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the role of music in movies
the role of music in movies
the role of music in movies
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An Analysis of Deep Blue Sea
I am doing an essay on the opening sequence of the film Deep Blue Sea,
I will be analyzing the way the director creates atmosphere and
suspense. The film is about killer sharks and is in the same genre as
Jaws. The opening scene starts of with four people on a boat, there is
hardly any dialogue in this scene as the audience does not need to
know who the characters are, as they are only there to introduce the
shark and play no further part in the film. Also in the opening scene,
there is lots of editing, and each shot is only a few seconds long
giving a feeling of disorientation. All the shots in the water are
shot from the perspective of something moving towards the boat using a
distorted lens, and there is not a shot of the creature in the water
until the very end of the scene. The director has filmed this scene at
night and used a long line of moonlight, this is because darkness is
associated with fear and I think if this scene was filmed in the day
it would be a lot less atmospheric.
The first shot starts of with a long distance aerial shot straight
down at the sea, at this point the sea looks almost black and
menacing, the camera slowly zooms in until a large sailing boat is
visible, there is very similar music to the jaws film with a
repetitive sequence played repeatedly, this gives a feeling of
uneasiness. The shot then skips past the boat and has an underwater
shot looking up at the boat this gives the sense that there is
something under the water and starts to prepare you for what is going
to happen later, the music then gets louder and ends with a dramatic
chord carrying on the feeling of uneasiness.
The next shot is on the boat, it has regular pop music and pans across
four young adults having fun. The shot then goes to another underwater
shot with dramatic music from the shark’s perspective which starts
Sad music accompanies certain scenes in Blackfish to influence the reader’s emotions regarding what they are shown. The documentary opens with audio from the original Dawn Brancheau accident 911 calls. Underneath this audio, mournful music plays. Even before the viewer
In Blackfish, one person shows a whole different side to their job and brings out all his emotions. This person would be John Crowe, a diver whose job was to capture orcas. He would do his job everyday capturing the whales and taking the babies from their mothers. Crowe says, “you understand then what you're doing, I lost it, I started crying, I didn’t stop working, I couldn’t handle, its like kidnapping a little kid away from it’s mother” (Blackfish). Crowe is explaining that while they were capturing these baby whales and hearing them cry for their mothers is when they you finally realize what you're doing to them. Cowperthwaite does a good job picking Crowe to be interviewed. Looking at Crowe the viewer would not expect him to get emotional; he looks like a very rough person with a long beard and tattoos. When the viewer starts to see him get emotional and cry they begin to feel emotional too. This director uses the strategy of emotional interviews to get emotion from the audience. This creates a picture in the viewer’s mind of the crying whales, which is purposely done by the director to get emotion out of the audience. Another thing the director does is...
next is a point of view shot from the shark and then the theme music
Big Fish is like an incomprehensible film, which never ceases to stop surprising its viewers. The story is an amazing fantasy created by Tim Burton, which transports the viewer to another dimension by means of the main character’s experiences and adventures through the film. In the story the viewer finds a father, Edward Bloom, and a son, Will Bloom. The father is an extravagant storyteller, in which his son grew up hearing his tales and begins to doubt their credibility. Throughout the film the viewer can catch a glimpse of numerous acts of magical realism, but overall identifies the characteristic of mirror reversals which adds a special touch to the story when intertwined with the father and the son as they undergo a life changing journey.
One of the greater messages conveyed through An Ocean Apart, A World Away, pertains to the eradication of sexism, encouraging equality between all genders, and re-establishing the independence of women in many cultures. The author demonstrates the struggles of one individual assimilating into a foreign culture. The difference between the Chinese and American culture is evident as are the attempts of the main character to assimilate, and adapt to his/her new surroundings. The novel compares the stereotypes women face in both the Chinese and American culture and clearly regards it as an issue. An Ocean Apart, A World Away is a unique story with an important message, providing great insight into the history of China while maintaining a subtle sense of humour to keep the story entertaining. It also has a strong female protagonist but failed to successfully develop secondary characters. Other female characters could have aided the story in giving a stronger message as well as creating a more interesting plot. The plot lacked many details during the events, causing the plot to seem rushed. Although the story is lacking in some aspects, readers will find themselves fully engrossed into the daily lives of Chinese women during the early 1900s.
