A Tale of Two Cities Essay
Throughout history, the powers of love and hate have constantly been engaged in a battle for superiority. Time and time again, love has proven to be stronger than hate, and has been able to overcome all of the obstacles that have stood in the way from it reaching its goal. On certain occasions, though, hate has been a viable foe and defeated love when they have clashed. In the novel A Tale of Two Cities, Charles Dickens presents several different power struggles between love and hate.
One of the more famous power struggles takes place between Miss Pross and Madame Defarge, towards the end of the novel. When Madame Defarge, who because of her evil nature and devilish appearance is compared to "the wife of Lucifer", appears at the Manettes' residence to accuse the remaining members of the household of ridiculous crimes, she is confronted by Miss Pross. The result is a struggle between these two magnificent women, who are complete opposites of each other: "It was in vain for Madame Defarge to struggle and to strike; Miss Pross, with the vigorous tenacity of love, always so much stronger than hate, clasped her tight…" (p. 360). Miss Pross loves Lucie with all her heart and would never allow any harm to come to her. Madame Defarge, on the other hand, does not just hate Lucie, but she hates the Manettes and all Evremondes. One would think that such a strongly fueled hatred would permit Madame Defarge to overpower Miss Pross, but, as the reader finds out, Miss Pross' determination to keep her darling "Ladybird" safe, from any harm that might come to her or her family, allows her to overpower and kill her enemy. This time, the power of good overcomes the power of evil due to Miss Pross' true love and dedication for Lucie.
Another struggle between love and hate can be found within Monsieur Defarge. In this particular case, it is evil that eventually triumphs. Monsieur Defarge can be considered a true revolutionary, as his actions prove throughout the novel: "… and still Defarge of the wine - shop at his gun, grown doubly hot by the service of four fierce hours" (p. 215). Monsieur Defarge tirelessly works alongside his fellow revolutionaries to defeat the aristocracy that has treated his countrymen so harshly.
During a time of conflicting warfare, a person’s social position and temperament play a significant role in the ideals of society. A Tale of Two Cities manifests society’s response to the French Revolution. Times like this result in two options, either to keep moving on with life, or give in to the vengeance. Charles Dickens portrays both sides of humanity through his characterization. Madame Defarge is the most prominent character that represents the inability to resist violence during the Revolution. In Madame Defarge’s quest for revenge, her continuous knitting and dominance prompt her character development, establishing her character as the antagonist.
...l of men. The oppressed male peasants join together to form a group of Jacques, or soldiers, to overthrow the aristocracy. The Jacques use The Defarge's wine-shop as a meeting place. Throughout the story, Madame Defarge is either murdering someone or knitting. She is always "sitting in her usual place in the wine-shop, knitting away assiduously" (162). Her friends are a twisted as she. Her closest confidant is known as The Vengeance. Both Madame Defarge and the Jacques fight until the end.
A Tale of Two Cities In every great novel, there is a theme that is constant throughout the story. One of the better known themes portrays the fight of good verses evil. Different authors portray this in different ways. Some use colors, while others use seasons to show the contrast. Still, others go for the obvious and use characters.
A very violent scene given to the reader by Dickens is when he describes the crazed revolutionists sharpening their tools on the grindstone, “The grindstone had a double handle, and, turning at it madly were two men…and their hideous countenances were all bloody and sweaty,” (Dickens 272). Dickens paints in the readers mind that the revolutionists are savages and crazed for blood, they won’t stop killing until the job is done. It is known to the readers that Madam Defarge is the most blood crazed of them all. She and her husband are conversing when Defarge is wondering when it will all stop (the reader can tell that he is starting to feel remorse for what he has started), but Madam Defarge replies with “At extermination,” (Dickens 353). Such a small quote, but it means so much to the novel, it shows that Madam Defarge will not stop what she is doing until all aristocrats have been put to death because of what had happened to her as a young child. This is the point in Dickens’ novel when the reader can tell that Dickens’ point of view on the Revolutionary has changed, it is now evident that he believes that the Revolutionists are taking what they are doing too far. It’s important to the novel as a whole because it helps to picture the unjust of how far the revolutionists go to “get back” at the
“Love and hate are two sides of the same coin” (anonymous). While these emotions are thought of as positive and negative respectively, they are really just different forms of passion. Passion drives everyone to make decisions in their life, and love and hate are the most common forms of passion. Everyone experiences love and hate and is prisoner to the reactions that these elicit from them. Emotions simply happen, and while they can be hidden or covered up, they cannot be consciously changed by the victim. People cannot control the emotions they feel, but they often choose to work towards intensifying their hate or love once they know they are experiencing it. Although these emotions are encountered by everyone at one point or another, they are misunderstood by society and usually accepted as opposites. Though love and hate are often thought of as antonyms, Nathaniel Hawthorne, in his novel The Scarlet Letter, examines how they are fundamentally the same because of their intimacy and the power with which they shape people and society.
Out of a selfless love, Miss Pross, Lucie’s caretaker and mother figure, is willing to sacrifice herself for Lucie’s safety. Madame Defarge, one of the leaders in the peasant revolt of the Revolution, hates and wants to kill all of the Evrémonde family as revenge for the murder of her entire family. Since Darnay, Lucie’s husband, is an Evrémonde, Madame Defarge craves to kill him as well as his family, including Lucie. She has already captured Darnay, who is soon to be beheaded. Therefore, all she needs is to kill Lucie and her daughter and the Evrémonde family will be eliminate...
