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essay on the age of enlightenment
enlightenment period literary criticism
essay on the age of enlightenment
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Jean-Baptiste Poquelin Moliere wrote Tartuffe during the beginning of the Age of Enlightenment. One of the main characteristics of the Age of Enlightenment was a push towards using reason over emotions to make decisions. The leaders of the enlightenment truly believed that the world could be made a better place if people did this. In Tartuffe, when the characters use their emotions to make their decisions they find themselves in undesirable situations. While those who let their emotions rule them find their lives spinning out of control, there are other characters in the play who try to approach them with reason and logic. Out of these characters the lady’s maid Dorine stands out as the voice of reason. There are several stock characters in Tartuffe, but Dorine is not one of them. Servants are expected to be submissive and silent, but Dorine is stubborn and outspoken. She often uses sarcasm and satire to make her point. She is repeatedly chastised by Orgon and Madame Pernelle for her loose tongue. In Critical Essay on Tartuffe author David Partikian describes her character by writing, “… Dorine, has a saucy tongue, she is constantly told to shut up, and on one occasion, Orgon even tries to slap her.”(David Partikian 1) While Dorine’s voice stands out more than the others, she is not the only character that uses reason. Cleante’s character for example, is very reasonable and well educated. In fact most would recognize him as the voice of reason, but his advice often comes across as a boring lecture. The reader can easily become lost in his drawn out pleas for Orgon to see the truth about Tartuffe. Elmire’s character also has control over her emotions, but her character does not speak out against irrationality as strongly as Dorine’... ... middle of paper ... ...es to put an end to the foolishness that is caused by the other characters emotions and folly. She speaks out against the absurd, she fights for reason, and she is a character that other characters turn to for advice. Dorine is Moliere’s voice of reason in Tartuffe. Works Cited Moliere, Jean-Baptiste Poquelin. "Tartuffe." The Norton Anthology Western Literature. 8th ed. Eds. Sarah Lawall et al. Vol 2. New York, NY: W.W. Norton & Company, Inc., 2006. 19-67. Print. Partikian, David. "Critical Essay on Tartuffe." Drama for Students. Ed. David A. Galens. Vol. 18. Detroit: Gale, 2003. Literature Resource Center. Web. 25 Jan. 2014. Zwillenberg, Myrna Kogan. "Dramatic Justice in Tartuffe." Modern Language Notes 90.4 (Apr. 1975): 583-590. Rpt. in Drama Criticism. Ed. Linda Pavlovski. Vol. 13. Detroit: Gale Group, 2001. Literature Resource Center. Web. 25 Jan. 2014. .
In Molière’s play, Tartuffe, there is a sense of honor that the king receives although he is not in the actual play. Often times in the 17th century, when this play was published, the king of the country had to sponsor the plays in order for them to be performed. Tartuffe conforms to this because Molière nearly writes the entire last scene to honor King Louis XIV. This shows that he wanted to flatter the king and therefore achieve his approval. By flattering the king, Molière even achieved overriding Cardinal Chigi, who hated the play. He does this by providing examples of King Louis XIV’s strength, experience and attentiveness. Overall, the king was Molière’s strongest supporter. Molière shows how the play is monetary dependent on the King
Doerr incorporates a web of juxtaposing ideas in his novel to clarify the choices and actions people make in the face of adversity. At various points throughout the plot, the characters face difficult situations in which they either rebel or conform to those around them.
Out of the plays that we could have chosen to produce, I have decided to go with Molière’s, “Tartuffe.” This play is a comedy that comes from 17th century France and is heavily influenced by two large sources of experience for Molière. Those sources are the rules and structure for a play put in place by the French academy and the lessons of improvisation taught by the Commedia dell’Arte. This piece is written in fives acts that are in a unique alexandrine style of verse which have 12 syllables in a line and usually ends with rhyming words. The reason I chose this play is because, in my opinion, things like television, movies, plays, and other forms of media and entertainment are meant to transport you away from all the bad things happening in real life and focus you on something fun and/or interesting. I find this play to have a lot of fun moments that can be mined for even more comedy and I think it has the good chance to keep a large audience entertained for a long period of time. To accomplish my goal I will use elements of situational comedies, France in the 1660’s, and one of Molière’s plays, “A school for girls.”
A theme of the play Tartuffe is justice. Justice, or the lack of justice, can be seen in the relationship between father and son, father and daughter, and guest and host. Lacanian philosophy, which focuses on language and the conflict that the male feels due to a disintegration of oneness, can be used to look at injustice as it manifests itself in the male conflict within the play.
