The Tragedy of Hamlet In life the border between sanity and madness is thin and undefined. At best it is a gray area, fuzzy and unclear. Yet it is this area that Shakespeare so deftly depicts in The Tragedy of Hamlet. The gray environment he weaves eventually renders it almost impossible to tell the sane from the insane, the ability to reason ultimately becomes the audience's sole determiner of a character's mental condition. Thus, Shakespeare is able to successfully tie his thoughts on reason and emotion to a character's sanity. In the play Hamlet, by Shakespeare, the main character fits the description for being a tragic hero. A tragic hero is a character who has experienced life more fully, whether by heroic action or by capacity for enduring suffering than other characters in the play and ultimately destroys themselves. In Hamlet Shakespeare seems to suggest that suicide is an escape from the sorrow of life, "a consummation/Devoutly to be wished" (3.1.64-65), yet much of the play suggests that, for Hamlet at least, it is out of reach. He goes beyond the standards to which reasonable people adhere. Hamlet's main tragic flaw is anger because through the play he acts upon impulse rather than logic, which results in the destruction of himself and his cruel remarks to Ophelia that contribute to her suicide. Since Hamlet does not give into his suicidal impulse, he is admired by the audience and given the qualities of a tragic hero. Throughout the play he is dominated by calculating reason and his contemplative nature. Often times Hamlet fantasizes about death. He calls death an end to "the heartache and the thousand natural shocks/ That flesh is heir to," and "a consummation/ Devoutly to be wis... ... middle of paper ... ...ith Ophelia. He says cruel jokes to humiliate her, and at first she shows total innocence of his meaning. He has only been playing with Ophelia, boosting his own confidence by his superior jokes at her innocence. Hamlet uses his anger against Ophelia to hurt her, which ends with her suicide. Hamlet is the tragic hero of the play because he is a prince with nobility that others look up to and he has a tragic flaw of wrath, which ultimately destroyed himself. Shakespeare did not intend his dark prince to be insane supports the idea that he was intended to be firmly rooted in reason. His anger results in his need to seek revenge on his uncle, the contribution to Ophelia suicide, and finally the death of himself along with many others. In the end Hamlet realized his defect, but also that there was no possible way he could avoid his awful predicament.
The sickness of insanity stems from external forces and stimuli, ever-present in our world, weighing heavily on the psychological, neurological, and cognitive parts of our mind. It can drive one to madness through its relentless, biased, and poisoned view of the world, creating a dichotomy between what is real and imagined. It is a defense mechanism that allows one to suffer the harms of injustice, prejudice, and discrimination, all at the expense of one’s physical and mental faculties.
double take. I think that Prince Hamlet was a victim of the people around him. I.E. Rosencrantz,
...nly woman he only loved and Hamlet lost Ophelia the only woman he truly loved but was foolish enough to tell her the whole truth before she passed. Interestingly enough both of our protagonists were forced to experience not only the death of their true loves but also society’s silent disdain on the fact that they committed suicide.
As the play’s tragic hero, Hamlet exhibits a combination of good and bad traits. A complex character, he displays a variety of characteristics throughout the play’s development. When he is first introduced in Act I- Scene 2, one sees Hamlet as a sensitive young prince who is mourning the death of his father, the King. In addition, his mother’s immediate marriage to his uncle has left him in even greater despair. Mixed in with this immense sense of grief, are obvious feelings of anger and frustration. The combination of these emotions leaves one feeling sympathetic to Hamlet; he becomes a very “human” character. One sees from the very beginning that he is a very complex and conflicted man, and that his tragedy has already begun.
A tragic hero can be described as a great or virtuous character in a dramatic tragedy who is
In literature, a tragic hero is a virtuous character who is destined for downfall, suffering or defeat. Most tragic heroes are prominent social figures, which makes their fall even harder. These tragic heros may also have a tragic flaw. Brutus is a prime example of a tragic hero.
