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Man or Monster in Camus’ The Stranger (The Outsider)
In Albert Camus’ absurdist novel, The Stranger, Meursault’s detachment from society and his killing of the Arab reveal moral and ethical implications for him and his society. As is common in many absurdist novels, Camus discusses the estrangement - and later development - of an individual in a benign and indifferent universe, one in which conformity prevails. Camus not only satirizes the conformity of society, but religion and the legal system as well. By writing in the first person (from the standpoint of Meursault), he draws in the reader, making the evils of society more prevalent.
The conflict is established at the end of Part I, when Meursault kills an Arab; an action not uncommon in Algiers during this period of social unrest (the 1930’s). He does not do it intentionally, but rather because of the intensity of the moment and the blinding sunlight reflecting off of the Arab’s blade. The fact that Meursault kills an Arab is of little importance in this novel. The jury and the general population despise him because he is different, not because of the murder. Even Meursault’s lawyer predicts that the punishment will be minimal. Throughout the entire trial, the prosecution stresses Meursault’s lifestyle and his indifference to everything. They bring up his mother’s funeral and say that he showed no signs of emotion. To make things worse, he went to a Fernandel comedy and had sex with Marie on the very next day. The prosecutor once states, “...all I see is a monster.”
It is true that Meursault was different from the rest of society. However, he changes throughout the trial and eventually becomes an existentialist hero. This is because he finds meaning in life. It is ironic, though, that he learns to appreciate life after his is effectively over. His apathetic approach to life is made clear from the first page: “Maman died today. Or yesterday maybe, I don’t know.” This foreshadows his approach to everything else in the book. His indifference to Maman’s death contrast’s significantly to Salamano’s distress at losing his dog. Many of the characters in this book also function to highlight his qualities through contrast.
At the end of the book, after coming to a realization, Meursault does not want to die and for the first time, he shows emotion. He shakes and screams at the chaplain and says, “It was the first time in my life I wanted to kiss a man,” when Celeste speaks up for him at the trial.
Her goal was to move, not dance. She challenged the notions of what a quote on quote “female dancer” was and could do. Dance to her was an exploration, a celebration of life, and religious calling that required an absolute devotion (pg. 11, Freedman). She considered her dancers “acrobats of God”. An example of a dance which symbolized the “essentialized” body was Martha Graham’s Lamentation, choreographed in 1930, which served as an expression of what person’s grief, with Graham as the solo dancer in the piece. The costume, a tube-like stretchy piece of fabric, only allowed her face, hands, and feet to be seen, and, as Graham stated, “The garment that is worn is just a tube of material, but it is as though you were stretching inside your own skin.” In the beginning of the piece, she started out by sitting on a bench with her legs wide spread and arms held tight. Her head was going back and forth as if she was feeling sadness or maybe replaying thoughts in her head. By the way she was holding her hands so tight and close to her body, it symbolized the deep pain within her––the essence of her piece was grief, and she danced it from inside out. Russel Freedman, the author of Martha Graham A Dancers Life, stated, “She did not dance about grief, but sought “the thing itself”- the very embodiment of grief (p. 61).” Graham, dancing with strength and power, was encapsulated with her movement and was completely surrendered
... his mother and the idea of God which is again supported by his close relationships. Those relationships are with people who don’t believe in a higher being or who show no true morals. Camus accommodates white with many objects and people, yet purposely excludes Meursault and refers to him as dark. All of these techniques show Meursault as a nonreligious man with potential to harm without remorse. This leads up to his interaction with light where he feels uncomfortable just as he does with God. Meursault’s history and personality lead up to the murder of the Arab, the distraction of the light, and in the end, accusing God, “the light”, for his criminal behavior. Human nature needs moral standards or the world would be as corrupt as Meursault’s life.
Since he cares little for the affairs of the world, claiming they do not mean anything, then justice—a major concern of the world—also means nothing to him. His actions both before and after his decision to kill a man without provocation demonstrate his apathetic view of the world, and his indifference to justice. Therefore Meursault’s search for justice, culminated by the court’s decision to execute him, remains an example to all of the inability of society to instill justice in criminals. Meursault’s perpetual refusal to acquire a sense of morality and emotion instigates skepticism in all who learn of his story of society’s true ability to instill justice in the
Meursault resists being typecast into an archetypal moral category in many of his deeds and actions. Many of his actions in Part One of the novel help contribute to the fuzzy picture of the character. For example, at his mother's funeral, Meursault does not cry or weep in the typical mourning fashion, but rather sleeps during the vigil and entices one of the other mourners present to smoke a cigarette with him. This would be typically considered "evil" behavior, in the context of the story. He could easily been seen as disrespectful and seditious toward his mother and the established procedures of mourning, which seem to be fairly definite at that era in France. However, this "evil" mold can easily be shaken if one considers that Meursault may be more shaken than anyone else present at the funeral. Considering the other events in the novel, it seems as though he does not have a large capacity for emotion. Based on this, it is not unreasonable to assume that the events leading up to and including his mother's death may have overtaxed his limited scope of emotion, and he was therefore nearly incapable of mourning in the "normal" or expected way for his mother, but rather had to resort to his own, more c...
