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influence of music in Pop culture
influence of music in Pop culture
influence of music in Pop culture
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Korn Lyric Interpretation
F r e a k O n A L e a s h
Something takes a part of me.
Something lost and never seen.
Every time I start to believe,
Something's raped and taken from me... from me.
Life's got to always be messing with me. (You wanna see the light)
Can't they chill and let me be free? (So do I)
Can't I take away all this pain. (You wanna see the light)
I try to every night, all in vain... in vain.
Sometimes I cannot take this place.
Sometimes it's my life I can't taste.
Sometimes I cannot feel my face.
You'll never see me fall from grace
Something takes a part of me.
You and I were meant to be.
A cheap **** for me to lay
Something takes a part of me.
Feeling like a freak on a leash. (You wanna see the light)
Feeling like I have no release. (So do I)
How many times have I felt diseased? (You wanna see the light)
Nothing in my life is free... is free
Chorus (mumbling)
Boom na da mmm dum na ema
Da boom na da mmm dum na ema
GO! something on the
So...fight! something on the...
Fight...some things they fight
So...something on the...
Fight...some things they fight
Fight...something of the...
No...some things they fight
Fight...something of the...
Fight...some things they fight
Chorus
Part of me...
Oh...
The music industry today seems to have taken a step into two different directions, rock and R&B a.k.a. rap music. Rock has taken on the form of a derelict ship floating amongst a monstrous sea of rap. Even the most hardcore of rock bands have incorporated a hint of rhyme into their music. For better or worse, Korn is one such respectable rock band who has partially retreated to the refuge of the rap style of music. In the song Freak On A Leash Jon Davis, the lead singer in the group Korn, describes the torment of his band by the sinking ship that rock has become.
Pressure form the music industry can and does greatly influence artist and their songs. Many Artists such as Eminem, Manson, and Limp Bizkit have written songs about this topic specifically. Most of the lyrics in their songs are simple and can be easily deciphered. How then can such an interpretation be taken from Korn's song Freak On A Leash? This song leaves itself open to the listener to interpret it in so many ways.
Philip Auslander’s book “Performing Glam Rock” talks about a type of music that until this class, I have not heard much about. When I think Glam Rock I think of artists like Prince and Kiss, ...
In closing, the undoubtable influence of music, more specifically of Rock ‘n’ Roll on American society is responsible for a number of changes to the status quo. These range from sexual liberation and racial desegregation all culminating with other influences to create an intergenerational identity. Despite the desperate attempts of older generations to smother these influences, these changes ultimately shaped the years that followed, molding the country into what it is today. Along the way these changes as well as individual involvement in them has also eased the lives of many through empowerment and a feeling of community and purpose. Despite a lull and renewal Rock ‘n’ Roll continues to serve as an agent of influence and change in today’s youth culture and continues to burn in the heart of past generations of loyal fans.
In Rock- The History of Rock ‘n’ Roll, Yorke provides a chronological approach to rock and roll from 1877- 1974. Although it is not extremely detailed, a general overview of each year’s music is presented. Throughout the book, many descriptive summaries of individual artists may be found along with classic pictures.
“We’re just musically and rhythmically retarded. We play so hard that we can’t tune our guitars fast enough. People can relate to that.” Kurt Cobain’s thoughts on why his band, Nirvana was such a massive success in an unexpected way. A heroin shooting, guitar strumming musician who sang the barely audible lyrics which spoke so loudly for the angst ridden youth of America had such an important influence on our culture that over twenty years later, the details around his suicide are still heatedly debated. The impact that Cobain had on the world was intense at the time and can still be found today; the music he wrote for Nirvana had influence on the music industry, his unintended voice to angst-ridden society and even the fashion industry cashed in on his style.
It could be argued that ‘In-A-Gadda-Da-Vida’ served exemplary as testament to the changing attitudes towards rock music and psychedelic acid rock of the time. The prevalence of the genre was tangible, even the AFVN (American Forces Vietnam Network) added a special channel in 1968 for those soldiers serving overseas who had reported an interest in the musical style (Kramer, 2006). Perhaps this song was indeed the natural progression of music in a time of so much uncertainty for an entire generation fraught with equal parts revolutionary ideals and Cold War paranoia. The track’s tone, ambiance were defined by an eerily dark otherworldliness unheard of up until that point in rock music and arguably not replicated again until Black Sabbath’s NIB
The hippie aesthetic era was an important time in rock and roll during the late 60’s and on into the early 80’s. It was a time were rock had a sense of purpose. They sung about the issues that plagued the country. It was also a time where technology would play an important roll in the sound of music, with the advancement in recording and synthesizer technology (Covach, “The Hippie Aesthetic”). The hippie aesthetic was not immune to the advancement of music. This essay will go over three songs that represent the different aspects of this era. It’ll will review a song that is predominately hippie aesthetic, a song that is a little of both, and finally a song that has no trace of hippie aesthetic.
