In the concluding paragraph of "Young Goodman Brown," Hawthorne uses the forest experience to its fullest effect, moving Brown through another series of separations to the ultimate separation, from life itself. To some critics, in fact, the concluding paragraph itself has seemed a separation, breaking the neat circularity of Hawthorne's plot, moving in linear fashion through time from Brown's figurative death at the threshold of his house to his literal death at the threshold of the grave. Yet I agree wholeheartedly with Richard Abcarian, though for different reasons, that the paragraph is not anticlimactic, a digression, an example solely of Hawthorne's penchant for heavy moralizing, or a violation of the neatly unified circular form [Abacarian, "The Ending of 'Young Goodman Brown'," Studies in Short Fiction III, No. 3, Spring 1966].
First, the paragraph is replete with echoes, especially verbal echoes, which tie it to incidents in the forest experience while the effect of that experience reaches its highest peak. That Goodman Brown has become permanently stern and sad as a result of his one night in the forest is linked to his stern and sad look into Faith's eyes on his return, and is further linked, ironically, to the soft and sad plea she whispered into his ear on his departure. That Brown has become "darkly meditative" contrasts his "pleasant and praiseworthy meditations" after the meeting with Goody Cloyse. The "anthem of sin" that he henceforth hears at Sabbath service in the meeting house corresponds to the "dreadful anthem" swelling out of the forest at the beginning of the Black Mass. The blessed strain of the holy psalms is "drown...
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...es the terrible beauty of Brown's position between two worlds. The evil process in the forest has disqualified Brown from relation with the "goodly procession" which follows him. He must live in the village with the sight of the forest, till death calls him. In the symbolic terms of the story, Brown literally has no place else to go, and even death provides no escape. Hawthorne treats Brown's death neither as the time of triumph for the godly, nor as the time of the solace of annihilation for the tortured; and his sonorous but studiedly objective language here simply does not encourage emotional commitment. So, gloom inevitably has the last word.
Works Cited
Edward J. Gallagher, "The Concluding Paragraph of 'Young Goodman Brown'," in Studies in Short Fiction, Vol. XII, No. 1, Winter, 1975, pp. 29-30. Reprinted in Short Story Criticism, Vol. 29.
Hawthorne, Nathaniel. "Young Goodman Brown." The Compact Bedford Introduction to Literature. Ed. Michael Meyer. 5th ed. Boston: Bedford/St. Martin’s, 2000. 268-276.
...ssed though the use of setting, foreshadowing, and symbolism. William Graham Sumner once said “Men never cling to their dreams with such tenacity as at the moment when they are losing faith in them, and know it, but do not dare yet to confess it to themselves.” (brainyquote.com). This statement holds many truths to the thoughts and actions of the young Goodman Brown in Hawthorne’s allegorical story. Brown was quick to go on his foreboding quest, knowing what his meeting with the devil may lead to, and only when threatened and scared attempted to turn back to hold on to both Faith physically and psychologically. Whether his journey into the forest was an illusion or not, Brown’s perception of faith in society have been dramatically altered, as he may have lost all faith in humanity.
2.) Hawthorne, Nathaniel. "Young Goodman Brown". printed in: A Handbook of Critical Approaches to Literature: Fourth Edition. Editors Wilfred L. Guerin, Earle Labor, Lee Morgan, Jeanne C. Reesman, John R. Willingham. Oxford University Press, Oxford. 1999.
In "Young Goodman Brown," Nathaniel Hawthorne, through the use of deceptive imagery, creates a sense of uncertainty that illuminates the theme of man's inability to operate within a framework of moral absolutism. Within every man there is an innate difference between good and evil and Hawthorne's deliberate use of ambiguity mirrors this complexity of human nature. Hawthorne's Young Goodman Brown, is misled by believing in the perfectibility of humanity and in the existence of moral absolutes. According to Nancy Bunge, Hawthorne naturally centers his story upon a Puritan protagonist to convey the "self-righteous" that he regards as the "antithesis of wisdom"(4). Consequently, Young Goodman Brown is unable to accept the indefinable vision of betrayal and evil that he encounters in the forest. The uncertainty of this vision, enhanced by Hawthorne's deliberate, yet effective, use of ambiguity, is also seen in the character of Faith, the shadows and darkness of the forest, and the undetectable boundaries that separate nightmarish dreams from reality.
