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the meaning of political representation
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Weapons of War
“War on Iraq” and “sexual identity” showcase instructive new tactics for contemporary politics.
If you can’t beat ‘em, join ‘em. In conventional warfare. The US military no longer needs nuclear weapons for its better-publicized outings when they’ve built a 10-ton conventional bomb and aren’t above firebombing civilian centers. At a moment when anti-militarist criticism had crystallized around activism against specialized forms of military machinery (the Bradley was too expensive, the School of the America’s too brutal, the nuke too indiscriminate), all such criticism can be blown with the broadcasted desert winds to the enemy and yanked on for leverage - thus permitting/demanding all the kinds of actions (with or without marked technologies) that were the initial object of criticism. Now it’s Iraq who has dangerous WMD’s, not the US (a country with a nuclear policy of first strike against non nuclear nations). What may once have been a criticism of military violence became one of the weapons themselves (Depleted Uranium Bullets, land mines, space weapons, ‘bunker-busters’), and now ‘we’ shall fight clean against an enemy who (gasp!) might not. Just as the crime becomes the criminal, Saddam becomes his weapons programs; he “is a homicidal dictator who is addicted to weapons of mass destruction" (Bush). Programs that are mostly despicable because they aren’t supposed to have these weapons (according to international agreements, and sometimes early 90’s US mandates, to which, of course, US policy and rhetoric always shows such commitment). The trick is simultaneous with, and analogous to, the more obvious game of peace versus threat. “We are resolved today, to confront every threat, from any source, that could bring sudden terror and suffering to America” (Bush), except threats from America, naturally. But, the weapon issue focuses on technologies in a way that makes the two rhetorical devices non-homologous and makes weapons more relevant here, because the question is not just of representations but also of instruments.
Such conditions are not governed by banker’s rules of an economy of power (we get some percent more, you get so much less), or by a monarchical power that runs roughshod over (innocent) individuals, trampling the green grass of knowledge. Rather, the banker’s rules matter in the bank, and work only if there is a commitment to the illusion of the bank. Go ahead, tell “Bush” he isn’t a good king, he isn’t using power responsibly.
Sometimes in movie production a film is developed from a piece of literature. Directors will use the plot of a book either to create a unique movie, or to give the audience a chance to see what their favorite book is like when acted out on the screen. Willa Cather's "Paul's Case" is a good example of a work adapted to video. The movie has slight differences from the book, but the director Lamont Johnson follows the original closely.
During the late 1950’s the space race began. This was a race to see who could achieve the most space firsts, between the USA and Russia. Sonny, O’Dell, Sherman, Roy Lee and Quentin live in Coalwood, West Virginia.The space race inspired these boys, who decide to call themselves the Rocket Boys, to make their own rockets. The BCMA (Big Creek Missile Agency) was born when Sonny called a meeting with his friends in his room and discussed how he wanted to build rockets. With the help from the a man at the town’s machine shop, Mr.Bykovski, the BCMA built its first rocket, called Auk I. The rocket was named after an extinct bird that was unable to fly. Auk I was equipped with a wooden bullet shaped nose cone, an aluminum tubing body, fins, and a soldered washer at the bottom. The boys mixed together black powder and postage stamp glue to act as fuel for their rocket. The rocket flew up 6ft, and then fell back down. The rocket boys later found out that the reason their rocket stopped flying was because the solder melted. The BCMA was happy with the result from the rocket, because it was their first ever rocket to fly.
A portion of the best movies ever in a wide assortment of literary genres have been adapted from short tales. In particular, when we look to the classical horror movies adapted from books; it seems that there is a remarkable number of fictitious films that were based on short stories.
With respect to the rocket program, the A1 rocket was first completed at the end of 1933. It was only 5 feet long and powered by an alcohol and liquid oxygen motor. Gener...
Weapons and Artillery of World War II The result of World War II was affected by many different factors. One major factor which affected the war was the weapons and artillery used during the war. Since the beginnings of time, weapons have always been around. From swords and knives to nuclear weapons and missiles, weapons have evolved greatly over the years.
Homer Hickam tries his best to source materials for his rockets. In Coalwood, some of the necessary materials are hard to find and has to negotiate to get these parts. Hickam also worked hard to form his team, he convinced Quentin to join the team and build the rockets and more importantly the team to work with Quentin. Hickam approaches Quentin and asks him to join to which Quentin replies, “‘Ho-ho!’ he exclaimed. ‘The same as you, old chap! If I learn how to build a rocket, I’ll stand a better chance of getting on down at the Cape’” (Hickam 70). Lastly, he constantly improved the design of his rockets. Homer Hickam was in charge of calculating the De Laval nozzles’ design and the launch of the first rocket bearing his design is described as: “It [The Rocket] flew straight, slicing without flinching through the plane of the mountaintops. Sherman counted. ‘Ten, eleven, twelve …’ I watched as the smoke trailed off from the Auk, and then it disappeared” (Hickam 268). He launched numerous rockets at once which exposed possible patterns of failure, and he immediately worked to fix flaws in his
However, failure to procure any putative weapons of mass destruction in Iraq forced Realist apologists to invoke the concept of “offensive Realism” to explain the Iraq war of 2003. They argued that Iraq’s acquisition of uranium and aluminum tubes posed a “Security Dilemma” to the U.S. and her allies. According to Wheeler and Booth, security Dilemmas...
