directed by the Wachowski brothers. Plato, the creator of the Allegory of the Cave was a famous philosopher who was taught by the father of philosophy Socrates. Plato was explaining the perciption of reality from others views to his disciple Aristotle. The Matrix and the Allegory of the Cave share a simmilar relationship where both views the perciption of reality, but the Matrix is a revised modern perciption of the cave. In this comparison essay I am going to explain the similarities and deifferences that the Matrix and The Allegory of the Cave shares.In the Matrix, the main character,Neo,is trapped in a false reality created by AI (artificial intelligence), where as in Plato's Allegory of the Cave a prisoner is able to grasp the reality of the cave and the real life. One can see many similarities and differences in the film and the allegory. The most important similarity was between the film and the Allegory is the perception of reality.Another simmilarity that the movie Matrix and the Allegory of the Cave shares is that both Neo and the Freed man are prisoners to a system. The most important difference was that Neo never actually lived and experienced anything, but the freed man actually lived and experinced life.
The Matrix, once being released was a world-famous film that involved a lot of thinking and the ability to interpret complex ideas. However, these two topics of fate and freewill were creatively and smartly submerged in this film. The pill, jujitsu and Oracle scene were three main examples of the effect this all had on The Matrix, however there were a few others scattered throughout the film. It remained to be quite a mysterious concept but gradually as more in-depth thoughts came to mind, it seemed to be quite interesting. By exploring these themes it forces us to think if we are in a Matrix and what are reaction would be like if we were to find out that the world we lived in was a fake, never our true reality.
The movie, "The Matrix," parallels Platos's Allegory Of The Cave in a number of ways. Similar to the prisoners of the cave, the humans trapped in the matrix (the cave) only see what the machines (the modern day puppet-handlers) want them to see. They are tricked into believing that what they hear in the cave and see before them is the true reality that exists. Furthermore, they accept what their senses are telling them and they believe that what they are experiencing is all that really exists--nothing more.
When the trailer for this film was first introduced to the public, many expected The Matrix to be just another science-fiction film with phenomenal special effects which lacked an intriguing plot. The majority of the reviews definitely put an end to this misconception. Most of the reviews written on this film eloquently complement the Wachowski brothers on their excellent story line. The Biblical references of this film incorporated with the phenomenal cinematography distinguish The Matrix from all other science-fiction films in which the main characters are on a race to save humanity. "The script, written by the Wachowski brothers is intelligent but carefully not geeky."2
The Matrix is a 1999 science fiction film written and directed by The Wachowskis, starring Keanu Reeves and Laurence Fishburne. It tells a story of a future in which reality to most humans is actually a computer program called "the Matrix”. In "the Matrix” humans are really sleep while their bodies are fed on my machines. The movie while directed to entertain audiences but also gave us many insights into philosophy. Many scenes in this movie reflect Descartes, and his many writings explaining them in a visual manner. In this paper I will show various examples of philosophy within the scenes and give commentary explaining each scene.
Deep within the cave the prisoners are chained by their necks and have a limited view of reality. Around them, by the distant light of the fire, they only see shadows and outlines of people or objects. From their conclusions of what they may think is real, are false. “The Matrix” parallels Plato’s “Allegory of the Cave” in a number of ways. Similar to the prisoners of the cave the humans trapped in the modern day puppet-handlers (the machines) want them to see. In the movie, Neo is a computer hacker, and on day he suddenly realizes that his world is fake, by finding out the truth after he was released from the pod. Neo discovers that what he has been presented with his entire life is only reflections or merely shadows of the truth. The theme is recognized throughout the movie as we see many objects, as well as Neo, reflected in other objects. The puppet-handlers (the machines) represent what Plato calls the influential and powerful members of society. The objects making the shadows in “The Allegory of the Cave” are also creating a false conclusion for the prisoners. In “The Matrix” the puppet-handle...
In the film The Matrix (1999) in the scene “The Two Pills” help characters and relationships are developed and continuation of the films narrative through various components of cinematography and mise-en-scène. Most notable in The Matrix is the use of costuming, sound effects, props, setting and camera movement. Through the use of these techniques the audience becomes more involved in the narrative as Neo meets Morpheus for the first time and is given the opportunity to learn the secrets of the matrix.
...n against machine in a noticeably strained battle, but they also despise that the humans are more machine like than they ponder, and that the machine possesses human qualities as well. The humans, for their part, are as persistently compelled as machines. The incredible fighting skills and superhuman strength of the character seem to put them in machine type category. It showed how dependent man and machine actually are, or might be. One terror of fake intelligence is that technology will trap us in level of dependency. It emphasized the idea that artificial intelligence enslaves the human race. With the time we people are also becoming slaves of the machines that we have created. In time people will be so dependent on machines that they can no longer survive without them. This is the implicit idea of the film matrix, idea which hardly people would have noticed.
The Matrix is a sci-fi action film about a computer hacker named Neo that has been brought into another world deemed “the matrix.” The Matrix is a prime example of cinematography. The film uses many different types of cinematography such as mise-en-scene, special effects, and camera shots to make it interesting and entertaining to the audience guiding their attention to the important aspects of the film.