The first reason for the Spanish American War was public opinion. In 1895, American citizens took notice of a Cuban revolt against their corrupt Spanish oppressor. The Cuban insurgents reasoned that if they did enough damage , the US might move in and help the Cubans win their independence. Not only did Americans sympathize with the Cubans upon seeing tragic reports in the newspaper, but they also empathized in that the US once fought for their own independence from Britain. If France didn’t intervene, the Americans probably would not have won their freedom. As if this did not rally enough hate for the Spanish among the American Public, fuel was added to the flame by the Spanish General (“Butcher”) Weyler. He attempted to crush the rebellion by herding Cubans into barbed-wire concentration camps. In turn, the American public was outraged.
The main characters in Hawthorne's story "Young Goodman Brown" are Goodman Brown, his wife Faith and the stranger who accompanies Goodman Brown in the forest. At the beginning of the story Brown is bidding his wife, Faith farewell at their front door. Taking a lonely route into the forest, he meets an older man who bears a fatherly resemblance to both Brown and the Devil. Later that night Brown discovers to his amazement, that many exemplary villagers are on the same path including, Goody Cloyse, a pious old woman who once taught him his catechism, but who readily shows that she certainly knew the Devil and practiced witchcraft. With Brown still confident that he could turn back, his older companion departs, leaving behind his curiously snakelike staff and fully expecting that Brown would follow.
It is impossible to fairly analyze Nathaniel Hawthorne's short story, "Young Goodman Brown" around a single literary approach. American novelist, essayist, and poet, Herman Melville, once wrote about Hawthorn's short story that it over time, like wine, it only improves in flavor and body (The Life and Works of Herman Melville). Hawthorne's short story continues to get better with age, and carries today's readers into a world filled with a plethora of meanings for them to pick from its symbolism. Modern readers have interpreted the meaning of Goodman Brown's experience in many ways, but to pigeon hole the story into one view would destroy its veracity.
In the story “Young Goodman Brown” by Nathaniel Hawthorne there is symbolism all throughout the story. Symbolism can be defined as the use of symbols to represent ideas or qualities. Hawthorne uses symbolism to describe a young man who reluctantly leaves his world of innocence and realizes that evil and darkness is in his world.
It is important to recognise the main features that affect a business in view of the macro and micro-environmental factors.
Hawthorn, Nathaniel. "Young Goodman Brown" The Norton Anthology of American Literature. Vol. I. Shorter Seventh Edition. Ed. Nina Baym. New York: W.W. Norton and Co., 2008. 620-629. Print.
Unikoski, Ari. “The War in the Air - Summary of the Air War”. First World War.com. 2009. http://www.firstworldwar.com/airwar/summary.htm
Booth, Bramwell. 1925. Orders and regulations for officers of the Salvation Army. London: International Headquarters.
Clean Air and Water, Green Products. (April 20, 2009). In BIO. Retrieved December 29, 2013, from http://www.bio.org/node/517.
Hawthorne, Nathaniel. "Young Goodman Brown." The Norton Anthology of American Literature. Ed. Nina Baym. 7th ed. New York: W. W. Norton and Company, Inc., 2007. 1289-98. Print.
Although still in its, infancy, virtual reality will have a substantial effect on our future way of life. Virtual reality already has made astounding progress in the world of commercial design, and it is predicted to have a tremendous impact on everyday life as well. Virtual reality, when more available, will have various uses ranging from recreation to basic communication. The applications of virtual reality into different fields of occupations and research will have both positive and negative effects on our society.