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Shakespeare's Macbeth - A Tragic Hero

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Macbeth: A Tragic Hero

 

 

        The Macbeth character in Macbeth by William Shakespeare can be

played many ways.  Macbeth's relationship with other characters in the play

and Aristotle's theory of a tragedy are ways in which Macbeth is shown as a

tragic hero.

 

        At the very beginning of the play, Macbeth and Banquo are returning

to Scotland from a fierce battle between the Norwegians and the Scottish.

They have just won the war for Duncan.  This shows a noble virtue of

Macbeth, a requirement of a tragic hero according to Aristotle.  It shows

that Macbeth is a loyal person to the King and that he is a great warrior.

As they are returning to Scotland, three witches appear and make prophecies

about Macbeth and Banquo.  The three witches say “All hail, Macbeth! hail

to thee, thane of Glamis!  All hail, Macbeth! hail to thee, thane of

Cawdor!  All hail Macbeth, that shalt be king hereafter!” (A 1, S 3, 48).

Here, Macbeth is interested in what the witches have to say, but he does

not really believe them.  A few minutes later, Ross enters.  He tells

Macbeth that the thane of Cawdor is in line for death and that Duncan has

named Macbeth the new thane of Cawdor.  Now, Macbeth is absolutely shocked.

The witches prophecy has come true!  He can not believe it!  But now

Macbeth has a lot more on his mind; the third prophecy about becoming the

King.  Macbeth knows that if something were to happen to Duncan, Malcolm

and Donalbain, Duncan's sons, would be the rightful heirs to the throne.

How can Macbeth be King when he is nowhere near the next in line to the

throne?  Another requirement for a tragic hero is that he must have a

tragic flaw.  Macbeth's tragic flaw is that of ambition; Macbeth's ambition

will cause him to decline.

 

        At this point, Lady Macbeth knows all about the witches prophecies.

She really wants to be Queen of Scotland so she encourages Macbeth to do

what he has to do to get rid of Duncan.  Lady Macbeth is putting an

enormous amount of influence on Macbeth.  He thinks that Duncan is a great

King and he considers Duncan to be a good friend.  Finally Macbeth gives in

to Lady Macbeth and decides that he will kill Duncan while he is visiting

Macbeth's castle that same night.  That night, Macbeth kills Duncan.

However, afterwards, Macbeth is feeling very sorry for himself.  He can not

believe what he has just done.  His ambition has caused him to kill a good

friend and even worse, the King!  Here, Macbeth is going crazy.  He is so

crazy right now that he brought the daggers he used to kill Duncan with him

to his room.  Lady Macbeth screams at him to go back to return the daggers

but he says “I'll go no more; I am afraid to think what I have done; Look

on 't again I dare not.” (A 2, S 2, 51).  This is where Lady Macbeth takes

control and tells him that “...a little water clears us of this deed.” (A 2,

S 2, 67).  After a while, Macbeth becomes content with what he has done

especially after Malcolm and Donalbain leave Scotland for fear of their

lives.  Now, the third prophecy has come true; Macbeth is King of Scotland!

Now, all Macbeth cares about is his throne.  He does not care if he loses

his life, if he loses his wife, however if he lost his throne, he would be

devastated.  This is why he will do absolutely anything to keep the throne,

and this is why he ultimately will hire murderers to kill Banquo and will

kill Macduff's family himself.

 

        Banquo and Macduff are the only characters in the play that are

suspicious of Macbeth.  Macbeth knows this so he decides that they need to

be killed.  Macbeth also wants Banquo and his son dead because of the

witches prophecy that Banquo's sons will become Kings.  He hires three

murderers to kill Banquo and his son Fleance.  They kill Banquo but Fleance

escapes.  Macbeth is outraged when he hears this.  He says:

 

           Then comes my fit again; I had else been perfect,

           Whole as the marble, founded as the rock,

           As broad and general as the casing air.

           But now I am cabined, cribbed, confined, bound in

           To saucy doubts and fears.  But Banquo's safe? (A 3, S 4, 21)

 

To add to Macbeth's outrage, he begins to see things at a banquet.  He sees

the ghost of Banquo.  No one else in the room sees Banquo and Macbeth

thinks that they are messing with his mind.  Macbeth says “Which of you

have done this?” and “Thou canst not say I did it; never shake thy gory

locks at me.” (A 3, S 4, 48).  Macbeth becomes ever more outraged and he

starts to yell and scream at everyone in the room.  Lady Macbeth senses

that something is definitely wrong and she asks everyone to leave

immediately.  Macbeth's decline is clearly evident now.  Macbeth is shown

as a hubris character.  He thought nothing of killing Duncan nor of Banquo.

He was not afraid of the consequences of his actions although he knew very

well what they would be.  This is another part of Aristotle's theory.

 

        Next, the witches come to see Macbeth again.  They tell him three

apparitions.  They say to beware Macduff, beware that which is not born of

woman, and beware of Birnam woods coming towards him.  Macbeth laughs this

off.  He is not afraid of Macduff, he does not think that anyone can be not

born of woman, and he thinks there is no way the woods can get up and move

towards him.  Macbeth thinks he has it made; that nothing can take his

crown away from him now.  This is another example of hubris in the

character of Macbeth.

 

        The once forgotten great warrior Macbeth is shown once again at the

end of the play when Macduff challenges Macbeth to a fight.  At first

Macbeth says he will not fight, so Macduff says “Then yield thee, coward...”

(A 5, S 8, 23).  Macbeth answers “I will not yield...” (A 5, S 8, 28).

Macbeth finally realizes what he has done and how the witches prophecies

and apparitions have all come true, but he will not just give up like a

coward.  He will fight like the great warrior he once was.  He will fight

to his death!

 

        According to Aristotle's theory, in order for a character to be a

tragic hero, the character must not be a saint nor a villain, he should

have some virtues, have a tragic flaw, and have hubris.  Macbeth meets all

of these requirements, and can therefore be called a tragic hero.

 

 

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