In Tartuffe, Dorine is revealed through what she says, what she does, and what the other characters’ reaction towards her. Dorine is shown to be the wisest character with the most common sense out of all the others in the play and reveals important information. She expresses what the audience might feel towards the events taken place throughout the play.
Both The Christians and Molière’s Tartuffe explore themes of religion and understanding, although the former takes a more serious approach, while the latter is more light-hearted and satirical. These themes were emphasized in each performance through spectacle, characterization, acting, and their connection with each other, all of which contributed to my understanding and enjoyment of the plays.
She believes that their distaste for Tartuffe stems from his ability to condemn their sins and point out their moral flaws. At Dorines’ intimation that Madame only spends her time so harshly criticizing the world around her due to her fear of abandonment, Madame Pernelle takes her leave, reminding them that they should count themselves fortunate to have such a holy and blessed man such as Tartuffe present among them. Upon her departure, the remaining family puzzles at how their grandmother, as well as their father, could be so blind to Tartuffe’s insincerity, recounting the many instances in which Tartuffe deceived Orgon and Madame Pernelle with his charms. As Cleante leaves to rest, Damis asks her if she would inquire as to the status of Mariane’s marriage to Valere because, should they not wed, Damis would then not be able to marry Valere’s
Moliere rocked the 17th century French world with his comedy "Tartuffe" in 1664. Although, religious factions kept the play banned from theatres from 1664-1669, "Tartuffe" emerged from the controversy as one of the all-time great comedies. Tartuffe is a convincing religious hypocrite. He is a parasite who is sucking Orgon, the rich trusting father, for all he is worth. Orgon does not realize that Tartuffe is a phony, and caters to his every whim. For instance, he reneges on his promise to let his daughter Mariane, marry Valere. Instead he demands that she wed Tartuffe, whom she despises. He also banishes his own son, Damis, from his house for speaking out against Tartuffe and all of his son's inheritance is promised to Tartuffe.
Jones, Eldred. "Othello- An Interpretation" Critical Essays on Shakespeare's Othello. Ed. Anthony G. Barthelemy Pub. Macmillan New York, NY 1994. (page 39-55)
In Moliere's comedy, Tartuffe, the main focus of the play is not of Tartuffe, but of Orgon's blind infatuation with Tartuffe. It just so happens that the title character is the villain rather than the hero. Orgon is Moliere's representation of how a man can be so blind in his devotion to a belief that he cannot make accurate judgment as to the sincerity of others who would use that belief to deceive him. Tartuffe easily achieves total power over Orgon's actions because of his gullibility. However, as the play progresses, Orgon's view of Tartuffe changes and results in Tartuffes removal.
Bradley, A.C.. Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear and Macbeth. New York: Penguin Books, 1991.
Donne begins Satire III by talking about the folly of religion as a whole. The opening lines (1-9) tackle an odd combination of meaningful and ethical questions that he cannot seem to answer and is truly perplexed by. “Kind pity chokes my spleen; brave scorn forbids/Those tears to issue which swell my eyelids;/I must not laugh, nor weep sins and be wise;/Can railing, then, cure these worn maladies?/Is not our mistress, f...
Barthelemy, Anthony G. "Introduction" Critical Essays on Shakespeare's Othello. Ed. Anthony G. Barthelemy Pub. Macmillan New York, NY 1994. (page 1-19)
The female characters in Molière’s Tartuffe display feminist behaviors years before the feminist movement emerged historically. Many of their actions, words and behaviors are completely out of character for women of their time. Moliere makes a strong statement with this play by presenting female characters that go against convention. The gender inequality when the Enlightenment began was extreme. The women in this play try to fight against this inequality and in the end it is the patriarch of the family that is fooled by Tartuffe yet most of the female characters remain un-fooled throughout the play. Two of the female characters in this play, Doreen and Elmire play significantly different roles in the home. They have different personalities, different household duties and drastically different social standing. As different as these women are, they both show signs of early feminism. To various degrees they fight for want they believe is right. Dorine speaks her mind openly and does not hold anything back. Elmire is sneakier and uses her sexuality to get what she wants.
Imagine the Paris home of Orgon, who meets Tartuffe at church and is completely taken in by him...so much so, that he foolishly not only invites this relative stranger, Tartuffe, to live in his home, but also promises his daughter (Mariane) in marriage to the man, though she has promised her heart to Valère.