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the relationship between society and literature
the relationship between society and literature
the relationship between society and literature
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Feminism in The Bell Jar
In Sylvia Plath's autobiographical novel The Bell Jar, the reader learns of the adventures of a young woman in a male-dominated society that will not let her achieve her true potential. Plath's alter ego, Esther, is thus driven to a nervous breakdown and attempts suicide numerous times. In many ways, this novel is a feminist text, centered around the struggles of a young woman who cannot reach her goals in our male-dominated society.
People close to Esther, do not accept her talents as a poet and writer, but rather try to push her into traditionally more feminine roles. For example, Esther's mother repeatedly tries to convince her to learn shorthand, but Esther rebels, saying "...when I tried to picture myself in some job, briskly jotting down line after line of shorthand, my mind went blank." (100) Esther, unlike many women of her time, refuses to be controlled by society's gender-based constraints: "The last thing I wanted was infinite security and to be the place an arrow shoots off from. I wanted change and excitement and to shoot off in all directions myself, like the colored arrows from a Fourth of July rocket." (68) The phrases "infinite security" and "the place an arrow shoots off from" come from Mrs. Willard's description of the woman's role in society (58). This passage directly addresses Plath's central purpose in the novel, which is to look at the mental problems that can befall a woman with ambitions that the surrounding culture will not allow her to fulfill. This book was published in 1963, towards the beginning of the "feminist movement"; the events chronicled in this book, however, take place in 1953 (208), in a period during which women's rights were not yet widely recognized in our society. The passage quoted above, and the emotions which it conveys, are typical of a feminist like Esther, but Esther is ahead of her time and is thus unable to express herself to society in the way she wants.
For many reasons, John Proctor is an honest man. By no means is Proctor afraid to tell you what is on his mind.
John Proctor depicts a courageous individual with an image of a sincere and an honorable man, not only in minds of the Salem community, but also in his own. His death implies more than a “tragedy”, but rather a strong action that inspires and encourages citizens in Salem to follow his footstep for change. Proctor is frustrated at how the court for believing Abigail and not the innocents. He says, “My wife is innocent, except she knew a whore when she saw one! You are pulling Heaven down and raising up a whore!” (Act III). He is infuriated that the officials in the court believe the ridiculous pretenses and acting of the Salem girls, that everyone’s the belief in god seems to be deteriorating.
He transforms from being arrogant to humble. Hale studies for several years and acquires the knowledge on various legal procedures that make him feel, “of himself much as a young doctor on his first call. His painfully acquired armory of symptoms, catchwords, and diagnostic procedures are now to be put to use at last.” (Miller 36, Act I). His ultimate goal being in Salem is to eliminate the Devil and is sure of himself due to the amount of legal training he acquires. However, we see his confidence start to fade when he witnesses the court accusing and murdering good people without any tangible proof. At this point, Hale starts to show signs of doubting his work. He realizes at this point that he has sent innocent people to their deaths. After reevaluating his soul he shows up to the jail where many people accused of witchcraft are being held, hoping he could help save lives and redeem his abilities. The reason being that “Life, woman, life is God 's most precious gift; no principle, however glorious, may justify the taking of it.” (Miller 132, Act IV). He is no longer confident in his ability to prove people guilty for being a witch and is willing to help save people because he knows it is proper justice to help the prisoners. After realizing that he let the thought of his legal training get to his head, he becomes more humble.
"Ariel" is the title poem from Sylvia Plath's controversial collection of poetry written during the last few months of her life in 1963. The traditional gender roles of 1960s America promoted a double-standard and wrongly imposed upon women the idea of a "Happy Housewife Heroine" who cherished "the receptivity and passivity implicit in (her) nature" and was "devoted to (her) own beauty and (her) ability to bear and nurture children" (Friedan, 59). Plath comments on the devastating effects of social convention on individuality, but she realizes that both sexes are affected by society's oppression of its members. She contemplates this theme throughout Ariel, especially in the "The Applicant," a critique of the emptiness of the stereotypical roles of men and women at the time.
A tragic hero has many definitions but Creons characteristics fit each single one. He displayed a fatal flaw that drove him mad near the end but also understood that his predicament was caused by him alone. Antigone cannot be the tragic hero because although she possesses several flaws, she experiences no true illumination. She does not met the required the traits for the tragic hero. Creon wanted to protect the state above personal cost, a task that was achieved in a way. Creon is the tragic hero in Sophocles Antigone because he can’t accept a diminished view of himself; he endures great suffering and is enlightened in the end.
