Andrew Marvel's "To His Coy Mistress" has the persuasiveness of a late night informercial. But in this instance the narrator does not want money for his "product": he wants a girl's virginity. Informercials have an advantage over Marvel. They not only persuade consumers with words but images pf their products as well. Marvell overcomes this obstacle in his use of descriptive imagery. He utilizes if not maximizes imagery to magnify his persuasiveness.
. The first stanza opens the poem "Had we but world enough, and time,/ This coyness, Lady, were no crime"(1-2) as though he were a victim of her reserved nature. He tries to pull some reverse psychology here to make her think that it is her fault for not having sex with him (against her will). He goes on to say that he would indeed love her "Till the conversion of the Jews," (10) ithere were time enough, but the narrator never directly says "forever." Instead he uses phrases that conjure images of eternity: "ten years before the Flood(8); "An age to every part"(17). His descriptive use of imagery makes forever seem an overused word that does not fully encapsulate the time he would spend waiting for her.
"But" makes the transition from eternity to the present. He continues, "at my back I always hear/ Time's winged chariot hurrying near"(21-22)). Again the narrator makes himself the victim, first of the lady's coyness and now of death. With death soon to knock on his door,, the narrator reminds his mistress of her inevitable death. "They beauty shall no more be found, in they marble vault..."(25-66). They virginity that his mistress is trying to withhold from hom will be lost is she waits too long. Yes. she is at the prime of her youth and beauty today, but it will soon be "turn[ed] to dust"(29)/ This dust and the "deserts of eternity"that lie before them both are used in stark contrast to their ripe youth. This stanza appeals to the girl's immortality and youth.
They should both be "like amorous birds of prey" who do not deny their primal instincts. Amorous, meaning eortic, is the pivotal word of this excerpt and one of the most subtly descriptive passages in the entire poem. This words seems to be carefulyy (and craftily) chosen to epitomize the lust he has for this woman; his desire for her to feel the same (or at least act on what she is feelingn).
Grace Abbott (1878-1939) was an influential social reformer and political activist, who provided numerous contributions in areas of child welfare and child labor legislation, immigrants’ rights, social security, and women’s rights. Using her intelligence, charismatic nature, and strong values, Abbott spent her life fighting tirelessly for what she believed in (National Association of Social Workers [NASW], 2004). To this day, her effects on legislation leave a strong impact in the field of social work.
Throughout his life... was a man self-haunted, unable to escape from his own drama, unable to find any window that would not give him back the image of himself. Even the mistress of his most passionate love-verses, who must (one supposes) have been a real person, remains for him a mere abstraction of sex: a thing given. He does not see her --does not apparently want to see her; for it is not of her that he writes, but of his relation to her; not of love, but of himself loving.
...2, when it says “tis Centuries- and yet Feels shorter than the day.” By the last line ending with “Eternity” this shows that the speaker has reached her goal of eternity, and here the reader is able to see that there is an afterlife after death.
In Andrew Marvell's poem "To His Coy Mistress," he's arguing for affection. The object of the speaker's desire wants to wait and take the relationship slow, while the speaker pushes for instant gratification. This persuasive poem makes the point that time waits for no one and it's foolish for two lovers to postpone a physical relationship.
The author of Mexican Lives, Judith Adler Hellman, grapples with the United States’ economic relationship with their neighbors to the south, Mexico. It also considers, through many interviews, the affairs of one nation. It is a work held to high esteem by many critics, who view this work as an essential part in truly understanding and capturing Mexico’s history. In Mexican Lives, Hellman presents us with a cast from all walks of life. This enables a reader to get more than one perspective, which tends to be bias. It also gives a more inclusive view of the nation of Mexico as a whole. Dealing with rebel activity, free trade, assassinations and their transition into the modern age, it justly captures a Mexico in its true light.
Andrew Marvell's "To His Coy Mistress is a sieze the moment kind of poem in which an anonomyous young man tries to woo the hand of his mistress. This kind of poem gives the reader the idea that time is not only precious, but scarce. The speaker uses many smooth tatics to persuade the young girl, starting with compliments and ending with a more forceful, morbid appraoch. "To His Coy Mistress" is not only witty but imgagistic, full of wordplay, and percieved differently by both males and females.
She also used a comparison, “Like a little girl, she smooths back her dirty hair and proudly puts it on” (5). She used the comparison to make the reader realize that although she is homeless, she is not any different than anyone
Seduction has been the game most played through out the centuries, as males attempt to convince and invite females into their beds. In Marvell's "To His Coy Mistress" and Donne's "The Flea", the speakers, propose a peccadilloes offer, which is so cunningly backed up by a liberalistic argument and is presented to each female when the generous request has been declined. These arguments are designed to induce thoughts of a carnal nature. The persuasions used by each are completely different but are structured entirely for one purpose. To corner or trick the maiden into saying "Yes". Though both arguements are supurb, Marvell's has a nicer, refined style to it. In "To His Coy Mistress" and "The Flea", there is an exemplification of just how crafty men can be during the hunt. The speakers, in both poems, makes a "modest" but declinable offer for sex to their maiden of choice. And, upon rejection, each male begins a fluent yet rhetoric arguments on why the maiden should accept his simple offer of passion. For Marvell, the argument was that there wasn't enough time left in the world, and that the maiden should partake in indulgence before it is too late." But at my back I always hear/ Times winged Charriot hurrying near"(lines 21-22). He also states the unpleasuarble thought of the worms enjoying her verginity instead of him. Suggesting that if she continues to waste time she will die a virgin. "then Worms shall try/ that long preserv'd Virginity:"(lines 27-28). Whereas Donne's argument revolves around a metaphorical flea.