If there was one defining characteristic to hip hop in 1997, it was the jiggy factor- an aesthetic of unapologetic flash, fashion and glamour that ruled everything around us and made hip hop life nice and organized. Of course, for each movement there always exists a counter-movement; for each yin there is a yang; and for each designer-label clad champagne sipper, there must be an uncompromised figure lurking in the shadows, ready and willing to reclaim rap from the penthouse to the pavement. Embracing this return to the anarchy, enraged and raw, Def Jam Records presents 1998 as the Year of Pandemonium. The human embodiment of such exhilarating and unadulterated chaos exists in none other than Ruff Ryders/Def Jam's very latest lyrical sensation, DMX. "I love to write rhymes," says the Yonkers-born MC. "I love to express what real niggas feel, what street niggas feel. They need to be heard. They need to know there is a voice that speaks for them, and I am that voice." Within the tumultuous annals of hip hop's dog-eat-dog history, second chance opportunities are few and far between. However, every now and then the experienced and distinguished bark of a particularly cagey canine re-emerges from rap's chaotic kennels, representing the triumph and perseverance inherent in true greatness.
Cursed by controversy since it's inception, heavy metal music has often been thought of as offencive and bombastic in it's approach to music. Even now, the controversy brought about at the top of heavy metal's popularity in the 80's still seems to linger over the genre. Controversy could easily be seen as a part of heavy metal culture as a whole, the committee hearings in 1985 putting the musical genre in the public's eye as offensive and dangerous due to it's lyrical content (Hjelm, Kahn-Harris, LeVine, 2011 p.8). To many, these out of context looks into a larger culture seem to paint a picture of violence and delenquency, but seeing the genre from within offers a new view. Research suggests that heavy metal music can have beneficial psychological
Adolescents and young adults have been disregarding the rules of the older generation and sparking up arguments since time could tell. One of the forerunners for this teen-angst filled defiance was none other than the king of outcasts, Kurt Cobain, lead singer and songwriter for Nirvana. Cobain was a trailblazer ready to defy the Baby Boomers and all that the tired generation saw to be important; Cobain pushed against many traditional structures but few more relevant than sexism and the mainstream music industry. Cobain rallied his army of misfits, labeled Generation X, to also stand against the sexists and the money-grubbing music bosses. Although Cobain didn’t do so by leading rallies or picket-marches, he found his rebellious essence through writing strange, contentious, and confusing music. With this in mind, it’s easy to say that Kurt Cobain was a model for Generation X; however, he is most notable as a rebel writer that expressed his resistance to sexism and to the music industry through his unconventional writing, mixed-music styles, and controversial songs.
First, the new psychedelic style of rock didn’t have to meet any previous restrictions that were seen as the “social norm.” Before the musical revolution of the 1960s, jazz music was the ostentation of the Roaring 20s. Americans were perceived to live elegant and luxurious lifestyles through this time. Therefore, music had to carry this purpose in its meaning. The emergence of Rock went against this style. “No longer obligated to elevate the spirit, to
Macklemore begins with “When I was in the third grade I thought that I was gay, / 'Cause I could draw, my uncle was, and I kept my room straight. / I told my mom, tears rushing down my face.” In just these first couple of lines, the listener is easily able to understand what the song is about, and also comprehend the stereotype that is associated with gays and lesbians. The listener is given the equation that Macklemore made up when he was younger; he added the stereotypes that were given to gays: being artistic, having a gay relative, and being tidy. By following these fashions, he assumed that he was gay as well. When Macklemore states that tears were rushing down his face, it gives even more awareness to the negative connotation that gays
Over time, some rap artists might adapt the stated sexist and racial beliefs, and think that they become something better and consciously place themselves above their audience and pretend to be more superior than women Hip-Hop Culture + Politics). The following lyrics provide examples and show how misogynistic beliefs are represented in rap music. The presented excerpts are highly offensive and controversial, but they show the contemporary type of rap that has been and is still produced by well-known recording studios (Adams and Fuller 949).
The world was in 1950 at a point of multiple crossroads. After two World Wars an exemplary series of bad events followed, like the Cold War and the atomic menace. But it was also the beginning of some prosperity. People started again to gather material values. Nevertheless, the slow awakening from the fog of war was a process too complex to be generally accepted. In an apparently healing world there were still too many fears and too many left behind. On this ground of alienation, isolation and despair Allen Ginsberg’s “Howl” emerged together with the Beat movement. John Tytell observed that the “Beat begins with a sense of natural displacement and disaffiliation, a distrust of efficient truth, and an awareness that things are often not what
This article demonstatres how important Kurt Cobain was both as a rock and roll icon and a philosopher. His songs which he recorded himself are still popular today, over 20 years after his death. The author argues how Cobain influences other young artists and his effect on the direction of the music industry.
Our entire lives have been shaped by the events happening around us. Along with us many factors in our day to day lives have evolved too, including musical genre. One such genre is rock. Rock is a genre for the youth, by the youth, it has evolved to stay with the times and stand up for what’s right. In this essay I will prove why rock is a good example to show how genre has been defined, maintained, constructed and negotiated through the past 60-70 years since the very first Proto Rock song came out.