Wolfgang Amadeus Mozart’s name is familiar even to people who know little or none of his music. However, Mozart’s fame is based on two different frames of reference: firstly, being the most famous child prodigy in music history (as both a performer and a composer) and secondly, his unquestioned brilliance as an adult composer of Classical symphonies, operas, chamber music, sonatas, church music, and concerti for various instruments. Perhaps what he is best remembered for are his operas.	 His astonishing rate of production continues to stupefy scholars today. In his short life, he composed over 600 works, including 21 stage and opera works.
The most obvious distinction between Mozart and other opera composers is that he was the master of all other branches of composition. Mozart’s operas are from a mind that thought symphonically, so even if you don’t know what’s going on, you can tell you are listening to an extended piece of music in which the dramatic incidents form a part of a perfectly coherent whole. Mozart wrote from some excellent libretti, yet the music is always the dominant element, giving the action inflections of meaning the words alone couldn’t reflect. Furthermore, until Mozart’s emergence, operatic characters where generalized and typical. Mozart was the first to put real people up on the stage, people who had real emotions that were inconsistent and whose personalities were evolutionary.
In 1767, the Mozarts went to Vienna where Wolfgang was commissioned to compose his first opera, La finta semplice, K. 51. Intrigues created by envious composers, prevented this first opera from being performed. However, another charming early theatrical work of Mozart, Bastien und Bastienne, an opera buffa, was performed in Vienna where it was greeted with much acclaim. His first major serious opera, Mitridate, was performed in Milan in 1770 when he was only fourteen, and it was received with unqualified raves that critics compared him to Handel.
The 1780’s began the struggling times for Mozart, although the Emperor, who thought highly of Mozart, attended several of his "academies" but did little else for him. Eventually, there was an appointment as Court composer, but there were next to no orders for compositions. When a salary was added to the title, it was a meager one, and Mozart's last years, in spite of some notable successes (Figaro, 1786), were beset by financial worries, aggravated by Konstanze's (Mozart’s wife) many sicknesses and confinements. Although Mozart had initially thrived in Vienna, since he was in great demand as a performer and composition teacher, and his opera, The Abduction from the Seraglio, was a hit, life was seldom easy for him.
On January 27th, 1756, at 9 Getreidegasse in Salzburg, Austria, a Jupiter among mere men and composers was born. Wolfgang Amadeus Mozart was born the son of Anna Maria (1720-1778) and Leopold Mozart (1719-1787), a composer, teacher, and the fourth violinist for Count Leopold Anton von Firmian. Already learning to play the keyboard at a mere age of three years old, Mozart would learn by sight as he watched his seven year old sister took lessons from her music teacher. As Mozart got older and started to develop as a player and composer, his traveled with his father around Europe performing as a child ...
Wolfgang Amadeus Mozart, also known as W.A. Mozart, was a very well-known composer of the Classical Period as well as still to this day. Wolfgang Mozart was born on January 27, 1756 in Salzburg, Austria. He was known for his sonatas, symphonies, masses, chamber music, concertos, and operas. He set the standards high for all composers following in his footsteps.
Although Wolfgang Amadeus Mozart only lived to the age of 35, his effect on music will
The result of Mozart's discovered genius was not only the praise of hundreds across Europe during his childhood tour, but also the ever-watchful eye of Leopold Mozart, his ambitious and needy father. Because of Leopold's need to protect and constantly supervise his prized instrument, Mozart, Leopold grew dependent on his son and never ceased to remind Mozart of it. Eventually, like most child prodigies, the greater the parent's anxiety and the greater the pressure he puts on the child, the more internally resentful and conflicted the child becomes, stunting his transition into a grown man. In Leopold's letter to his wife and Mozart on September 25, 1777 from Salzburg, Leopold reminds Mozart to "ask for letters of recommendation and especially for a letter from the Bishop of Chiemsee." Leopold knows exactly how to reap profits and network through Mozart and doesn't fail to capitalize on that fact, even when Leopold is in Salzburg while Mozart is miles away on tour in Europe. After the tragic death of Maria Anna, Leopold Mozart's letter to his son on August 3, 1778 in Salzburg puts a large weight on Mozart, and even goes as far as to blame his son for Maria Anna's death. Realizing Mozart is no longer under strict scrutiny of a family member in close proximity, Leopold goes on to say, "rest assured, my dearest son, that if you stay away, I shall die much sooner." The situation Leopold presents his son is a complex one. Mozart is a young man seeking independence and fame now that his family is not following his every footstep, but his father has grown more dependent on Mozart than ever. Mozart is more internally conflicted between his ambitions and family obligations as ever, as he writes to his friend Abbe Bullinger on August 7, 1778: "You say that I should now think only of my father and that I should disclose all my thoughts to him with entire frankness and put my trust in him.
Wolfgang Amadeus Mozart was an Austrian composer and pianist who shaped classical music with his concertos, symphonies, operas, and sonatas. He was born in Salzburg, Austria on January 27, 1756 and he wrote over 600 pieces in his lifetime.
