Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
literary devices and their effects
literary devices and their effects
literary elements or techniques
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: literary devices and their effects
In the novel Wuthering Heights Lockwoods overnight stay could be
perceived as a satisfactory opening. To help me assess this I had to
decide on what I thought a satisfactory opening to be.
In the novel Wuthering Heights Lockwoods overnight stay could be
perceived as a satisfactory opening. To help me assess this I had to
decide on what I thought a satisfactory opening to be. I decided on a
certain criteria that I believed a satisfactory opening would include.
The criteria I decided upon was; Emily Brontё securing the readers
attention, establishing the genre of the novel, establishing some of
the characters and the theme and introducing the setting.
In these opening chapters Emily Bront manages to establish the
character of Lockwood. In the novel we can see that Lockwood
represents culture and there is a comment made by Lockwood at the
start of the chapter that backs up this culture attitude. The house
keeper makes the main meal of the day for 12pm and Lockwood is not
happy with this arrangement as he says" she could not or would not
comprehend my request that I might be served at five." In the city it
was normal to dine at five but in the country the people awoke much
earlier and worked hard therefore wanted a sufficient meal at 12pm. He
also looks rather arrogant, as he does not want to change from his
routine when after all he is the guest. Soon after that he encounters
a servant girl cleaning out the fires in the house. He was quite
annoyed at the fact dust was being created as she carried out her
duties. Lockwood described the dust as "infernal." The use of that one
word manipulates the reader into perceiving Lockwood as a rather
arrogant man, because the girl is only performing her duties. The fact
the girl was cleaning annoyed him enough to make him leave the house
and cross the moors to Wuthering Heights. After a rather enforced
entrance to the grounds Lockwood knocks on the door expecting to be
immediately admitted. There is a delayed response to Lockwoods
knocking and Lockwood seems to become rather agitated and enraged by
this. He then calls the occupants of Wuthering Heights, "wretched
inmates!" Then continues with saying, "they deserve preputal isolation
from their species for their churlish inhospitality." His anger
continues, as he becomes physically angry and "grasped the latch and
shook it." Lockwood is quite determined to gain entrance to Wuthering
Heights but with this intention he is being increasing rude. As Joseph
responds to his knocking and shaking Lockwood diverts his anger
In "Wuthering Heights," we see tragedies follow one by one, most of which are focused around Heathcliff, the antihero of the novel. After the troubled childhood Heathcliff goes through, he becomes embittered towards the world and loses interest in everything but Catherine Earnshaw –his childhood sweetheart whom he had instantly fallen in love with.—and revenge upon anyone who had tried to keep them apart.
When initially diving into a novel, it is common knowledge that there is an already preconceived agreement of trust that the reader instills in the story’s narrator. The reader virtually always relies on the narrator to illustrate the story in an honest unbiased manner, but the story teller in Emily Bronte’s Wuthering Heights appears to break the chains of trust understood by the audience. The novel is heard through the keen ears of Mr. Lockwood who is being told the history of the Earnshaws, Heathcliff, and the Linton family by his housekeeper, Ellen Dean. Establishing herself as the primary narrator, Nelly reminisces upon her experiences at Wuthering Heights and Thrushcross Grange. She fails to give Lockwood and ultimately the reader a precise narration of the affairs that took place in the past. Throughout her vivid flashback, Nelly on numerous occasions lessens the impact of her role and participation in certain events to keep her hands clean from the tragedies that more or less ruined those among her presence at Wuthering Heights.
Wuthering Heights is a classic in which Emily Bronte presents two opposite settings using the country setting. Country settings are often used as a place of virtue and peace or of ignorance and one of primitivism as believed by many city dwellers. But, in the novel Wuthering Heights, Emily Bronte has used Thrushcross Grange and Wuthering Heights to depict isolation and separation. Wuthering Heights setting is wild, passionate, and strong and Thrushcross Grange and its inhabitants are calm, harshly strict, and refined and these two opposite forces struggle throughout the novel.
The tone in Wuthering Heights is dreary and melancholy. This style provides the dark atmosphere to the story. Most of the story is conveyed through the narration of Ellen Dean. Setterfield uses a similar style in her story. Most of the story in her book is told by Vida Winter. The technique of flashbacks is used in both books. In both novels the two characters Lockwood and Margaret start out the story from their perspective, later the narrator changes. Wuthering Heights’s Mr. Lockwood hears the story from Ellen Dean (Nelly) much like Margaret hears the story from Vida Winter in The Thirteenth Tale. The two stories are broken up into sections due to interruptions made by the storyteller and situations that arise. The story of Wuthering Heights is told through flashbacks recorde...
Everyone goes through a time where they wish they were a different person. Many people believe that they can never change who they are. However, transformations occur every day. Emily Bronte proves this true in her novel Wuthering Heights. Throughout the entire plot, numerous characters changed, either in their appearance, their social status, or their personality. Bronte also proves that non-human things can change, such as the manner of Wuthering Heights. The idea that people and objects can transform is shown throughout the novel through many examples.