The movie On the Waterfront begins with a long shot and the surroundings on the edge of a waterfront. There is a dark lighting like sunset is about to hit, and we are able to see a giant cruise liner in the harbor. The giant boat stands out in the light, and the much of the water is dark. There are many horizontal lines that define the giant boat, and a few vertical lines are able to get distinguished by the small boat with the mast on it as well as the shed on the side. The music has rapidity and suspense that leads you to think that something bad is about to happen. The camera has a long shot that moves to medium. The long shot is balancing with the rapid music because since there is a long short is not as suspense with the hurried music and you feel more comfortable. The Men come out of the small shed by the dock. They walk in a linear form, one behind the other, wearing long dark coats with a mysterious look on their faces. Most of them are wearing the long coats that fall to their knees, and one of them is wearing a square pattern shirt with his right hand in his jacket , his and expressions unhappy.
music changes to show that she is sad. We then get a close up of
The opening scene (0:45 – 12:30) starts with sinister looking claw hands creating a doll that looks exactly like Coraline; insinuating that control will play a large role in the film. The film then progresses to the establishing shot; of the
The painting Ocean Awe by Joan Nix in the Holly Buddy Center represents a calming and peaceful place to be. Through the uses of Nix’s type of painting, elements, and principles of art, he is able to bring out positive emotions and past memories in his artwork.
Right from the bike sequence, it was cut straight of to a scene of a medium shot, which had the door, and we could see Jim and Catherine in the frame through the triangle of the curtains. Jim opens the door to step out and slightly turns to touch Catherine’s cheek. As they step out she describes to him how their love is like a newborn and that they should let it grow on it own to see where it goes. It zooms out as Jim then leaves the doorway and steps down onto the porch with Catherine following him. The background sound has a subtle romantic touch of instruments to it. It is tracked following the couple’s medium shot walking left to right towards the edge of the house.
People don’t always deal with the same issues in the same way. In the novel, A Yellow Raft in Blue Water, author Michael Dorris explores the perspectives of three women whose stories are tangled together through a history of secrets and lies. Rayona, Christine, and Ida all deal with their own share of hardships throughout the course of the novel. As each new perspective is revealed, it becomes clear that our three protagonists face issues with self discovery, a desire to fit in, and personal growth. Despite that though, each one deals with those problems in different ways. Apologetic, aggressive, and distant--Dorris’s effective use of word choice enables the reader to tap into the mindsets of each of these characters, allowing us to see
One of the techniques used to promote fear and suspense into the audience is the use of the music. This technique makes the audience afraid of the shark, whenever the theme song is played the audience is to expect another horrific attack from the deadly shark, which adds a lot of suspense and build-up to the scences following. Spielberg uses this particular sound to build-up the scene, such as in the beginning when the shark attacks the girl swimming. Spielberg uses this non-diegetic sound which is only heard by the audience, not by any of the characters in the film. A non-diegetic sound defined by film sound says, a sound neither visible on the screen nor has been implied to be prese...
The human voyage into life is basically feeble, vulnerable, uncontrollable. Since the crew on a dangerous sea without hope are depicted as "the babes of the sea", it can be inferred that we are likely to be ignorant strangers in the universe. In addition to the danger we face, we have to also overcome the new challenges of the waves in the daily life. These waves are "most wrongfully and barbarously abrupt and tall", requiring "a new leap, and a leap." Therefore, the incessant troubles arising from human conditions often bring about unpredictable crises as "shipwrecks are apropos of nothing." The tiny "open boat", which characters desperately cling to, signifies the weak, helpless, and vulnerable conditions of human life since it is deprived of other protection due to the shipwreck. The "open boat" also accentuates the "open suggestion of hopelessness" amid the wild waves of life. The crew of the boat perceive their precarious fate as "preposterous" and "absurd" so much so that they can feel the "tragic" aspect and "coldness of the water." At this point, the question of why they are forced to be "dragged away" and to "nibble the sacred cheese of life" raises a meaningful issue over life itself. This pessimistic view of life reflects the helpless human condition as well as the limitation of human life.
Throughout the story the ocean represented Edna's constant struggle for self-realization and independence. From her first flow of emotion on the beach to her last breath of life in the sea, the ocean beckons her. The voice of the sea lures her onward in her journey toward liberation and empowerment.
music that was played on the beach at the start of the film to show