So when the six-year-old Wolfgang had proved his extraordinary talents at the keyboard, Leopold was keen to exhibit those talents along with those of his gifted pianist daughter, Nannerl. Thus Leopold undertook a four month tour of Vienna and the surrounding area, visiting every noble house and palace he could find, taking the entire family with him. Mozart's first known public appearance was at Salzburg University in September of 1761, when he took part in a theatrical performance with music by Eberlin. Like other parents of his time, Leopold Mozart saw nothi...
Wolfgang Amadeus Mozart baptized as Johannes Chrysostomus Wolfgangus Theophilus Mozart lived from January 27, 1756 to December 5, 1791. Mozart was a very influential and prolific composer of more than 600 works, including symphonies, concertante, chamber, piano, opera, and choral music. Regarded as a child prodigy, Mozart composed and performed in the European courts from the age of five, and was engaged at the Salzburg court at 17. Mozart’s musical style can be classified as Classical, although he learned from many of his contemporaries throughout his musical career. In order to better understand Mozart’s genius it is best to begin looking at his earliest contributions to the musical world as a child. From there, an exploration of his composition work in the employ of various patrons gives a more rounded picture of the development of Mozart’s musical style. Mozart is one of the most enduring composers, with his work continuing to resonate with modern audiences.
Mozart, Wolfgang Amadeus (1756-91), Austrian composer, a centrally important composer of the classical era, and one of the most inspired composers in Western musical tradition.
When discussing the great works and composers of the classical period, one cannot get too far without the name Mozart entering the conversation. Wolfgang Amadeus Mozart is arguably one of the most talented composers of the Classical period. He proved himself to be a true musical prodigy through his unique style and lasting compositions of many genres. His operas are renown as some of the most important works for the opera genre, and none more so than his opera buffa The Marriage of Figaro. Known as one of the most acclaimed and performed operas of all time, Mozart’s The Marriage of Figaro helped change the face of opera in the classical period.
Wolfgang Amadeus Mozart will always be known as one of the best musicians of all time. Although his life lasted half the length of a normal human, he most likely did more with his time than people do today. His greatness will unfortunately never be fully understood due to confusion on how his life was lived and even how he died, but everyone knows he had a gift.
Wolfgang Amadeus Mozart and Ludwig van Beethoven are two of the greatest composers ever to write music. Both men lived in the early 18th and 19th century, but their music and influences are still felt today. The men faced similar experiences, yet they both lead very different lives. All together the pieces that these men composed amounts to over 300 published, and unpublished works of art. The people of their time period often had mixed feelings about these men, some “complained that Mozart’s music presented them with too many ideas and that his melodies moved from one to the next faster than audiences could follow, yet the ideas themselves seem effortless and natural, clear and unforced.” (Bonds 210-211) Beethoven’s criticisms ranged from ‘genius’ to grim dislike. Mozart and Beethoven were influenced by things going on around them such as: love, nature, and the Enlightenment.
He was a great young composer that transformed into a genius that was able to write music in the short periods of time he had during the day and was able to rewrite the musical rules. After being very successful in his early years, Mozart grew little older and started looking at things in a bigger picture. He tried to fit in on many different things including languages of others. The “Magic Flute” that was written at the end of his short life is known as the ultimate expression of Mozart’s ambition to connect with the human life and the human emotion through music as well as theater. At 25 years old, Mozart is no longer a prodigy but has not proved to be an amateur composer. In Provincial Salzburg is where Mozart is still living with his father and sister. Mozart is going to Munich because they have commissioned him to write an Italian opera in a serious style. Mozart’s father said he gave Wolfgang the advice to never neglect the popular style for the unmusical public as the musical ones. Leopold agreed to be Mozart’s middle man between the poets but he didn’t know that this would be his last detailed involvement in one of Mozart’s projects. Mozart’s father said they worked every day on the poems but Mozart was determined about something totally different than his father. He had problems with everything his father done. Whether it was too long or not dramatic enough, it would never suit his needs. His
Wolfgang Amadeus Mozart was undoubtedly one of the greatest composers of not only the classical era, but of all time. On January 27, 1756 in Salzburg, Austria, Mozart was born into an already musically talented family. His father Leopold, a composer and musician, and sister Nannerl toured parts of Europe giving many successful performances, including some before royalty. At the young age of 17, Mozart was appointed Konzertmeister at the Salzburg Court. It was there that young Mozart composed two successful operas: “Mitridate” and “Lucio Silla”. In 1981 he was dismissed from his position at the Salzburg Court. He went on to compose over 600 works including 27 piano Concertos, 18 Masses (including his most famous, the Requiem), and 17 piano sonatas. Mozart was not often known for having radical form or harmonic innovation but rather, most of his music had a natural flow, repetition and simple harmonic structure.
Wolfgang Amadeus Mozart is often referred to as the greatest musical genius of all time in Western musical tradition. His creative method was extraordinary: his writings show that he almost always wrote a complete composition mentally before finally writing it on paper. Mozart created 600 works in his short life of 35 years. His works included 16 operas, 41 symphonies, 27 piano concerti, and 5 violin concerti, 25 string quartets, and 19 masses.