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loyalty in odysseus
times odysseus showed loyalty in part one and two of the odyssey
how is odysseus loyal
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Throughout history, there have always been stories. From the myths of ancient civilizations long since past to today’s epic blockbuster movies, civilizations have used stories not only as entertainment, but as a way to convey ideas, or to pass down oral history through the generations. However, over time, as we look through these myths, books, movies, and other mediums, we find a common similarity in many of them. We find repeated patterns of situations, characters, and other parts. The patterns have been classified as “archetypes.” For instance, one of the archetypes we often see in myths, books, and movies is the “outcast.” The outcast is one who has been exiled from his home to wander the world without rest.
In Greek mythology, one of the well-known outcasts is Perseus, the son of Zeus and the daughter of the king Argos however, a god once prophesized to Argos that the son of his daughter would kill him, so he sent the child in a box across the sea to wander the world forever. Over this time, Perseus completed many fantastical quests, such as slaying the infamous Medusa. However, when he returned to his home and participated in a fighting competition, he was pitted against Argos, and accidentally hit him, thus fulfilling the prophecy.
In the Greek play of Philoctetes, Philoctetes is an outcast who has been left behind by his fellow soldiers after being bitten by a snake. His wound had become so foul smelling and his cries were so irritating, that the soldiers abandoned him on an island in the Aegean Sea. Greek heroes Odysseus and Neoptolemus arrive at the island in search of Philoctetes’s bow and arrow, which a seer prophesized would end the Trojan War. The two, knowing Philoctetes would attack any of the Greeks that abandoned him, decide to pose Neoptolemus as a mistreated soldier in order to get him close to Philoctetes. But, Neoptolemus is moved by the outcast’s misery and confesses the plot and begs him to join. Philoctetes agrees to join them, but only because Heracles declares a mandate that his wound shall heal when he arrives at Troy.
In the Holy Bible of Christianity, in Genesis, Adam and Eve are forever banished from the Garden of Eden, when they eat the forbidden fruit of God. This makes humanity itself an outcast. Also, the first children of Adam and Even, Cain and Abel, bring about another tale of an outcast.
Heroes help us escape life's harsh realities and provide us with the strength to dream and to believe in ourselves. Many people find it easy to relate to heroes in myths because they share a journey similar to the one we take in real life. Linda Seger suggests in her essay “Creating the Myth” that there are many similarities between hero stories among different cultures. Seger explains, “Many of the most successful films are based on these universal stories. They deal with the basic journey we take in life. We identify with the heroes because we were once heroic or because we wish we could do what the hero does” (123). These mythical archetypes are recognized universally even in movies. They continue to capture our imaginations and inspire us because every person secretly desires to be recognized as a hero one day. The movie Rango illustrates an adventure of a sheltered pet lizard that lives as an ordinary family pet. After he gets accidently lost in the desert, he finds himself facing a major identity crisis. The movie is based on the same plots that Seger suggests when creating hero myths.
Tens of thousands of stories fit into the hero’s journey archetype created by Christopher Volger. Out of these, a large number of them are stories with remakes that share notable resemblances in their heroes’ journeys. However, none of these quite match those very strong similarities found between Homer’s The Odyssey and Joel Coens’s O Brother, Where Art Thou? These stories share crucial components of the hero’s journey whether it be “crossing the first threshold,” where the main characters of both stories begin their long adventure that transforms them into heroes; “the supreme ordeal,” where the main characters are both deprived of the opportunity to get home sooner; or “return with elixir,” where Odysseus and Ulysses both return to their homes alive the comfort of their wives. In their major plot points, the novel The Odyssey and the motion picture O Brother convey obvious similarities in key elements of their heroes’ journeys such as “crossing the first threshold,” “the supreme ordeal,” and “return with elixir.”
No one is able to heal Philoctetes because his disease was inflicted on him by divine power. Nor does he have the self-control to keep quiet, even during religious ceremonies, and his lack of self-discipline reflects poorly on the group as a whole. Philoctetes's unrestrained howling during solemn occasions jeopardizes their dignity and their reputations as serious and powerful men.
This shows that Odysseus’ self-serving nature extends beyond material greed into the equally sinful realm of pride. In a classic display of hubris, Odysseus taunts the Cyclopes fulfilling the sole purpose of stroking Odysseus’s ego. At first it appears that our hero is lacking foresight, but Odysseus tells Polyphemus his name in hopes that tales of his cunning will spread throughout Greece: a very selfish goal, directly resulting in the endangerment of the lives of both him and his men throughout the remainder of their travels.
Being one of the world’s most popular art forms, it was inevitable that these archetypes would find their way into film as well. In this essay I will argue that the films Pulp Fiction, Taxi Driver, Watership Down, and Trainspotting are all versions of The Hero’s Journey, consequently demonstrating just how prevalent these archetypes have become in modern cinema. And that mythology and storytelling are important parts of each culture because they prevent the darkness in our hearts from spreading.
Without archetypes, characters would be harder for the audience to relate to and understand. They help people from all over the world comprehend foreign characters. Through The Odyssey and The Alchemist, the audience is exposed to a diverse group of characters with a variety of traits that contribute to their personalities and the way they are perceived. The Bildungsroman, vengeful villain, damsel in distress, sage, and flawed hero then become recognizable in other pieces of literature and in films. Therefore expanding the audience’s experiences and ability to understand diverse compositions and apply what they know to real life
The story begins when Odysseus and Neoptolemus are on a beach on the island of Lemnos. They are looking for Philoctetes. Odysseus tells Neoptolemus to find Philoctetes, and tell him that he is the son of Achilles. Odysseus wants him to become friendly with Philoctetes and gain his trust. When he has accomplished that, he is to obtain Philoctetes= bow, so that they can take it back with them. After he receives his instructions from Odysseus, Neoptolemus sets off to find Philoctetes.
