Margaret Atwood’s Surfacing – Is the Film More Absurd than the Novel?
Surfacing, starring Joseph Bottoms, is not only an astute interpretation of Atwood’s work, but it is also a marvellous film in itself. Yes, marvellous. Certainly, it does justice to Atwood’s portrayal of substanceless women, but if it has any clearly defined themes, they are lost on the audience. What more could an audience want but a film that is incoherent and that is filled with vivid imageries?
A woman dancing half-naked with a maggot-infested heron. A deadly fight breaking out because someone pipes up, "You play as well as you shoot?" The narrator searching for rock paintings. These fragments make up the backbone of this film and yes, they are shown in the proper sequence, unlike Margaret Atwood’s novel! No more pieces of information surfacing at unpredictable points in your mind, no further need to decipher the narrator’s invented past, and best of all, no need to agonize over the narrator’s painful process of finding her authentic self. In the film, the narrator is given a name, Kate. She is now more tangible, unlike Atwood’s narrator. Everyone knows that tangibility is what makes a piece of work great. At any rate, the film does a great job of stripping everything down to their essentials. Why make you plod through Atwood’s depiction of the tensions that exist between the French and the English? Just remove all that political nonsense! Why create suspense about the truth behind the narrator’s father’s drawings? Remove this as well, for it is a waste of time! Film viewing time is better spent on David and Anna’s preoccupation with sex, after all.
Now, be forewarned: Relationships in the film have taken a different route from that of Margaret Atwood’s novel. "Kate" and her boyfriend Joe exchange many a word in the film, and they know one another well. Joe is easygoing and he even romps with David. In Atwood’s Surfacing, Joe is quite a different character. He is quiet and sullen, and he does not even like having the narrator look at him! Being unmarried is looked down upon in this little town, but in the film, when Evans sees "Kate" and Joe together, disapproval is apparent, and Evans comments on how Kate is "growed (sic) up and married." Of course, it may be suspicion on Evans’ part, but one cannot be sure. The most important discovery that the narrator makes in Atwood’s Surfacing is the discovery of her authentic self – the discovery that she needs not be a victim of her false self.
The play begins with a grand celebration, in which the characters toast to the New Year. Agnes admits that she feels relatively safe living at Berlin at this time, and the group decides to make up a story together. They story is of a cold night and a watchman who tries to beat nature by fighting back and arming himself with a warm coat and scarf. At first he succeeds, but later finds that even his coat and scarf are
The narrator in the story “Miss Brill” by Katherine Mansfield, is telling us this story in the third person singular perspective. Our narrator is a non-participant and we learn no details about this person, from a physical sense. Nothing to tell us whether it is a friend of Miss Brill, a relative, or just someone watching. Katherine Mansfield’s Miss Brill comes alive from the descriptions we get from this anonymous person. The narrator uses limited omniscience while telling us about this beautiful Sunday afternoon. By this I mean the narrator has a great insight into Miss Brill’s perceptions, thoughts, feelings, and into her world as a whole, but no real insight into any of the other characters in this story. By using this point of view, we see the world through the eyes of Miss Brill, and feel her emotions, even though this third party is telling us the story. This beautiful fall afternoon in France unfolds before our eyes because of the pain-staking details given to us by the narrator. We aren’t told many things straight out, but the details are such that we can feel the chill coming into the air and see the leaves of fall drifting to the earth. The figurative language that is used is superb from beginning to end. The imagination and detail made me see what was happening and hear the band play. The characters in the park are observed through the eyes of Miss Brill, and we learn bits of information of those who catch her eye. The detail of the observations that Miss Brill ma...
In Laura Mulvey’s “Visual Pleasure and Narrative Cinema”, she presents a number of very interesting facts regarding the ways that the sexual imagery of men and women respectively are used in the world of film. One such fact is that of the man as the looker and the female as the looked upon, she argues that the woman is always the object of reifying gaze, not the bearer if it. And “[t]he determining male gaze projects its fantasy onto the female figure, which is styled accordingly. In their traditional exhibitionist role women are simultaneously looked at and displayed, with their appearance coded for strong visual and erotic impact so that they can be said to be connote to-be-looked-at-ness” (487). Mulvey makes the claim that women are presented and primped into this role of “to-be-looked-at-ness”. They are put into films for this purpose and for very little other purposes. However, this argument cannot be incorporated with The Treasure of the Sierra Madre; the existence of women in the film is extremely insignificant to an extent that could be considered absent. “In a world ordered by sexual imbalance,” male serves as the dominant figures with which the viewer can identify, women only appear in the film for a very short moment of time. For instance, the appearance of women is only shown when Howard rescues the ill child in the village and his return to the village for hospitality reception...
A stereotype is a trap, a cage, which restricts individuals to one identity. Once a stereotype is created, it is hard to overcome and leaves traces of prejudice. In agreement with Alicia Ostriker’s The Thieves of Language: Women Poets and Revisionist Mythmaking, Margaret Atwood’s poem “Siren Song” is a reach out for women to express feelings on gender discrimination without coming across in a way that would engender negative support. “Siren Song”, is written from the perspective of a siren, in a mythological setting but with a contemporary tone, that is restricted to the stereotype of a seductress who seeks to sing men to their deaths but in reality, she wants to break free and find someone that will not fall for her song.
Next let us consider the vivid scenery depicted throughout this specimen of literature. Compared to other attempts at re-imagining this piece of literature none of them materialized virtually close to the number of scenes in this film. First, amidst the introductory we are given the scene of Lena catching the public bus transportation system home from work, affording us the opportunity to view the magnificent city on...
