Contrasting the Court of Miracles and Notre-Dame
"No one had yet remarked, in the gallery of royal statues..., a strange looking specter who until then had been observing all that passed... All at once, at the moment that the chief executer's two assistants were preparing to execute,... he strided up to the two sub-executioners, knocked them down, carried off the gipsy girl, and leapt at one bound into the church, lifting the girl above his head and cried out in a formidable voice, 'Sanctuary!'"
Notre-Dame, an intimidating edifice in the heart of fifteenth century Paris, bears many different faces for those residing in and near it. Quasimodo, the deformed bell ringer dwells in the church after being adopted by the archdeacon, Claude Frollo, when the hunchback was an infant. The empathetic monster lives in complete servitude to Frollo, his savior, and spends his days ringing his beloved bells which repay his altruism by causing him to go deaf. The highly adept archdeacon, Claude Frollo, also resides within the walls of Notre-Dame, and after filling his head with every piece of knowledge he can find, he begins to dedicate his life to alchemy.
The two men, besides their relationship and common habitat, have one other item in common. They both have fallen in love with La Esmeralda, a compassionate, orphaned gipsy girl who earns her living on the streets with her fluid dancing and droll tricks her goat, and best friend, Djali performs. Quasimodo's love is pure and fresh and he lives in awe of La Esmeralda after she offers him a drink of water when the townspeople deny him this request while he is being tortured as punishment for the sole crime of being deaf and not understanding the judge. Frollo's...
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...ts walls are not as strong as the building. The archdeacon, Claude Frollo, a holy man, gives way to the sin of the flesh and tries to rape as well as kill La Esmeralda. Phoebus, a man who worships God within it's walls, single-handedly could save La Esmeralda's life, but chooses not to because of his own vanity. The entire town closes its eyes to the truth, and condemns an innocent girl to death without any proof, just for the fact that she is different from them.
The structures of the Court of Miracles and the Cathedral of Notre-Dame are very different structures. Notre-Dame is a symbol of strength and God while the Court of Miracles represents the filth of the Earth. Yet, as Hugo's theme suggests, one cannot judge places, or men, by their appearances and the Court of Miracles proves to be the stronghold, while Notre-Dame houses the iniquity of the city.
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...ue in the play, Juliet does come from a very prosperous family. Because of this, “children often spend their first years under the care of…nurses”(Grendler). Juliet goes to the Nurse to deliver a letter to Romeo rather than her own mother because she does not trust her enough. The Nurse really does care and love with Juliet. She is supportive and does her best to make sure Juliet is always happy.
This shows that the nurse is really more like a maternal figure in Juliet’s life. Juliet trusts the Nurse and turns to her for support in times of need, especially after the dispute with her father about marriage. Juliet was upset about the arranged marriage, and she was already married to Romeo, so after her parents left she turned to the nurse for guidance. “O God!-O Nurse, how shall this be prevented?/ My husband is on earth, my faith in heaven…”(Ⅲ,ⅴ,205-206). Juliet asked the Nurse how she can prevent the arranged marriage from happening. She stated that her husband, Romeo, is on earth, but she loves her parents and doesn't want to disappoint them. Juliet had the opportunity to talk to her mother at this part, because her father left giving her the opportunity, however she waited for her mother to leave so
Juliet's nurse shows amazing concern for the young girl's well being. She, in some ways, takes the place of her natural mother ("Examples of Love in Romeo and Juliet"). Lady Capulet treated Juliet as a naïve young girl with no knowledge and feelings of her own. Nurse recognized the maturity of Juliet and helped to make her truly content. During the entire traumatic experience of arranging a marriage between Romeo Montague and Juliet Capulet, the nurse aided the two young lovers in their quest to be together. She acts as a messenger from Romeo, Juliet, and the friar ("Examples of Love in Romeo and Juliet"). Despite the nurse's efforts the plans go array because of the arranged marriage between Juliet and Paris. At this time, the nurse shows her love for Juliet once again. She goes to Juliet's defense and stands up to Lord Capulet by saying: "God in heaven bless her!/ You are to blame, my lord, to rate her so."(Act III, Scene 5, Line169-170). One is easily able to see the motherly care the nurse shows for Juliet in Romeo and Juliet.
Before Impressionism came to be a major movement (around 1870-1800s), Neoclassical and Romanticism were still making their impacts. Remembering last week’s lesson, we know that both those styles were different in the fact that one was based on emotion, while the other was practical and serious. However, one thing they both shared was the fact that the artists were trying to get a message across; mostly having to do with the effects of the French Revolution, and/or being ordered to do so. With Impressionism, there is a clear difference from its predecessors.
The Nurse is Capulets servant, and she is a very good servant as she tries her hardest to please the Capulets and Juliet at the same time. She is also a very important character in the play and in the Capulets lives. Through out the play The Nurse is Juliet’s confidant. The Nurse is a crucial character who strongly influences Juliet’s thoughts and actions. The main reason why the Capulet employed her was to breast feed Juliet. The Nurse was perfect for the job because she had just lost her little baby Susan, and The Nurse will now have unwanted breast milk that is ideal for Juliet as Lady Capulet does not want the role of breast feeding. The relationship between The Nurse and Juliet is like a mother daughter relationship, she is like Juliet surrogate mother towards Juliet.
