A device which Shakespeare often utilized to convey the confusion and chaos within the plot of his plays, is the reflection of that confusion and chaos in the natural environment of the setting, along with supernatural anomalies and animal imageries. In King Lear, these devices are used to communicate the plot, which is summarized by Gloucester as:
…This villain of mine comes under the prediction: there’s son against father. The King falls from bias of nature: there’s father against child.
(Act 1, Sc.1, 115 - 118)
The “bias of nature'; is defined as the natural inclination of the world. Throughout the play King Lear, the unnatural inclination of nature, supernatural properties and animal imageries are used by Shakespeare to illustrate the chaotic state of England, which was caused by the treacheries of the evil characters.
Gloucester is a character in the play who firmly believed that man’s fate has supernatural properties that are controlled or reflected by the heaven and stars:
These late eclipses in the sun and moon
Portend us to no good. Though the wisdom of nature can reason it thus and thus, yet nature finds itself scourged by the sequent events.
(Act 1, Sc. 2, 109 - 113)
This is proclaimed by Gloucester as he is told by Edmund of Edgar’s supposedly treacherous plot to remove him from power. Gloucester’s trust in Edgar faltered as a result of Lear’s irrational banishment of Cordelia and Kent, coupled with recent anomalies in the heavens. Gloucester believed that Lear’s actions also came as a result of the star’s unusual behaviour. Edmund, the treacherous and bastard son of Gloucester, exploits Gloucester’s blind believe in the stars in his plot to oust Edgar out of the inheritance and ultimately to gain all of Gloucester’s wealth and land:
This is the excellent foppery of the world, that when we are sick in fortune (often the surfeits of the sun, the moon, and stars, as if we were villains on necessity; fools by heavenly compulsion; knaves, thieves, and treacherous by spherical predominance; drunkards, liars, and adulterers by an enforced obedience of planetary influence; and all that we are evil in, by a divine thrusting on.
(Act 1. Sc. 2, 125 - 133)
As a result of the irrational acts of trust by Lear and Gloucester, the state of England crumbled due to corruptness and treachery of Regan, Goneril and Edmund. At the point of ultimate chaos, Lear is disdained by his two evil daughters and has none of the power and honour of his kingship, and the state of nature reflects this chaos in the form of a tumultuous storm:
The Shakespearean play King Lear is one of great merit, with an excellent story. The play depicts the kingdom of Lear. Because the king is nearing the end of the reign, he divides his land amongst his daughters. However, once his daughters have received what they want, they begin to distance themselves from their father. There were other small sub-stories tucked away within the main plot of the story, most containing small amounts of corruption. The turning point of the story is when Lear makes the discovery that his daughters are beginning to betray him. The once prideful and stoic king falls apart emotionally, and the kingdom undergoes a dramatic split as the King’s once loyal colleagues let loose their corruption and evil as they turn into
Much of the imagery in King Lear's first scene presages what is to come in the play. Often characters refer to senses, particularly sight, whether as a comment on the necessity of sensing consequences before acting (as Lear does not), or as yet another of Shakespeare's comments (most apparent in Hamlet) on "seeming." The destruction of Gloucester's eyes and his subsequent musings ("I stumbled when I saw" (IV.i.19) etc.) are a more graphical presentation of this basic theme which originally appears in Lear's first scene. Goneril declares Lear is "dearer than eyesight" (I.i.56) to her (though she is the one who later suggests putting Gloucester's eyes out for his "treachery"). Regan goes further, proclaiming "I profess / Myself an enemy to all other joys / Which the most precious square of sense possesses" (I.i. 72-74). Crossed in his wrath by Kent, Lear cries "Out of my sight!" (I.i.157), only to be reproved with Kent's "See better, Lear, and let me still remain / The true blank of thine eye." (I.i.158-9).
... Lears blessing, and declared his daughter. Lear also realized that Kents speaking out was for Lear’s best and that he too was abused and banished. What stings Lear even more is that he is now completely dependent upon his two shameless daughters, Goneril and Regan. Plus that he must now beg them when he took care of them like a father when they were once children, to drive Lears further into madness he realizes that as king he was so ignorant and blind with power that he never took care of the homeless and let them suffer. All these realization and the fact that Lear is in his second childhood a tender stage drive him into the peak of madness.
Shakespeare's King Lear is a play which shows the consequences of one man's decisions. The audience follows the main character, Lear, as he makes decisions that disrupt order in his Kingdom. When Lear surrenders all his power and land to his daughters as a reward for their demonstration of love towards him, the breakdown on order in evident. Lear's first mistake is to divide his Kingdom into three parts. A Kingdom is run best under one ruler as only one decision is made without contradiction. Another indication that order is disrupted is the separation of Lear's family. Lear's inability to control his anger causes him to banish his youngest daughter, Cordelia, and loyal servant, Kent. This foolish act causes Lear to become vulnerable to his other two daughters as they conspire against him. Lastly, the transfer of power from Lear to his eldest and middle daughter, Goneril and Regan, reveals disorder as a result of the division of the Kingdom. A Kingdom without order is a Kingdom in chaos. When order is disrupted in King Lear, the audience witnesses chaotic events that Lear endures, eventually learning who truly loves him.
King Lear is a perfect demonstration of the great consequences one man's actions can cause. While there are certainly religious Christian elements to the story, the story is not one of morality or hope. King Lear is a lesson, making an example of what can come of a single, foolish, egotistical action. King Lear's action is the surrendering of his throne to his daughters.