In this historical and culturally divided book, Jill Lepore examines and tries to define the King Philips War and how people wrote about it. At the beginning of the colonies it was a start of a “New England" and after the King Philip’s War with all of the religious conflicts and war stories, a new American identity was born. Throughout this book she tells gruesome tales about murders, massacres, and battles. Even thought his book jumps a lot in chronically order she successfully tells the tales for both sides pretty accurately. I enjoyed reading some parts of this book. Especially the beginning and the middle because I thought the End dropped off and slowed down.
All of Sun Tzu’s strategies in The Art of War have been adopted by American businesses in order for them to be successful. Chapter one of The Art of War is “Laying Plans” which has five fundamental factors: the moral law, heaven, earth, the commander, and method and discipline. In business the moral law means one’s mission or goal. Heaven compares to outside forces such as the market and dependencies. Earth would be the scene of action such as people, place, product, and process included in production. Commander is leadership like a sponsor or a bachelor of arts. Method and discipline are the guiding principles similar to business ethics, laws, and policies. Sun Tzu said, “These five heads should be familiar to every general; he who knows them will be victorious; he who knows them not will fail” (Tzu 2). Basically, what this means and how businesses relate to it is that before one does anything one evaluates all business options.
More than two thousand years ago, a Chinese strategist known as Sun Tzu wrote one of the enduring classics of military theory. Most likely written during a period of Chinese history referred to as the ‘Warring States’ period, Sun Tzu’s The Art of War has continued to be studied by military strategists for millennia. Even today, The Art of War is required reading for Naval Officer Candidates. At nearly the same time in the fourth century B.C., the Greek city-states were facing invasion from the mighty Persian army. Vastly outnumbered, the Greeks eventually triumphed by defeating their enemies at Plataea, but not before fighting one of history’s greatest military stands at Thermopylae. By using Sun Tzu’s classic text to analyze the battles of Thermopylae and Plataea, it is possible to gain a better understanding not only of the battles themselves, but also of the reasons why The Art of War has remained such an influential and respected text over the centuries.
I heard a blood-curdling scream and I jumped. I felt silent tears running down my heavily scarred face, but they weren’t out of sadness. Mostly. They were a mixture of pain and fear. I ran into the eerie, blood-splattered room and screamed as I felt cold fingers grab my neck. Before that night, I didn’t believe in the paranormal. Now I sure as heck do. I had been chased out of my house after a fight with my step-parents because I wasn’t doing well in school (I had dyslexia), and I had taken shelter in what seemed like a normal house. I realized what I had gotten into after the sun set. The doors locked without a sign of anyone going near them. A cold draft filled the room I was in. The house turned into a horrific scene, and I knew I would never get out alive. It was the Asylum. There’s a rumor in our town, a rumor that started when someone made the observation that everyone fit in. No one was considered strange, homeless, an outsider. That doesn’t seem possible, you think. In my town, there are tons of people with no homes, or people that don’t belong, you think. Well, think again. Those homeless people? Think about how many there are. They fit in with each other. Those people that don’t belong? Once again, they fit in with each other. But then, you
Warfare is a prominent theme in Beowulf . The reasons and conduct for and during warfare are mentioned and displayed throughout the poem. The reason for warfare is usually for retribution. As an act of revenge, battles are fought. The conduct is also very standard and prevalent. All warfare fought by honorable men had to be fought fair. If the opposing side bore no weapons, then the other side also used no weapons. The author of this poem depicts himself/herself to be an advocate of warfare. By idolizing Beowulf because of his heroic deeds during warfare, the poet makes armed conflict courageous and noble.
and allow the audience to experience the story and the film in a different way.
In today’s modern world, faster and faster are the world’s strongest nations developing new and advanced technologies for the future. Where they all start is in the government’s military field, where they search, and discover new innovations every day.
.... It is the directors’ responsibility to identify potential risks that the company is likely to face or risks already faced by the company. This is basically to prevent such risk to arise again that may negatively affect the company’s operation. By identifying the risks, it allows the company to prepare step by step solutions to prevent or overcome such risk beforehand. It also allows company to take control of risks before risks affect the company seriously.