remains innocent in the eyes of all. However with Proctor, he confesses to his wife right
Sylvia Plath wrote the semi autobiographical novel, The Bell Jar, in which the main character, Esther, struggles with depression as she attempts to make herself known as a writer in the 1950’s. She is getting the opportunity to apprentice under a well-known fashion magazine editor, but still cannot find true happiness. She crumbles under her depression due to feeling that she doesn’t fit in, and eventually ends up being put into a mental hospital undergoing electroshock therapy. Still, she describes the depth of her depression as “Wherever I sat - on the deck of a ship or at a street a cafe in Paris or Bangkok - I would be sitting under the same glass bell jar, stewing in my own sour air” (Plath 178). The pressure to assimilate to society’s standards from her mother, friends, and romantic interests, almost pushes her over the edge and causes her to attempt suicide multiple times throughout her life. Buddy Willard, Esther’s boyfriend at a time, asks her to marry him repeatedly in which she declines. Her mother tries to get her to marry and makes her go to therapy eventually, which leads to the mental hospital. Esther resents the way of settling down and making a family, as well as going out and partying all night. She just wants to work to become a journalist or publisher. Though, part of her longs for these other lives that she imagines livings, if she were a different person or if different things happened in her life. That’s how Elly Higgenbottom came about. Elly is Esther when Esther doesn’t want to be herself to new people. Esther’s story portrays the role of women in society in the 1950’s through Esther’s family and friends pushing her to conform to the gender roles of the time.
A notable image that readers of the twentieth-century literature easily recognize is a bell jar. A bell jar is an unbreakable, stiff glass container that confines objects within its inescapable walls. It metaphorically represents the suffocating and an airless enclosure of conformism prevalent during the 1950’s American society. More specifically, American societal standards approve men to have the dominant role as they are encouraged to attend college in order to pursue professional careers. They are given the responsibility of financially supporting their families. In contrast, a women’s life in the 1950’s is centralized around family life and domestic duties only. They are encouraged to remain at home, raise children and care for their husbands. Women are perceived as highly dependent on their husbands and their ability to receive education is regarded as a low priority. Thus, the social conventions and expectations of women during the 1950’s displayed in The Bell Jar by Sylvia Plath correlate to Esther Greenwood’s downward spiral of her mental state. Throughout the course of her journey, Esther becomes increasingly depressed because of her inability to conform to the gender roles of the women, which mainly revolved around marriage, maternity and domesticity.
The Bell Jar is occupied with several female characters that all represent an assortment of female stereotypes. There are college students who wish to fully experience the city of New York, patients in a mental institution, and psychiatrists who could potentially serve as role models throughout the novel. Esther often finds herself lacking self-confidence due to the fact that she is constantly comparing herself to these individuals. Esther is shown as being stubborn because she rejects the womanhood that is presented to her. Instead, she spends her time worrying about what she thinks it is to be a woman. Sylvia Plath’s novel, The Bell Jar, diagrams the repressed role women endured due to the restrictions and expectations of societal norms.
A tragic hero is an individual who possesses a fatal flaw in their character that will bring about their own destruction or suffering. Aristotle believed that “A man doesn't become a hero until he can see the root of his own downfall. (Aristotle #1)” This Ancient Greek philosopher also believed that each tragic hero has four characteristics. The first of these characteristics is that a tragic hero is born with either wisdom or high integrity, and in some cases both. Aristotle’s second characteristic is that they contain a fatal flaw in their character that may cause them to behave irrationally. The penultimate characteristic is that each hero will suffer a turnabout of fortune brought about by their own flaw in character. Finally, the last characteristic is that the tragic hero will find out that their own turnabout of fortune was brought about by their own actions. McCandless in into the wild is the ideal tragic hero mentioned by Aristotle. McCandless had everything in the world but he gave it up to live in the wilderness and through his own actions he paid the ultimate price. McCandless is seen by the world as a young man who left the corrupted society to embrace a journey only a few would dare. “That's what was great about him. He tried. Not many do. (Krakauer 96)” This journey ended up being the best time of his life and the fact that he attempted this wildlife adventure makes him look more like a daring hero than an idiotic teen.
...The repetition of the speech that ‘he will confess’ shows how it is shocking that Proctor would do something like that. To show he is a good man he admits to something that he didn’t do to save the lives of others.
He regards himself as a fraud. These insecurities are the foundation of Proctors character development into an anti-hero.
Whenever I imagine a bell jar, the bell jar from Beauty and the Beast comes to mind. The beast’s whole life was entrapped because of the rose in the bell jar. As the rose petals dropped, Beast’s chance at becoming a human again, dwindled. The bell jar, an airtight cage, slowly suffocated the rose and him. You could say the same for Ester Greenwood from The Bell Jar by Sylvia Plath, the bell jar represents suffocation from her mental illness, slowly engulfing her sanity and the air she breathes. The bell jar also represents her losing a connection to reality and to people around her. The protagonist is trapped in the walls of glass, it slowly suffocated her sense of reality and sense of belonging in her world. Ester Greenwood, the protagonist
Othello’s true flaw is not vile, destructive jealousy, but rather pure and prevailing love. He has a very strong character of virtue and nobility that is intact up to the horrid end. Iago’s deceit and trickery are more the cause of Othello’s tragic fall than any fault of Othello himself. This innocence and greatness of the tragic hero unequaled in any other Shakespearean tragedy is what gives the play its terrible irony and passion. Othello plays on the most powerful of all human emotions: faith and love, both embodied to the fullest in the great and honest Othello.
Allen, Mary. “Syvia Plath’s Defiance: ‘The Bell Jar’,” The Necessary Blankness: Women in Major American Fiction of the Sixties. 1976. 160-78. Rpt in Contemporary Literary Criticism. Ed. Roger Matuz. Vol 62. Detroit: Gale, 1991. 395-400. Print.