Lockwood, a newly arrived tenant of one of the outer homesteads belonging to Mr. Heathcliff’s estate. In this entry Mr. Lockwood relates how he visited Mr. Heathcliff to introduce himself, and proceeds to describe the demeanor of his new landlord. Mr. Heathcliff and Mr. Lockton are the only two characters of consequence who are developed in this short chapter, though a third, Joseph, is introduced as Mr. Heathcliff’s “elderly, nay . . . very old” servant, and utters only a short statement to express his ornery nature and displeasure at having to look after an unexpected and unwanted guest (E. Brontë
There is two stereotypical types of families, one where the children learn from their parents behavior and do the same as they grow up, and the other where they dislike – and do the opposite. In Emily Bronte’s Wuthering Heights, the characters are quite intricate and engaging. The story takes place in northern England in an isolated, rural area. The main characters of the novel reside in two opposing households: Thrushcross Grange and Wuthering Heights. Wuthering Heights is a story of a dynamic love between two people. This love transcends all boundaries, including that over life and death. The author takes parallelism to great extends. Much of the events that happen in the first half of the story correspond to events in the second half; first generation of characters is comparable to the second generation. Many may argue that the characters are duplicates of each other and that they share many traits. Although Catherine Earnshaw and Cathy Linton are mother and daughter, their personalities and lifestyles are very different. This is a great example where the child is and behaves quite different than her mother.
The dual narrator arrangement of Wuthering Heights begins with Mr. Lockwood, the naive new tenant of Thrushcross Grange. He seems to be quite the social person and goes to visit Heathcliff who is not so social and actually seems downright inhospitable. Due to weather conditions at the time (which Lockwood was not wise to go out in) Lockwood becomes stranded at Wuthering Heights where he feels quite unwelcome. While spending the night at Wuthering Heights, the curious Lockwood snoops through some books where he find things inscribed by Catherine. He hears the voice of Catherine calling, and calls for help. Heathcliff then runs after the girl who is not in fact a girl, but Catherine's ghost. Heathcliff embraces this ghost and dies with her in his arms. That pretty much sums up the narrative present and Lockwood's role as narrator. Out of curiosity (Lockwood's most important personality trait), he asks Nelly Dean questions about Heathcliff and the girl. At this point Nelly takes over the role of narrator and we shift into the narrative past.
The setting used throughout the novel Wuthering Heights, helps to set the mood to describe the characters. We find two households separated by the cold, muddy, and barren moors, one by the name of Wuthering Heights, and the other Thrushcross Grange. Each house stands alone, in the mist of the dreary land, and the atmosphere creates a mood of isolation. These two places, Wuthering Heights and Thrushcross Grange differ greatly in appearance and mood. These differences reflect the universal conflict between storm and calm that Emily Bronte develops as the theme.
The nineteenth century saw rapid development and reform across the whole of the country; with the Industrial Revolution transforming life in Britain. For working class women life was an endless struggle of passivity and labour; as soon as they were old enough they worked on farms, in factories or as servants to the middle classes (Lambert, 2009). For women in general, life was oppressive; constantly overshadowed by the male gender who were considered dominant leaders. In a Victorian household, the male was head of the family; his wife and children respected him and obeyed him without question. This critical analysis of two nineteenth century novels - Hard Times by Charles Dickens and Wuthering Heights by Emily Brontë, will discuss the representation of the two female protagonists in the context of the Victorian period and question whether they do indeed portray an endless struggle for survival and independence.
The setting is the backbone for a novel it sets the tone and gives the reader a mental image of the time and places the story takes place. The Wuthering Heights Estate in Emily Bronte’s novel “Wuthering Heights” is one of the most important settings in the story. Wuthering Heights sets mood for the scenes taken place in the house, and reflects the life of Heathcliff through its description, furniture, windows, gates, and the vegetation.
It is a question that has baffled readers and critics alike through generations, a question that can be endlessly pondered upon and debated over, as to why Emily Bronte chose to name her first and only novel, after the house in which a sizable part of the action chronicled takes place, despite being armed with characters of such extra-ordinary strength and passion as Heathcliff or Catherine. But on close scrutiny, a reader can perhaps discern the reason behind her choice, the fact that Wuthering Heights is at once a motif, a setting and according to a few critics, even a ‘premonitory indication’ of the tempestuous nature of things soon to occur.
...he was able to interpret the events of her life, and for the first time tell a visitor of everything that has gone on. Since Nelly’s life was not personally haunted by regrets, like Catherine and Heathcliff’s, she is able to recite the past and present in a clear and rational way. Lockwood believes her story and is so intrigued by all the dreadful events that took place across a lifetime on these Yorkshire moors. From the outside looking in it may appear that the Earnshaws and Lintons were just a private family living their lives, but nobody really knows what goes on behind closed doors, except for the help, our Nelly. This is why her narration is crucial and without it, the story of Wuthering Heights may still exist, but would not be as believable.
The setting used throughout the novel Wuthering Heights helps to set the mood to describe the characters. We find two households separated by the cold, muddy, and barren moors, one by the name of Wuthering Heights, and the other by the name of Thrushcross Grange. Each house stands alone, in the mist of the dreary land, and the atmosphere creates a mood of isolation. In the novel, there are two places where virtually all of the action takes place. These two places, Wuthering Heights and Thrushcross Grange, differ greatly from each other in appearance and mood. These differences reflect the universal conflict between storm and calm that Emily Bronte develops as the theme in her novel Wuthering Heights.
In the novel Wuthering Heights, Emily Bronte strongly emphasizes the dynamic and increasingly complex relationship of Mr. Heathcliff and Catherine. Heathcliff, the abandoned gypsy boy is brought to Wuthering Height by Mr. Earnshaw to be raised with his family. After Mr. Earnshaw's death, he suffers harsh abuses from his "brother" Hindley and from Catherine, whom he dearly loves. This abuse will pave the way for revenge. The evolving and elaborate plans for revenge Mr. Heathcliff masterminds for those who he feels had hurt him and betray him is what makes Wuthering Heights a classic in English literature. The sudden change in feelings and emotions in Mr. Heathcliff are powerful scenes. Revenge becomes the only reason to live for him. Revenge is the main theme in Wuthering Heights because it highlights important events, personality flaws, and the path of destruction.