In literature, Archetypal Criticism is a critical approach where the reader interprets the meaning of a story by looking at the archetypal characters, events, and symbols that it contains. In general, an archetype is a universal, primordial representation of an event or character that is seen as a general blueprint for stories and myths, such as the Hero or Death and Rebirth (Meyer 1587). Archetypes can be very important in identifying and supporting a theme by giving us background and references for aspects throughout the story. Carol Joyce Oates uses a couple vital archetypes in her short story, “Where Are You Going, Where Have You Been,” a tale about Connie, a teenage girl, who goes through an innocence to experience situation, signifying a transition from childhood to adulthood.
Perseus is later found by soldiers who take him to the city of Argos, where he is brought before King Cepheus and Queen Cassiopeia during their celebration of the war against the gods. King Cepheus makes arrogant statements towards the gods, and the Queen Cassiopeia compares their daughter Andromeda to Aphrodite. When Zeus finds out about the destruction of a statue of him and the celebration of war by Cepheus and Cassiopeia, he becomes furious. Hades then appears before his Zeus on Mount Olympus and argues that the gods must retaliate against the revolt, and convinces Zeus that he be allowed to destroy Argos. Hades appears in a courtroom in Argos, kills the so...
In the 1981 clash of the Titans movie the King Acrisius of Argo imprisons his daughter Danei *Danaë because he is jealous of her beauty. The god Zeus visits her and makes her pregnant. King Acrisius in a fit of rage puts Danae and the baby, Perseus, to sea in a wood coffin. Angry, Zeus kills Acrisius and orders the god Poseidon to release the giant sea monster the Kraken to destroy Argos. Perseus survives, but his mother doesn’t, his journey by floating to the island of Seriphos where he grows up.
In every culture, there are stories that get past down from generation to generation (Campbell 1). Tales of knights who slay dragons and princesses who kissed frogs are a part of every culture. All over the world, stories share comment characteristic. Joseph Campbell introduces a theory based on this idea called the monomyth, the idea that stories all share the same narrative pattern, in the book The Hero with a Thousand Faces. Overall, this theory shows the same narrative pattern in stories throughout the world, which symbolically reveals all humans must tackle difficulties and overcome them many times throughout life (5). Specifically, Campbell’s hero’s journey is comprised of six steps, which, collectively
His grandfather, is King of Argos, his name is Acrisius. Acrisius had a daughter named Danae, however he wanted a son. So in search for an answer towards having a son, Acrisius went to the Oracle of Delphi. The Oracle said that Acrisius’ daughter, Danae would be the one to carry a baby boy, but this child would kill Acrisius. To avoid his own death, Acrisius created an underground chamber to lock his daughter in, therefore, she would be unable to conceive a child. Little did Acrisius know that Zeus would shape shift into golden rain and conceive a child with Danae. Naturally, Danae gave birth to Perseus. When she was let out of this underground chamber Danae met Polydectes. Polydectes was determined to make Danae his wife and that is exactly what happened. Perseus was unable to grant his mother and Polydectes a gift, so he was told to bring back Medusa’s head. Perseus was successful in retrieving Medusa’s head. On his journey back home he met a beautiful Goddess who was in distress. Perseus saved her from a horrific sea monster and they instantly fell in love and wanted to be joined together in holy matrimony. However, Andromeda’s uncle was no too pleased with this decision. He wanted Andromeda only for himself. Therefore he planned to murder Perseus but was unsuccessful since Perseus had the advantage of Medusa’s head. Perseus showed Andromeda’s uncle Medusa’s face and he then was turned to stone. When he returned home with the gift, he found out Polydectes was abusing his mother. Instead of giving him the present he used it against Polydectes and turned him to stone as well. Acrisius became aware of what Perseus was capable of doing so he decided to flee. Although that didn’t help as much as he believed it would. Perseus and his grandfather ran into each other at the Games Ceremony, in Larissa. When Perseus went to throw the discus it slipped from his grasp and clashed into his grandfather’s head, killing
Perseus was born to Danae and the Greek god Zeus. Acrisius, the father of Danae, was told by the oracle of Apollo that Danae’s son would kill him. After finding out that Danae had her son, Perseus, Acrisius shut Perseus and Dane up in a large chest cast the chest out to sea. After a while out in the sea, they landed on the island of Seriphos, where they were saved by the king Polydectes’s brother, Dictys. Polydectes, after hearing about Danae, wanted her to marry him. In order to get rid of Perseus, so that no one would be able to stop him from marrying Danae, Polydectes came up with a plan. He pretended to be marrying the daughter of one of his friends and required everyone to bring him a wedding gift. Polydectes knew that Perseus, being very poor, would arrive empty-handed. Perseus vowed that he could bring Polydectes anything that he wanted and so Polydectes demanded Perseus to bring him the head of the gorgon Medusa, hoping that he would be killed. Perseus set off on his adventure to kill Medusa and while stopping to rest one night in an unknown land, Perseus realized how hopeless the adventure seemed to be. “Gorgons were horrible, instead of hair they had black serpents that writhed on their head, they had brazen hands that could...
Have you ever thought to yourself, now where have I seen that before? Odds are you were watching a movie or reading a book, when something that happened in the story or a character said or did that sounded familiar. This is probably due to archetypes. Archetypes are original models that others are based upon, almost like a mold or a cookie cutter that makes similar copies. One movie that has many great examples archetypal characters, themes, and journeys is Guardians of the Galaxy, directed by James Gunn. A few of the main archetypes in this movie are the Hero and his journey, the antagonist, the group of hunting companions, and the the universal theme of an individual's