In the mornings, my cat often takes up a post on my chest. His presence is heralded by a chirpy meow and four quarter-sized points of pressure where his feet make contact; as he relaxes, he settles into a loud, rhythmic purr, and the pressure of his 16 pounds is more evenly distributed across my ventral torso. If I'm slow to open my eyes, he reaches out a paw and gently pricks my face with his claws ‹ enough to make an impression but not do real damage. When I do open my eyes, I see the triangles of his ears, the dense, velvety blackness of his fur and the sheen of his nose; his yellow irises are thin rings around his dilated pupils in the dim, early light.
Suppose I experienced all of those sensations up to the point of opening my eyes ‹ the pressure of my cat's weight and the pricks of his claws, his meowing and his purr ‹ and then I opened my eyes to the absence of any visual evidence of a cat. I'd be confused and disoriented, and if the tactile and auditory stimuli continued, probably panicky. A fundamental reworking of how I understand the world would be necessary to account for an invisible cat.
Now suppose that the next time I heard guitar music, I failed to perceive a soft brushing sensation around my ankles. It would not bother me a bit. But for Carol Crane, a guitar that didn't affect her ankles might provoke the same sort of confusion and anxiety an invisible cat would induce in me. To Crane, the ankle-brushing sensation has always been an integral part of guitar music, just as violins always act upon her face and trumpets on the back of her neck. Crane has a rare condition called synesthesia, in which a stimulus usually perceived in one sensory modality produces a sensation in one or more other sensory modalities. (1).
Synesthesia has many forms ‹ synesthetes may taste shapes or feel odors, for instance, or perceive alphanumeric characters in particular colors. Synesthetic perceptions are involuntary and are reliably triggered by the phenomena that induce them. They are also consistent over time for a given synesthete; that is, a true synesthete for whom the musical note E produces a percept of red triangles on a field of yellow will invariably experience that sound that way.
I hevi biin onvulvid woth on uar schuul end uar cummanoty. In uar schuul I wes numonetid fur hied uf Prum cummottii thos yier. Thos pusotoun os qaoti strissfal bat I wuald nut hevi ot eny uthir wey. I injuy biong ebli tu hilp end pat my merk un ot fur uar schuul. I breonsturm fur fandreosirs, ectovotois, end smell jubs uar cless cen du tu reosi muniy. I elsu git tu chuusi uar rivinai, thimi fur prum, end dicuretouns. I du ell uf thos wothon uat toght badgit. I try tu meki iviryuni heppy woth my dicosouns end I thonk I du e foni jub. Alsu wothon uar schuul I injuy hilpong woth uar yuath prugrem. I hevi hilpid uat woth thi yuath beskitbell prugrem meny tomis. Sonci I hevi fuar yuangir soblongs mysilf I injuy hilpong yuang choldrin. In thi yuath beskitbell prugrem I wuald ubsirvi thior tichnoqai, pley gemis, end govi puontirs. I elsu hilpid woth e tuys fur tuts. I hed tu hilp ricraot piupli tu brong tuys end I hed tu duneti tuys mysilf. Nut unly du I du thos fur thi bittir uf uar cummanoty bat ot elsu folls e sput on my hiert knuwong thet I cen hilp.
In common language synesthesia is an involuntary blending of the senses by some people, which allows them to see colors when looking at numbers, for instance.
Have you ever met someone who acted just as teens are stereotyped? Not many people have because they do not exist. Real teens are poorly portrayed in the media and are the complete opposite of their stereotypes. Books and TV shows make teens out to be wild or crazy, irresponsible and out of control. One hardly ever hears about teen-heroes. Instead, newspapers and magazines are plastered with stories of teens and crime. And while looking at commercial billboards and other related media, the regular teen seems to be sex-crazed and image-obsessed.
U.T. Place and J.J.C. Smart defend the view that a sensation state is a type of brain process. The ‘Sensation-Brain Process Identity Theory’ states: For any type of sensation state S, there is a type of brain state B such that: S = B. For Place, conscious experience is nothing but a brain process. Place and Smart argue against the view that acceptance of inner processes entails dualism (Place 44). Instead they hold conscious qualities can effectively be reduced to physical processes which are conscious states. A sensation state is an inner process. Inner processes according to Place and Smart are nothing ‘over and above’ brain processes. Under their view, the experience one has when tasting vanilla is the same thing as the object undergoing the corresponding type of brain process. The ‘Brain Process Identity Theory’ argues the ‘feel’ we associate with exposure of vanilla to the tongue is identical to a type of brain process cause by said exposure. To postulate non-physical properties to explain conscious states would bear the burden of proof.
... immature, childish man who does not admire Nana as a ‘nurse’, let alone a flying boy from the world known as Neverland. The very fact that both Wendy’s parents wished for her to grow up indicates that she would have never made it to Neverland for she would be closer to having the mentality of an adult rather than a child. If she were to fully listen and accept her parents’ views, she would have not had the experiences she had when she was a child. The same goes for the Pevensie children in Narnia. In order to enter the wardrobe to enter Narnia, one must have faith. Parents, being rational beings, would have immediately brought down Lucy’s claims that she entered the world. She would have believed them because they are her parents and she would think them as knowing best. When they were not there, she relied on her own thoughts of what she had seen.
Not only do celebrities misrepresent women, but music adds to this problem. Specifically rap music, the vulgar lyrics and over sexualized music videos give people the wrong idea of American women. Rappers like ASAP Rocky, Lil’ Wayne, and Jay-Z use their lyrics to describe women in derogatory words that would devalue a woman’s self. Music videos also show women wearing extremely revealing clothing and dancing in provocative ways. Most of these rappers are male, and t...