Lover A Ballad was written as a reply to the poem To His Coy Mistress.
Family, a group consisting of parents and children living together in a household. Although family is a concretely defined term, the idea of family varies from person to person. But, what makes a family? For those who are surrounded by loving blood relatives, for those who have never known the one to grant them life, for those who have left their blood behind for a more loving and nurturing environment, what can commonly define a family? Family is something defined by the individual. Family includes those who you have come to love, whether platonically or romantically, those you have suffered with, those you have come to respect, and most importantly those you have cared for and in turn have cared for you. To one that could mean people who
Nature, that washed her hands in milk” can be divided structurally into two halves; the first three stanzas constitute the first half, and the last three stanzas make up the second half. Each stanza in the first half corresponds to a stanza in the second half. The first stanza describes the temperament of Nature, who is, above all, creative. This first stanza of the first half corresponds to stanza four, the first stanza in the second half of the poem. Stanza four divulges the nature of Time, who, unlike Nature, is ultimately a destroyer. Time is introduced as the enemy of Nature, and Ralegh points out that not only does Nature “despise” Time, she has good reason for it (l. 19). Time humiliates her: he “rudely gives her love the lie,/Makes Hope a fool, and Sorrow wise” (20-21). The parallel between the temperaments of Nature and Time is continued in stanzas two and five. Stanza two describes the mistress that Nature makes for Love. This mistress, who is made of “snow and silk” instead of earth, has features that are easily broken (3). Each external feature is individually fragile: her eyes are made of light, which cannot even be touched, her breath is as delicate as a violet, and she has “lips of jelly” (7-8). Her demeanor is unreliable, as well; it is made “Only of wantonness and wit” (12). It is no surprise that all of the delicate beauty Nature creates in stanza two is destroyed by Time in stanza five. Time “dims, discolors, and destroys” the creation of Nature, feature by feature (25-26). Stanzas three and six complete the parallel. In the third stanza, the mistress is made, but in her is “a heart of stone” (15). Ralegh points out that her charm o...
It is understood that Andrew Marvell’s “To His Coy Mistress” is an attempt to convince a woman to sleep with her lover, the narrator of the poem. The poem begins with the lover stating that if “world enough and time,” the woman’s crime would be acceptable, but what exactly is her crime? Is it a real crime? What makes it so terrible? The woman’s “crime” is no real crime at all; it is simply her refusal to engage in sexual intercourse with the narrator. The narrator portrays the woman’s coyness as “terrible” to insist that the coyness is unacceptable given his vast admiration for her and her body (Kelly 277). The narrator moves on to say that he would love her “ten years before the Flood.” Is he talking about the Biblical flood? The narrator is indeed speaking of the Biblical flood; he incorporates Noah’s flood to explain to his mistress how he would use the amount of time between this Biblical event and the end of time ( Adams 2209). He also states that she should is she pleases “refuse until the conversion of the Jews,” meaning that he would love her for all of time...
“To His Coy Mistress” by Andrew Marvell is a descriptive poem spoken by a man who attempts to seduce a woman into sleeping with him. Noticeably the speaker’s idea of typical courtship is extremely skewed. The speaker mocks the lady and threatens her. This is not what one would find a very effective way of temptation. While “To His Coy Mistress” might appear at first sight to be a poem of seduction, it is really a dramatic meditation on the fact that we live constrained by “world and time,” and a prescription for what to do about it.
This change in mental state accounts for the change in language from the unflattering descriptions early on to the more loving and affectionate feelings expressed later in the poem. This continued consumption of alcohol results in the speaker 's proclamation of love -- a state defined as "rare" because it will most likely be gone in the morning. It is clear in the poem that the speaker 's complex maze of attraction and derision is cyclic, transforming the unattractive innkeeper to the prized jewel of his eye on a weekly or perhaps daily basis. Through the clever use of negative descriptions and false comparisons, the author confides to paper what is effectively a bipolar relationship with the woman he both loathes and
Everyone is born into some form of family, with the family taking the responsibility of nurturing, teaching the norms or accepted behaviors within the family structure and within society. There are many types of families, which can be described as a set of relationships including parents and children and can include anyone related by blood or adoption. Family is the most important, “for it is within the family that the child is first socialized to serve the needs of the society and not only its own needs” (Goode, 1982).