Difalco was so outraged by her husband that she lost her trust and confidence and that made her life to change. She decided to live the life that her husband was used to, and do stuff that misrepresent herself as a mother and wife. In addition, Difalco crated an account because she wanted to live the live as her husband did while he was with her.
The Nurse was also responsible for the tragic ending of the play. When Romeo and Juliet met, the Nurse became their messenger. She helped them be together even though she knew Romeo was a Montague and that Juliet's family would disapprove. The Nurse brought news to Juliet from Romeo telling her to sneak out so they could get married. She helped Juliet get out of her house by bringing her a rope ladder to climb off her balcony with and telling her parents that she went to shrift. The Nurse kept Romeo and Juliet's marriage a secret from the families. When Juliet's parents said she should marry Paris, the Nurse agreed and said that Juliet should forget about Romeo because he was in Mantua. With the Nurse no longer on her side she had no one to help her and back her up but the Friar. In this way she had a large impact on the terrible ending of Romeo and Juliet.
The nurse acts as a parental figure to Juliet, where she cares for her as if Juliet is her own child, and gives advice and help whenever she is in need for it. The nurse believes that Juliet is still gentle and young, therefore is always on the look out for Juliet, making sure she doesn 't get hurt. The nurse 's motherly love is highlighted primarily when, lack of love is shown between Juliet and her mother. Lady Capulet is shown to be neglecting love towards Juliet. This is seen in Act 1 Scene 3, when Lady Capulet sent The Nurse out and they immediately calls her back in as the Nurse knows Juliet so well. “Nurse come back again”. The strong relationship between The nurse and Juliet is so strong, that the Nurse knows Juliet better than her mother. Another factor showing the lack of love is when Juliet uses the word ' 'Madam ' ' formaly towards her mother. This points out that there is no real relationship towards Juliet and Lady Capulet; the only relationship between them is blood and name. Shakespeare portrays a distant and cold relationship between Juliet and lady Capulet. This is juxtaposed with the affectionate and loving relationship between the nurse and Juliet. The nurse helps Juliet to be with her love Romeo, even after knowing they are from feuding families. The Nurse being a Capulet servant has to side with Juliet’s father when she tells her to marry Paris “I think it best you married with the
In this essay, I will contrast and compare the two art movements, Impressionism, and Post-Impressionism. I will be concentrating on the works of the two leading artists of these styles Claude Monet and Vincent van Gogh.
In this essay, I shall try to examine how great a role colour played in the evolution of Impressionism. Impressionism in itself can be seen as a linkage in a long chain of procedures, which led the art to the point it is today. In order to do so, colour in Impressionism needs to be placed within an art-historical context for us to see more clearly the role it has played in the evolution of modern painting. In the late eighteenth century, for example, ancient Greek and Roman examples provided the classical sources in art. At the same time, there was a revolt against the formalism of Neo-Classicism. The accepted style was characterised by appeal to reason and intellect, with a demand for a well-disciplined order and restraint in the work. The decisive Romantic movement emphasized the individual’s right in self-expression, in which imagination and emotion were given free reign and stressed colour rather than line; colour can be seen as the expression for emotion, whereas line is the expression of rationality. Their style was painterly rather than linear; colour offered a freedom that line denied. Among the Romanticists who had a strong influence on Impressionism were Joseph Mallord William Turner and Eugéne Delacroix. In Turner’s works, colour took precedence over the realistic portrayal of form; Delacroix led the way for the Impressionists to use unmixed hues. The transition between Romanticism and Impressionism was provided by a small group of artists who lived and worked at the village of Barbizon. Their naturalistic style was based entirely on their observation and painting of nature in the open air. In their natural landscape subjects, they paid careful attention to the colourful expression of light and atmosphere. For them, colour was as important as composition, and this visual approach, with its appeal to emotion, gradually displaced the more studied and forma, with its appeal to reason.
The Nurse’s job is take care of Juliet and raise her; however, upon learning that Juliet is romantically involved with their family’s enemy, she doesn’t provide any form of counsel to Juliet.” I must another way, To fetch a ladder by the which your love Must climb a bird 's nest soon when its dark.” (2.5.77-79). The Nurse aides Romeo by telling him a way to Juliet’s room showing her approval of the relationship. She did not provide any form of counsel to Juliet or inform Capulet or Lady Capulet about Juliet’s relationship. Due to the fact that the Nurse does not do her job and doesn’t tell Juliet to end her relationship with Romeo, it caused this ill-fated relationship to continue. To add to the issue, the Nurse later betrays Juliet when Juliet begs her for help. “I think you are happy in this second match, For it excels your first, or, if it did not, Your first is dead, or 'twere as good he were, As living here and you no use of him.” (3.5.226-238). The Nurse goes against her previous actions and expects Juliet to forget about Romeo by dispraising him. Juliet wants to remain faithful to her husband and this betrayal along with Capulet’s ultimatum causes Juliet to act hastily and want to die if she wasn’t with
Janson, Harry W. History of Art. 5th Ed. New York: Harry N. Abrams, 1995. Print.
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