Music Appreciation: Mark Zeltser, Pianist
Mark Zeltser was presented in concert Friday April 6, 2001 at the Perot Theater. This concert was a part of the 200-2001 Perot Theater Series. Dr. and Mrs. George Bohmfalk, The Wednesday Music Club and the Charles N. Temple Memorial Fund were the sponsors of this event.
Mark Zeltser is a classical pianist who has performed in such venues as New York City and London. Texarkana was very fortunate to have a pianist of Zeltsers ability to perform.
The first Sonnet performed was a very light and airy piece. The second piece, The B minor Sonata is the largest single movement piano sonata ever composed. It is considered Liszt’s best work for piano. Sonata in B minor was very aggressive and it made me feel really uptight listening to it. I was waiting for the next note constantly. I thought for sure that this would be my favorite piece of the concert. I thought about it all through intermission. Some friends whom I saw a few seats over told me that the last piece was by far the best. I was eagerly anticipating that last composition.
After the intermission and the house lights were dimmed. I settled back into the concert, and decided that there was no way I would like the last piece as much as the B minor Sonata. The Fourth piece just seemed to drag by. The fifth piece got a little better. It was by Tchaikovsky and I always tend to like his music. This was no exception. I was back. It was from “The Seasons, October – The Autumn Song” and it was very enjoyable. Finally, the moment I was waiting for, and was it ever worth the wait. “Islamey” is generally considered one of the most difficult works ever written for piano.
Escott, Colin. The Grand Ole Opry: The Making of an American Icon. New York: Center
Buser, Mary E. "Solitary's Mockery of Human Rights." Washington Post, 06 Apr, 2014, pp. A.21, SIRS Issues Researcher, https://sks.sirs.com.
...xcited to have this experience. Part of the drama of the concert at first is felt when the musicians come in and sit down and begin tuning up their instruments. I would not be able to comment on the performance of the orchestra. During the performance, I seen the audience were moving with the music, but I felt like that everyone seems knows more music than what I learned throughout this semester. After I went home and did some of the research on these music I finally understand why these people like to attend the orchestra concerto, it was because that every piece of music has a history behind it. The Los Angeles audience seemed to me to be people who know music and who will listen to something new in a respectful way. All the same, when the more familiar sounds of the last piece were heard, I could feel a little sense of relaxation and fun coming into the room.
Although Hans Christian Andersen’s “The Little Mermaid,” published in 1837, contains many patronizing nineteenth-century attitudes towards women, a value system that at least acknowledges the legitimacy of femininity shapes the fairytale. Unfortunately, Walt Disney’s 1989 film version of “The Little Mermaid” eliminates the values that affirm femininity in the original story (Trites 145)
During the Holocaust in Poland, thousands of Jewish people were taken out the comfort of their homes and even their cities. They were separated from their loved ones and taken away to places completely foreign to them. The Nazis reduced the Jewish community during the Holocaust drastically by killing anyone that produced the slightest amount of trouble or if they didn’t contribute in the camps as productively as others due to health or old age. All of the old customs and traditions that the Jewish people used to have were all stopped. All the money, food, and even the homes they used to own were all taken away from them. Without their approval, the Nazis went in and practically took all the valuables that they could find inside the homes. There are many movies and books that try to explain the brutality of this event but the high majority underestimate how terrible this event is. The Pianist, directed by Roman Polanski shows the event in the eyes of a famous Jewish pianist named Wladyslaw Szpilman.# This movie accurately portrays the the extreme differences of the Polish town...
The effects of prolonged isolation for inmates in confinement cells are obsessive-compulsive tendencies, paranoia, anger-management issues, and severe anxiety (Sifferlin, Alexandra). Along with the basic concepts such as food, water, and shelter, there are two other basics that Dr. Terry Kupers states are required for human wellbeing: “social interaction and meaningful activity. By doing things we learn who we are and we learn our worth as a person. The two things solitary confinement does are make people solitary and idle” (Sifferlin, Alexandra). Isolation and confinement remove prisoners’ ability to perform significant tasks and act as a part of society. This dehumanizes the inmates because they are no longer able to understand their role as a human being. One inmate, Jeanne DiMola, spent a year in solitary confinement and expressed her thoughts while in the cell: “I felt sorry I was born … Most of all I felt sorry that there wasn 't a road to kill myself because every day was worse than the last" (Rodhan, Maya). In DiMola’s opinion, a death penalty more than likely would have felt more humane than the isolation she experienced. Another prisoner, Damon Thibodeaux, stated, “Life in solitary is made all the worse because it 's a hopeless existence … It is torture
Today’s correctional institutions, policy makers, and supreme courts still continue to ignore the studies displaying the psychological effects of prisons. For example, in recent case challenges against the eighth amendment over solitary confinement have rarely succeeded. This is due to the regulation that conditions must deprive prisoners of at least one identifiable human physical need to be declared unconstitutional. Studies have shown that depriving proper mental stimulus results in extreme mental harm, but because it’s not physical damage courts rarely recognize the extreme mental harm in conditions retaining to confinement. Many court cases related to the psychological damages were inspired by the famous Stanford Prison Experiment that
Throughout life we all live through moments that change who we are; mentally, physically and psychologically. These moments can be, huge and defining or something as small as whether we leave our house or just stay home on a certain day. For some, we find ourselves looking back, and not even realizing the power of the decision we made and how it brought us to who we are now. For others, the decisions we made lead to obvious outcomes. A prime example of this is a criminal. Though, he or she might not have known or thought they would get caught, the acts they voluntarily proceeded in, are illegal and the one and only future they ultimately have is jail or prison. Within the prison system, criminals are faced with these same decisions, but the punishment will have much more detrimental effects than any other decision: solitary confinement. This brings me to my main point. Contrary to many may think, it is not just a myth that solitary confinement can and will have extremely detrimental psychological and social effects on any human being, criminal or not.