A tragic hero may be defined as a literary character that makes a judgment error which inevitably leads to his/her own destruction. Criteria for a character to be considered a tragic hero includes the character dying due to their hamartia, or fatal flaw, the character being fated by the gods to a tragic downfall, the character being of high social class, the character making error in their own judgement, and the character gaining some kind of self-knowledge throughout their journey. Not all of these characteristics are required for one to be considered a tragic hero, and thus characters such as Oedipus, Prince Hamlet, and Romeo may be considered tragic heroes. Along with this list, Julius Caesar of William Shakespeare’s Julius Caesar is also often credited as being a tragic hero. The play, following the turmoil occurring within the Roman senate, involves a
own life, the life of his mother, the life and love of Ophelia and the stability of the
The situations where Hamlet unexpectedly acts were not relevant to his task, such as the murder of Polonius. During the play rehearsal, Hamlet is shocked by the emotion poured out by the actor over Hecuba, whom doesn’t even exist. Hamlet, whose father was murdered, does not have as near the passion that actor had. Hamlet criticizes himself, saying, “A dull and muddy-mettled rascal, peak/ Like John-a-dreams, unpregnant of my cause,/ And can say nothing” (Shakespeare 2.2 578-580). Hamlet calls himself a coward for not doing anything to avenge his father, but rather just staying depressed and weep all day. According to Bradley, “Hamlet was restrained by conscience or a mural scruple; he could not satisfy himself that it was right to avenge his father” (Bradley 4). Hamlet is aware of his constant delays, but still cannot ready himself to kill Claudius because of the excuses he continuously makes up. After criticizing himself, Hamlet sets up a plan that only prolongs his chance of killing Claudius. Hamlet says, “The play’s the thing/ Wherin I’ll catch the conscience of the King” (Shakespeare 2.2 616-617). Hamlet creates a play that reenacts a specific scene, which resembles Claudius murdering his father. Hamlet wants to see Claudius’s reaction to the scene, and confirm his guilty reaction. According to Eliot, “The delay in revenge is unexplained on grounds of necessity or expediency;
Beowulf perfectly fits the definition of “tragic hero” as evidenced in the epic poem, Beowulf. He is defiantly the hero in the story, but as a result of his tragic flaws of having too much pride and seeking fame, he loses his life and his kingdom falls into the hands of the enemy.
Hamlet is a tale of tragedy by Shakespeare which tells the story of the prince of Denmark who is on a quest to avenge the death of his father at the hands of his uncle whom subsequently becomes king of Denmark. This is what fuels the fire in the play as Hamlet feels the responsibility to avenge his father’s death by his uncle Claudius; however, Claudius assumed the throne following the death of hamlets father. It is in this context that we see the evolution of hamlets character from a student and young prince of Denmark to the protagonist and tragic hero in the play.
The perfection of Hamlet’s character has been called in question - perhaps by those who do not understand it. The character of Hamlet stands by itself. It is not a character marked by strength of will or even of passion, but by refinement of thought and sentiment. Hamlet is as little of the hero as a man can be. He is a young and princely novice, full of high enthusiasm and quick sensibility - the sport of circumstances, questioning with fortune and refining on his own feelings, and forced from his natural disposition by the strangeness of his situation.
Hamlet is the best known tragedy in literature today. Here, Shakespeare exposes Hamlet’s flaws as a heroic character. The tragedy in this play is the result of the main character’s unrealistic ideals and his inability to overcome his weakness of indecisiveness. This fatal attribute led to the death of several people which included his mother and the King of Denmark. Although he is described as being a brave and intelligent person, his tendency to procrastinate prevented him from acting on his father’s murder, his mother’s marriage, and his uncle’s ascension to the throne.
The second most important part of a tragedy is Character. Characters actually play a secondary role to the plot in the “perfect” tragedy. The actions of the characters make them responsible for their fate, not a higher power. There should be a protagonist and a tragic hero. Tragic heroes are also exceptional beings; Hamlet was very intellectual, giving him a brilliant mind and a quick wit. The tragic hero is the ma...
The tragedy of Hamlet, Shakespeare’s most popular and greatest tragedy, presents his genius as a playwright and includes many numbers of themes and literary techniques. In all tragedies, the main character, called a tragic hero, suffers and usually dies at the end. Prince Hamlet is a model example of a Shakespearean tragic hero. Every tragedy must have a tragic hero. A tragic hero must own many good traits, but has a flaw that ultimately leads to his downfall. If not for this tragic flaw, the hero would be able to survive at the end of the play. A tragic hero must have free will and also have the characteristics of being brave and noble. In addition, the audience must feel some sympathy for the tragic hero.