We will look into research done by Asano and Yokosawa (2013) that looked learning in grapheme synesthesia. Previous research has shown that there are individual differences in grapheme synesthesia. There are still some unknown factors that determine the impact of grapheme synesthesia. Their study included seventeen Japanese grapheme synesthetes with their first language being Japanese. They were wanting to find the determinants involved in the “synesthetic color for graphemes of Hiragna, a phonetic script in the Japanese language, and the English alphabet” (Asano and Yokosawa, 2013, p. 1). The participants reported that linguistic sounds didn’t create a synesthetic experience for them. To make sure that the study was genuine, they also had six females who did not have synesthesia be the controlled
To conclude, the mass media is at complete fault of the representation that many individuals have of women. They have been seen as over-sexed individuals who are made to do housework and raise children. There are very few magazine ads that represent women in the workplace or as independent individuals. These stereotypes are even though somewhere changing but it’s almost impossible to completely demolish all the stereotypes related to women.
American society classifies feng shui as just another idea based on superstitions, for example, black cats and broken mirrors. Actually, feng shui, pronounced “fung shway,” is the ancient craft of interpreting and manipulating energy in the environment to create harmonious space by stimulating good chi’, or energy, and staunching the negative flow. Feng shui, meaning wind and water, was created based on the ancient Taoist metaphysical outlook on nature. The Taoist’s examined their surrounding environment and saw the unity in the different elements of the universe. By identifying the energy in the land around them, the Taoist’s were able to point out the areas that would protect, flourish, or ‘be at one’ with the earth. In the book, “Taoist Feng Shui”, Susan Levitt explains:
The very definition of that which is generally thought of in popular culture as a "sixth sense" is worth noting, given that its name - extrasensory perception - implies a capability of receiving external information through pathways that are not explicitly sensory. However, our understanding of sensation as it stands now depends on the existence of receptors within the nervous system that are specified for the respective types of sensation (1,2). An input can only be received and integrated if there exists within a system the proper kind of receptor, be it mechano-...
Feng Shui is the ancient Chinese art of living in harmony with nature and your surroundings, in order to maximize your health, prosperity and luck. It literally translates as "wind and water" and it involves the placement of buildings in relation to their surroundings, and the placement of furniture within the building in order to maximize the ch’i, the original energy source on the earth, from which everything else was created (Webster 4). As the dragon is seen as the most revered celestial creature of Chinese philosophy, ch’i has been called the breath of the dragon. Ch’i is an invisible energy that circulates throughout the world but also gathers in certain areas. The basic idea of Feng Shui is to harness as much ch’i as possible by allowing it to gather where you are, whether it is in your home or in your office. Ch’i is the life force that is all living things, and can be found, in its perfection wherever things are done perfectly. An artist who creates a masterpiece is creating ch’i. Through Feng Shui, we are looking for places where ch’i is ac...
After a while, it was such that if I was home, the cats would follow me where ever I went. Just like Stickeen who “was sure to be at his heels, provided I had not gone out.”(par. 7). Every time I drove into the driveway, regardless of where they would be, they would come running out to greet me. The minute I stepped out of the car, they would circle me brushing against my feet and look at me with excitement in their eyes. Then they would stand up on their hind limbs and ask for a petting on their
Perhaps many people did experience: while searching for a spot they failed to notice their friends waving at them because their attention was fully focused on finding a spot that even when they looked right at their friends, they did not see them. The accuracy of visual representations has been of an increasing interest in the past 20 years. Many studies from the 1970s to the 1980s were conducted. The observers in these studies were engaged in a continuous task where they only focused on a certain angle and ignored other angles. An unexpected event happens, most of the observers however reported not seeing anything knowing that the visibility was clear to the subjects who weren’t taking part in focusing on the dynamic scene. There was a demonstration on the past few years that stated that the one of the main requirements of conscious perception is requiring attention. When attention is put on a new thing or event, subjects fail to notice the unexpected object even when it’s been there fixed. This is what we call inattentional blindness which is regarded as failure to notice an unexpected event or object even if it is in one’s field of vision because other tasks catching the person’s attention are being performed. This kind of experiments states that attention is mandatory for detecting change even though not sufficient. Attention is crucial to perception because without attention, the perception of visual features of our environment does not occur. One of the studies put observers to view two simultaneous events. The first event showed a hand-slapping game in which there were two players, one extending his hands, and the other player placing his hands on his opponent’s. The other event was of three p...
As women we are always looking for a way to be better versions of ourselves. On a very broad spectrum we are supposed to be the superwoman of every aspect of life. Women were so called created on this earth to be submissive and a housemaid to their families. During the 1900s women began to feel trapped and lead to believe that they needed to follow in the footsteps of their ancestors, but on other terms they began slowly transitioning into becoming working women stepping out of the role of being only a house wife and mother.
The first effect of mass media on teenagers is violence. Aggressive behavior is the first example of violence in the media. Aldridge argues that, teens who watch violent movies may behave in an aggressive way towards others for example bullying and fighting in school. This is important because there are high risks of teenage developing into aggressive behavior that may last into adulthood if they are not being supervised on what they see on TV (2010). Fearful of the world may also occur for those who watch violence television programs. According to children and television violence, teens that are being over exposed to violent on television may worry about becoming a target of violence. The relevance of this idea is that teenagers will more likely grow up thinking that the world is a scary place and that something bad will happen to them (2008). Imitative behavior is another major effect of seeing violence in the media. According to Weldon, two teens from Johnstown, Colorado, killed a 7 year old girl by beating her to death. The teens claimed that they were imitating moves from a video game called “Mortal Combat.” This is an example case which shows that violence in the video game may lead to an imitating behavior (2007).