Thousands of people statewide are in prisons, all for different reasons. However, the amount of mental illness within prisons seems to go unaddressed and ignored throughout the country. This is a serious problem, and the therapy/rehabilitation that prison systems have do not always help those who are mentally ill. Prison involvement itself can contribute to increased suicide (Hills, Holly). One ‘therapy’ that has increased throughout the years has been the use of solitary confinement, which has many negative effects on the inmates. When an inmate has a current mental illness, prior to entering into the prison, and it goes undiagnosed and untreated, the illness can just be worsened and aggravated.
Carringer, Robert L.. The Jazz singer. Madison: Published for the Wisconsin Center for Film and Theater Research by the University of Wisconsin Press, 1979. Print.
Hesiod’s Theogony has transcended generations, delivering to vast audiences the traditional stories of the Greek gods as well as ancient Greek conceptions of the world. One particularly well known aspect of the Theogony, the section that tells the tale of Prometheus, is unique in that it has little intrinsic worth; its value is in its ability to enhance other stories and conceptions. Across the globe, people know well the story of the one who deceived Zeus and stole fire for man, but few recognize its role in Hesiod’s work as a whole. The story of Prometheus serves two primary purposes for Hesiod and his audience. First, it solidifies Zeus’s position as king of the gods, providing one of the first characterizations of his temperament, and second, it serves as a mode of explanation for those evils in the world which plague mankind.
Many people have tried to stop the use of solitary confinement by calling it “Cruel and Unusual Punishment. (Holt vs. Sarver, 1969).” People also say that it is a direct violation of our eighth amendment rights. The definition of cruel and unusual punishment is as follows: “Such punishment as would amount to torture or barbarity, any cruel and degrading punishment not known to the Common Law, or any fine, penalty, confinement, or treatment that is so disproportionate to the offense as to shock the moral sense of the community. (Farflex Inc., 2011).” Studies show that solitary confinement can alter the mental state of a prisoner so far that it is detrimental to his or her health; I see no reason why this cannot be classified as cruel and unusual punishment. In an experiment conducted by the BBC’s Horizon group, they studied the effects ...
If a person convicted of a crime shows no signs of being mentally ill when entering a prison which enforces the long-term use solitary confinement, by the time they completed their sentence and are released, their mental health will have been severely compromised. Studies have shown that the long-term use of segregation in prisons can cause a wide variety of phycological effects such as anxiety, psychosis, depression, perceptual distortions, and paranoia, often leading to a desire to self-harm or in more severe cases suicide. Not only is it wrong to hold a criminal in solitary confinement for any longer then fifteen days, it is unconstitutional. Although many believe the use of solitary
In both Hans Christian Andersons “The Little Mermaid,” and Disney’s version of the story, the main character— a young and beautiful mermaid— waits anxiously for her fifteenth birthday to venture from her father’s underwater castle to the world above the water. As the story carries on the mermaids priorities change; her modest and selfless nature is revealed towards the end in Andersen’s version. However, Disney’s version encompasses a rather shallow ending and plot throughout. The theme found in comparing the two versions reveal that Andersen’s substance trumps Disney’s entertainment factor in fairy tales.
In Hesiod’s Theogony, the Muses, which are the nine singing goddesses who he came across one day while taking care of his lambs, serve as a guide to the poet’s genealogy and organization of the origins of the gods by inspiring him to write down the lineage as they sing it. Using their angelic voices, the Muses presented Hesiod with the history of the cosmos in order. Thus, inspiring him to become a poet; he made this major change in his life and that resulted in Theogony, a chronological poem that consists of short life lessons, punishments, and roots of many Greek gods and goddesses. In this poem, Hesiod described these accounts as songs, when in fact, they were long verbal stories of how the gods of Olympus came to be. The sole purpose of