Effectively using these elements in a piece of literature enhances the reader’s curiosity. One prime example of such usage of these elements is seen in Kate Chopin's writing. Her use of foreshadowing and use of emotional conflicts put into few words in the short piece "The Storm" adds an element that is alluring, holding the reader's interest. In this short piece of literature, a father and son, Bobinot and Bibi, are forced to remain in a store where they were shopping before the storm, waiting for the storm to pass over them. In the meantime, the wife and mother, Calixta, whom is still at home, receives an unexpected visit from a former lover named Alicee. The two have an affair and the story starts to come together. The story shows us how we tend to want what we beli...
There are many female writers, some known better than other. Female writes most of the time focused their stories in experiences or personal point of view on what is going on around them. Other women write fiction of unusual worlds and character that people can relate to with the struggle or experiences. Margaret Atwood the “Canadian nationalist poetess is a prominebt figure concerned with the need for a new language to explore relations between subjects and society“ (Omid, Pyeaam 1). Atwood wrote her first novel called, “The Edible Woman”; this first novel categorized her as feminist, based on the main character of a strong woman. In an interview with Emma Brockes, Atwood affirms, "First of all, what is feminism? Second, which branch of it? Am I against women having rights? Actually, no. Am I really a puppet of the women's movement? No, I'm too old for that. I've been writing since 1956 and there was no women's movement in sight at the time”. Atwood does stands for women’s right but she never thought of being feminist while writing her stories. Atwood writes about strong women because just like any other female they are tired of reading about weak and submissive woman in books. Is clear that Atwood began writing before the woman movement started and that means she was ahead of her time. Atwood’s works is not just feminist her works represents her art and the way she feel about the world. Margaret Atwood is a poet, critic, novelist, and activist. Atwood’s stands for issues that trouble her and that she sees that are obstacles for her community. Through her entire writing career peoples can see that culture, science, feminism, and environment is reflected in her words and her expression to tell a story the only way she can. Her sho...
It has been said of Anton Chekhov, the renown Russian short-story writer, that in all of his “work, there is never exactly a point. Rather we see into someone’s hear – in just a few pages, the curtain concealing these lives has been drawn back, revealing them in all their helplessness and rage and rancor.” Alice Munro, too, falls into this category. Many of her short-stories, such as “Royal Beatings” focus more on character revelation rather than plot.
The major issue that runs through the film that I am going to discuss in this chapter is that there are elements of the gothic, grotesque and me...
when she says “they used to go over it as fast a possible” then later
The sexual politics of the man-woman relationship, or more specifically the sexual exploitation of women by men, is a clear concern in Margaret Atwood's "Backdrop Addresses Cowboy." Although the oppressor-as-male theme is by no means an original source of poetic inspiration, Atwood's distinction is that she views the destructive man-woman relationship as a metaphor for, symptom and symbol of, bigger things. From the vantage-point of feminine consciousness, Margaret Atwood empahsizes the "backdrop" as being not only the woman, but also the land and the spiritual life of the universe; the "cowboy" is both a man bent on personal gain (possibly an American based on Atwood's strong anti-American sentiments in her novel, Surfacing) and an emissary of technological progress.
When researching McDonald’s through online sources, it is clear that nutrition is a major concern of the public visiting the fast-food chain. Secondary research conducted shows that there are several case studies and other secondary source searches around the same topic. McDonald’s has often been the center of nutritional attention within the fast-food industry. Secondary research shows that the restaurant has recently made changes to the American Happy Meal to reduce the amount of French fries offered and replace the portion with fruit (Strom, 2011). In a study conducted by McDonald’s a secondary source reports the meal cuts calories by 20% for the children’s meal (Strom, 2011). This is a critical move by the organization on children’s obesity is currently a hot topic within food chains and attention is driven by the Obama administration. Secondary research also shows that although the public has major health concerns with the food chain, profits are increasing during a high point of an economic recession (Dahan & Gittens, 2008). Acco...
Margaret Atwood is an acclaimed poet, novelist, and short story writer. With such a variety of works in different types of writing, it is difficult to grasp every aspect of Atwood's purpose of writing. A comparative analysis of Rape Fantasies reveals the Atwood's writing is varied in many ways yet soundly consistent especially when comparing a particular set of writing such as a group of her other short stories. Atwood's background plays a large part in her writing. Atwood was born in Ottawa, Canada in 1913. Her father was an entomologist, so she spent much of her childhood in the wilderness and other various urban places around Canada. Throughout her life, she lived in numerous Canadian residences as well as several towns in the United States. She has also lived in England, France, Italy and Germany. With this extensive background, Atwood displays a vast knowledge of the world around her, although large portions of her writing are based on Canadian settings. As a young girl, she started reading many books and even writing poems and comics. After deciding that she wanted to become a writer, Atwood attended the University of Toronto and earned her bachelor's degree in 1961. Following this, she went on to receiver her master's degree from Harvard University.
Catherine Deneuve’s film roles are typically characterised by ‘a temperament at once passionate and inviolable’ (GEOFFREY HARTMAN). To what extent, and in what ways, is this manifested in any ONE OR MORE of the films you have studied on the module?
Speaker Credibility: Has anyone seen the Documentary film called “An Inconvenient Truth”? I was amazed at how the earth was rapidly changing for the worse. This is why I choose this topic, to learn more about climate changes and inform everyone here about the climate change.