While coming to terms with the absurd was a gradual process for Meursault, his final days and his heated conversation with the chaplain, and his desire for a hateful crowd of spectators show that he was able to accept the absurdity, and revel in it, finding satisfaction in spite of those around him and justifying his murder. His ego had reached an all-time high as he neared his execution, and his satisfaction left him prepared for the nothingness awaiting him. This process was a natural psychological response to his mortality, for his peace of mind. Therefore, Meursault is not the Stranger, an alien to society, but a troubled man seeking meaning and satisfaction in a life and a world that was overwhelming unsatisfactory and absurd.
"Uzbekistan: The Andijon Uprising." - International Crisis Group. N.p., n.d. Web. 28 May 2014. .
...immediately gives an impression of a lack of emotion towards the demise of his mother. This lack of emotion highlights the existentialist ideal that we all die, so it doesn't matter what life we have while we are alive. We simply exist, as did Meursault. It becomes apparent, as the novella unfolds, that Meursault has acquired an animal like indifference towards society. His interactions with his neighbour Raymond are an example of his indifferences. It never dawns upon Meursault that society does not condone his interactions with the pimp, avoided by his community. Meursault simply acts to fill his time. Being a single man, he has a lot of time to fill, and finds the weekends passing particularly slowly.
... mother, he does not react in a way most people do. He does not cry but instead accepts what has happened and realizes that he can not change it. He goes back and does physical things he would do on a normal day. When the caretaker offers him coffee, he accepts it, he smokes a cigarette and has sex with a woman he just met. Meursault also does not lie to escape death. He refuses to conform to society and lie. He would rather be seen as an outsider than do something that he does not believe in. Finally, Meursault, will not believe in G-d or Christianity just because it is the only thing to turn to before he is put to death. When Meursault decides not to cry at his mother’s funeral, he accepts himself as an outsider. When he is considered an outsider, it does not matter if he is guilty or innocent; at the end of the day he guilty just for being different.
During the first half of the novel, we see many examples of Meursault’s freedom and how he exercises it. He does what he wants, when he wants to with no regard to how he affects the people around him. Meursault lives his life with no restrictions. He is his own boss. Relaxed and free.
There are four sources of Law in the Australian Legal System. They are Statute Law, which is made in Parliament, Common Law and the Law of E...
Meursault’s apathy towards his mother’s death, his girlfriend, Marie Cardona, and the Arabic man symbolize a cruel French colonist. The first sentence of “ The stranger”, “Mother died today. Or, maybe, yesterday; I can’t be sure”(4), appalls reader by showing Meursault’s unconcern about his mother’s death date. At the funeral, Meursault behaves indifferently which contrasts with the old Perez, “who put on and put off his hat again and again”(11). Conversation between Meursault and his girlfriend also shows Meursault aloofness. “Marie came that evening and asked me if I’d marry her. I said I didn’t mind; if she was keen on it, we’d get married. Then she asked me again if I loved her. I replied, much as before, that her question meant nothing or next to nothing- bu...
This ideal destroys the very purpose of the trial, which seeks to place a rational explanation on Meursault’s senseless killing of the Arab. However, because there is no rational explanation for Meursault’s murder, the defense and prosecution merely end up constructing their own explanations, which they each declare to be the truth, but are all based on false assumptions. Therefore, the prosecution itself is to be viewed as absurd. When the prosecutor asks Perez if “he had at least seen [Meursault] cry,” he tries to persuade the crowd that Meursault is without feeling (91). The prosecutor then further turns the crowd against Meursault when he asks him about his “liaison” with Marie right after his mother’s death. The prosecutor remarks “indifferently that if he was not mistaken, that was the day after Maman died” (93). Though the liaison with Marie and the lack of emotions at Maman’s funeral may seem unrelated to Meursault’s killing, the prosecutor effectively convinces the crowd that they are in fact intertwined. The jury convicts Meursault not because he killed a man, but because he didn't show the proper emotions after his mother died. Despite hearing Meursault’s own thoughts ...
First of all, children that go through the adoption process may experience some sort of self-esteem issue. Ripa Ajmera reports that most children “ after learning about being adopted they may feel a sense of grief, rejection, or abandonment.” This has a major effect on the child’s overall behavior. Children at a such a young age should not have to deal with such insecurities! When a child becomes aware that they were adopted and what that entails, as to them having been given up by their biological parents for whatever reason, the curiosity of a young child will develop such a deep, permanent idea of something is wrong with them. Ajmera also states that “They [the child] may wonder why they were put into adoption, and whether something was wrong with them when they were born to be undesired.” Again we can see that this mindset for a child can become very destructive to their self esteem. Also, since they are at such a fragile age where they are so dependent upon others opinions, anything believed by others is seen as concrete knowledge. Ajmera continues with “And as a result they [the child] may suffer an extreme lack/ or loss of identity.”Identity loss is the main symptom of self esteem issues. Children typically tend to look to their parent or guardian of the same ge...
Shohov, T. (2003). Medical use of marijuana: Policy, regulatory, and legal issues. New York: Nova Science Publishers.
Meursault is distant from set plans, ambitions, desires, love, and emotions in general. He has a difficult time with emotions such as regret and compassion. The reader sees the nature of his personality in the first few lines of the novel: "Maman died today. Or yesterday maybe, I don't know." When he hears of the death of his mother through a telegram, he is unattached, and can be considered uncaring.