Shakespeare’s tragedy, King Lear, portrays many important misconceptions which result in a long sequence of tragic events. The foundation of the story revolves around two characters, King Lear and Gloucester, and concentrates on their common flaw, the inability to read truth in other characters. For example, the king condemns his own daughter after he clearly misreads the truth behind her “dower,”(1.1.107) or honesty. Later, Gloucester passes judgment on his son Edgar based on a letter in which he “shall not need spectacles”(1.2.35) to read. While these two characters continue to misread people’s words, advisors around them repeatedly give hints to their misinterpretations, which pave the road for possible reconciliation. The realization of their mistakes, however, occurs after tragedy is inevitable.
The Consequences of Decisions in King Lear by William Shakespeare King Lear is a detailed description of the consequences of one man's decisions. This fictitious man is Lear, King of England, who's decisions greatly alter his life and the lives of those around him. As Lear bears the status of King he is, as one expects, a man of great power but sinfully he surrenders all of this power to his daughters as a reward for their demonstration of love towards him. This untimely abdication of his throne results in a chain reaction of events that send him through a journey of hell. King Lear is a metaphorical description of one man's journey through hell in order to expiate his sin.
King Lear is the protagonist within the play, he wears the label of a successful
Doncaster, Sarah. Representations of Nature in King Lear. Shakespeare Online. 20 Aug. 2000. 6 Jan. 2014. .
Disobedience in William Shakespeare's King Lear "How sharper than a serpent's tooth it is to have a thankless child". Filial disobedience is a key theme in the play 'King Lear' and in both the times it was set and written, children were not expected to disobey their fathers. Jacobean England was an extremely hierarchical society meaning that respect should not only be shown to the powerful and rich but also to parents and the elderly. Seventeenth century England would have been more devout in terms of religion than today and undoubtedly a Jacobean audience would have been familiar with the fifth commandment, 'Honour thy father and mother'.
In The Tragedy of King Lear, particularly in the first half of the play, Lear continually swears to the gods. He invokes them for mercies and begs them for destruction; he binds both his oaths and his curses with their names. The older characters—Lear and Gloucester—tend view their world as strictly within the moral framework of the pagan religion. As Lear expresses it, the central core of his religion lies in the idea of earthly justice. In II.4.14-15, Lear expresses his disbelief that Regan and Albany would have put the disguised Kent, his messenger, in stocks. He at first attempts to deny the rather obvious fact in front of him, objecting “No” twice before swearing it. By the time Lear invokes the king of the pagan gods, his refusal to believe has become willful and almost absurd. Kent replies, not without sarcasm, by affixing the name of the queen of the gods to a contradictory statement. The formula is turned into nonsense by its repetition. In contradicting Lear’s oath as well as the assertion with which it is coupled, Kent is subtly challenging Lear’s conception of the universe as controlled by just gods. He is also and perhaps more importantly, challenging Lear’s relationship with the gods. It is Kent who most lucidly and repeatedly opposes the ideas put forth by Lear; his actions as well as his statements undermine Lear’s hypotheses about divine order. Lear does not find his foil in youth but in middle age; not in the opposite excess of his own—Edmund’s calculation, say—but in Kent’s comparative moderation. Likewise the viable alternative to his relationship to divine justice is not shown by Edmund with his ...
In King Lear. Shakespeare uses imagery of great imaginative depth and resonance to convey his major themes and to heighten the readers experience of the play. There are some predominant image patterns.
King Lear by Shakespeare portrayed the negative effects of power resulting in destruction caused by the children of a figure with authority. Through lies and continual hatred, characters maintained a greed for power causing destruction within their families. The daughter’s of Lear and the son Gloucester lied to inherit power for themselves. Edmund the son of Gloucester planned to eliminate his brother Edgar from his inheritance.
The first flaw in King Lear is his arrogance, which results in the loss of Cordelia and Kent. It is his arrogance in the first scene of the play that causes him to make bad decisions. He expects his favorite, youngest daughter to be the most worthy of his love. His pride makes him expect that Cordelia’s speech to be the one filled with the most love. Unfortunately for King Lear’s pride, Cordelia replies to his inquisition by saying, “I love your majesty/According to my bond and nothing less';(1.1.100-101). Out of pride and anger, Lear banishes Cordelia and splits the kingdom in half to the two evil sisters, Goneril and Regan. This tragic flaw prevents King Lear from seeing the truth because his arrogance overrides his judgement. Lear’s arrogance also causes him to lose his most faithful servan...
The idea of nature is first introduces by Cordelia in the very beginning of the play. When Lear asks Cordelia to tell him how much she loves him, Cordelia responds by saying that she loves him "acoording to my bond." (1.1.102) Cordelia mean that her love for her father is based upon the laws of nature and involobes the clearest recognition of her filial obligations. It is this law which Lear himslef depends on when he expects to be revered and obeyed both as a king and as a father by all his daughters. Shakespeare demonstrates this idea when he points out that at a later point in the play, after Lear is treated horribly by Goneril, Lear expressed his conviction that Regan, unlike Goneril, knows better "the offices of nature, bond of childhood." (2.4.202) It is ironic that here Lear uses the exact same word as Cordelia has used before, that is, "bond" to describe the natural ties that he himslef broke before only to expect that they would be followe...