Throughout A Tale of Two Cities, Charles Dickens repeats a number of symbols and motifs. By employing these two literary devices throughout the duration of the story, Dickens is working to emphasize the importance of these specific components of the story. Motifs and symbols represent repeating ideas that help the reader to understand, as well as highlight the author’s central idea. Dickens employs the usage of symbols and motifs, such that by using both he adds a layer of significance and deeper meaning to actions, people, as well as objects. Additionally, by using symbols and motifs, Dickens is able to create a story in which both the characters, and the plot are interwoven.
In the first place, Madame Defarge is seen sewing peoples names onto her register. These were the people that she wanted and planned on killing even if they had no correlation to her life. It is evil to pursue so much bloodshed for her vengeance against one family. The worst thing is these people she condemned to death had committed no crimes at all. Second, Madame Defarge used Alexander Manette’s journal against Charles Darnay in court, even though it went against Dr. Manette’s wishes. Dr. Manette says, “‘President, I indignantly protest to you that this is a forgery and a fraud. . . . Who and where is the false conspirator who says that I denounced the husband of my child’?” (Dickens 293). Madame Defarge uses Dr. Manette’s past against him to denounce Charles in court. Madame Defarge doesn’t care what it takes to get her revenge, even if it means hurting Dr. Manette in the process. Additionally, Madame Defarge plans to kill Lucie and little Lucie just because they are part of Charles Darnay’s family now. She is so hell bent on revenge she doesn’t care who she kills to fulfill her needs. Lucie and little Lucie have done nothing but showing politeness to Madame Defarge. Madame Defarge has been at the point of no return for quite some time
In the first book of the novel, the goal of Madame Defarge includes exterminating the noble race. She is constantly knitting in the wine shop she owns. The knitting shows a passive way to express her hatred towards others. “Her knitting was before her, but she had laid it down to pick her teeth with a toothpick” (Dickens 55). The quote shows how even in her first showing in the book, she is knitting. Her knitting and constant plotting brings frequent fear to her husband, Ernest Defarge, and all other wine shop patrons. Considering even her own husband is afraid for his life, Defarge keeps death in secrecy and shows extremely negative qualities. Defarge knits a register for the intended killing of the revolution in secrecy to show her hatred towards certain people. She has negative characteristics in regard to the loss of her family and her plot to kill all of her enemies. Madame Defarge lasts as the leader attributed to all women fighting in the revolution and
...to revenge. She turned into this cold killer to kill the entire Evermonde family for what they had done to her family. She uses her power in the revolution to take revenge on the Evermonde family. Madame Defarge loses her true self and becomes someone who disregards the lives of people include hers. Dickens’s theme of how history repeats itself appears again when Madame Defarge kills innocent people similar to what the Marquis of Evermonde did.
Dickens is often held to be among the greatest writers of the Victorian Age. Nonetheless, why are his works still relevant nearly two centuries later? One reason for this is clearly shown in Dickens’ A Tale of Two Cities. In the novel, he uses imagery to sway the readers’ sympathies. He may kindle empathy for the revolutionary peasants one moment and inspire feeling for the imprisoned aristocrats the next, making the book a more multi-sided work. Dickens uses imagery throughout the novel to manipulate the reader’s compassion in the peasants’ favor, in the nobles defense, and even for the book’s main villainess, Madame Defarge.
While Miss Pross and Lucie Manette both had qualities of the Angel, Madame Defarge has little, if any, similarities. The Angel was supposed to be tranquil, polite, and submissive to her husband. M. Defarge defies the Angel’s traits, and occasionally is the more dominant between her and her husband. The novel states, “Defarge, a weak minority, interposed a few words for the memory of the compassionate wife of the Marquis; but only elicited from his own wife a repetition of her last reply. ‘Tell the Wind and Fire where to stop; not me!’” (Dickens 339). Men were typically the stronger, more stubborn half of a relationship, while the women were passive, merciful, and “weaker”. However, Madame Defarge and her husband seem to switch roles, making M. Defarge the tougher, more masculine of the two. Madame Defarge’s masculine traits are much clearer when she is in battle. During the fall of the Bastille, she proclaims, “‘To me, women!’ cried madame his wife. ‘What! We can kill as well as the men when the place is taken!’ And to her, with a shrill thirsty cry, trooping women variously armed, but all armed alike in hunger and revenge” (Dickens 213). M. Defarge’s viciousness and savagery go against everything the Angel stands for. Dickens uses Madame Defarge’s intense nature to show the way women should never
During the scene in the shoemaker's shop the reader learns about daughter Manette through description, actions, and her words. First off, we picture her slowly coming out of the darkness. Next she is described as young, with golden hair, and a dress. Her words are the main point of study, though. The reader has been drawn in by the first superficial description and now we expect that her words will build a strong character in Lucie. Her words however, may be important to the revival of Dr. Manette, but do not create a real, strong, true-to-life character. The comforting words are just a bad sentimental melodrama and she says, "weep for it, weep for it!," over and over.
In his “A Tale Two Cities”, Charles Dickens uses the characters of Lucie Manette and Madame Defarge as two strong women that contrast against the rather manly group of characters. These women are both driven to do what they believe is right. Although Lucie and Madame are strong willed and independent, they both use these strengths differently. Lucie is a woman who is driven by love and affection. Whereas Madame Defarge is driven by hate and rebellion. Both these women, although similar, have such significant differences.
... gives up literally everything—including his own life—for the sake of keeping a family together. Another example of said theme is when Defarge is obligated to give up his loyalty to Manette when he must further his involvement in the Revolution. This theme of sacrifice is utilizing the idea that one must give up minor things for the greater good, even if it hurts to do so.