Digging For a Living
In his poem "Digging," Seamus Heaney describes a unique relationship between a boy and his father. Their relationship closely relates to the one I have with my father. Throughout the poem, the poet's pen is contrasted with the father's spade, using each as a symbol of their vocation and background. Along the same lines, the relationship between my father and myself can be expressed through my keyboard and his pencil.
Heaney's poem tells of a boy and his father who have different callings for their career. The father has worked on the family's farm his entire life, digging up potatoes and keeping up the farm. The poet describes his father's digging, as the title infers, with alliteration from the line "Under my window, a clean rasping sound when the spade sinks into gravely ground: My father, digging" (3-5). The poet, on the other hand, would much rather be writing stories or novels than out in the field doing manual labor all day. The father digs physically with his hands while on the contrary, the son digs mentally with his brain. Heaney uses a spade to symbolize the father's ambitions, thus, representing his farm work. He metaphorically describes the son's writing with the passage, "Between my finger and my thumb the squat pen rests" (29-30).
My father and I share the same type of relationship that Heaney and his father have in the poem. My father is an architect and designs buildings for a living. He spends most of his day at his drawing table, sketching plans for new buildings. On the other hand, I have a job that involves using computers most of the day. He uses his pencil to get the job done, while I use my keyboard to get the job done. When I was younger, he always wanted me to be an architect with him, but now he accepts the fact that I am not going to be an architect because I have a sufficient job in the computer field.
Throughout Heaney's poem, diction highlights certain words and phrases that require extra emphasis. For example, in the line "The coarse boot nestled on the lug, the shaft against the inside knee was levered firmly," the words chosen intensely impact the meaning (10-1). Lug, shaft and levered all intensify the line. Furthermore, most of the words are parts of a gun, which is another metaphor used.
Part I is particularly anecdotal, with many of the poems relating to the death of Trethewey’s mother. The first part begins with an epitaph from the traditional Wayfaring Stranger, which introduces the movement of the soul after death, and the journey towards the ‘home’ beyond. In “Graveyard Blues”, Trethewey examines the definition of “home” as a place of lament, in contrast to the comforting meaning in the epitaph beginning Part I, and the significance of the soul’s movement after death. The ‘home’ described in the epitaph is a place of comfort and familiarity, where the speaker returns to their mother. In contrast, Trethewey describes the ‘home’ she returns to after her mother’s death as a hollow place, the journey back to which is incredibly
In Seamus Heaney’s poetry, there is a recurring theme of his talking of the past, and more predominantly about significant moments in time, where he came to realisations that brought him to adulthood. In “Death of a Naturalist” Heaney describes a moment in his childhood where he learnt that nature was not as beautiful as seem to be when he was just a naive child. Heaney does this on a deeper level in “Midterm Break” describes his experience of his younger brothers funeral and the mixed, confusing feelings he encountered, consequently learning that he no longer was a child, and had no choice but to be exposed to reality. Robert Frost in one sense also describes particular moments in time, where his narrator comes to realisations. However, Frost writes more indirectly than Heaney, and all together more metaphorically. In “A Leaf Treader” he symbolically talks about life and death through the autumn season. He does the same, in “The Road Not Taken” where the two roads are described to be a metaphor for the decisions one makes in life, and the inevitable regrets we face due to those decisions. In “Stopping by a Woods on a Snowy Evening” Frost directly talks directly of a moment in time, however the significant meaning being that in life one needs a moment of solace to appreciate peace and beauty.
Hurricanes are born over the warm waters of tropical oceans and are formed by a low-pressure system caused by the heating of water. The heat causes the air to rise and form lower pressures in a feedback loop, making the hurricane stronger. Heavy rain results from a condensation of water and strong winds develop from warm air rushing to the eye of the hurricane. Essentially, greater storms and winds occur when the hurricane feeds of the rising temperature of the water. In addition, researchers studied disturbances and intense thunderstorms in the atmosphere over Western Africa and believe they are partly to blame for extreme hurricanes affecting the United States and Canada. While these are all the main ingredients of a perfectly natural process, they were not the primary causes of the damage done by Hurricane
The poem is written in the father’s point of view; this gives insight of the father’s character and
The figurative language used throughout the poem contributes to the development of the theme of power. Personification is used to express the urgency and importance of the poet's bondage to create the perfect word. If the poet is unable to accomplish the mission set forth, the "grave/ May clasp his bones"(6-7). The choice of the word
In the poem Harvest Bow, Heaney uses imagery when saying, “And if I spy into
Poetry, a specific type of literature, contains the thoughts, feelings, and ideas of an author in the form of rhythms or particular styles. These styles can be formal or personalized to the author's will. Some of the most important tools used to shape a work of literature are the literary devices. Works of literature are like works of art. A sketch is simply a sketch until colored and given vibrancy. Works of literature are just words on a page until literary devices give them life. Tone, metaphors, and diction are some of the tools that give depth to a piece. These tools create images and feelings in which the audience can connect to. Michael Heffernan, a renowned poet of the 20th century, has his own particular style. His poem, Living Room, is a relaxed piece. Specific literary elements in this poem unfold a whole story in only a few short lines. Michael Heffernan uses tone and point of view to create the short story in this poem a depiction of real life.
The diction Kenyon employs for her description of the poem’s physical and psychological setting serves as Kenyon’s primary means for presenting her argument regarding the nature of the mourning process and its failure to help those who have lost loved ones. The poem’s first stanza begins as follows, “Like primitives we buried the cat with his bowl. Bare-handed we scraped sand and gravel back into the hole(1-4).” The first two words, “like primitives,” give the reader immediate insight into Kenyon’s opinion regarding the nature of the burial itself. She sees it as a means of coming to grips with death that is less evolved than the mental state of those that it attempts to help. When the first stanza is interpreted as a whole, the reader is...
...th of the levees shortly after Katrina, and millions of dollars have been spent on coastal restoration programs. Plenty of people from around the world helped take care of those affected by this horrible storm and help reconstruct the damaged places.
In the “Digging,” Heaney starts the poem with a self-image, pen in hand. He hears some kind of sound through his window in which case, we come to understand it is his father that is digging. Nonetheless, in line 7, we come to understand that the sound is possibly an echo from the past. In essence, this makes us look into the poem as taking the speaker through not just his father’s memory but also a journey through time in search of self. Further,
In “Home Burial” by Robert Frost, Frost portrays an argument between a couple and examines the grief two individual’s go through along with their response to each other’s grief. The poem follows a married couple and illustrates a confrontation between the two concerning their feelings towards the loss of their son, but the confrontation later reveals a deeper problem in their relationship. Frost, drawing inspiration from his own life experiences, utilizes these characters to portray that individuals have differences that cause them to respond differently to grief and how having to alter such things to please another can cause a rift in any relationship. Specifically, Frost portrays the unraveling of a relationship.
Towards the end of 1989, my family and I were on vacation in Fort Myers, Florida. We drove from Trenton, New Jersey all the way to Florida where my grandfather lived. It was a long trip to undergo, especially being six years old and knowing that my father never stopped the car. By the time we arrived at Fort Myers, it was a beautiful sunny day. The wind was gusting enough to pull my hair back, and I was admiring the palm trees, coconuts, and lizards near the Gulf of Mexico. The first few days were nice, but little did I know that I would soon be caught in the middle of a twister.
Tufty, Barbara; 1001 Questions Answered about Hurricanes, Tornadoes, and Other Natural Air Disasters; Dover Publications, Incorporated, August 1987