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the character of hedda gabler
Hedda Gabler character analysis
Hedda Gabler character analysis
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The Many Languages of Hedda Gabler
Throughout Hedda Gabler my perception of Hedda was influenced by many of the theatre languages. From the costumes she wore, the props she used, and the lighting that illuminated the stage, all of the languages had an enormous effect on my perception of Hedda. The first language that influenced my perception of her character was her costumes.
The theatre language that caught my eye first was the use of Hedda's costumes. As the play began she was wearing a bright elegant gown; without using the knowledge I already had about her from reading the play, this to me demonstrated her attempt to appear sane and in control of her life. As the scenes changed, so did her costumes; she began to wear darker colored gowns and at the same time her character's persona became darker also. In the last scene she is wearing a black gown with a touch of red; this influenced my perception a great deal. The small amount of red in her dress played a role in influencing my perception of her character. To me, the color red reminds me of blood and this idea along with many other aspects seen in the play, showed the pain and suffering Hedda had been through or put herself through. By examining her final costume, it was easy to see that this was the final chapter in her life. She was wearing the darkest color of them all, black, which is almost always associated with death; and as seen in the end of the play it fits in perfectly.
Along with the use of costumes, the props Hedda handled throughout the play also influenced my idea of her character. During the beginning of the play Hedda casually lights and smokes a cigarette; this in my opinion did not seem like a normal thing for a "presentable lady" to do in those days. This gave me the idea that Hedda was somewhat rebellious and did not portray the proper manners a "lady" was supposed to. Along with her smoking habit, the idea that she randomly fired her two pistols into the garden, nearly missing the judge at one point also influenced my opinion about her character. Reemphasizing her rebelliousness, this act also showed her lack of respect for human life; firing a pistol in the general direction of anyone demonstrates a complete disregard for the life of the person being fired upon.
One of Hester’s greatest qualities is her unrelenting selflessness. Despite her constant mental anguish due to her sin, the constant stares and rude comments, and the
In the opening of both the play and the novel we are introduced to the two main female characters which we see throughout both texts. The authors’ styles of writing effectively compare and contrast with one another, which enables the reader to see a distinct difference in characters, showing the constrictions that society has placed upon them.
I noticed a few major symbols throughout the scenes in this play. For example, Mama’s plant; this plant never fails to be watered and taken care of by Mama, and this represents not only her caring and compassionate attitude towards a plant but her attitude towards her family as well. Her care for her plant is similar to her care for her children, both unconditional and unending despite the less-than-perfect “garden” that it is in(their house).
according to the plot of her own play. Hedda finds a “way out” after the internal conflict
Hedda Gabler is the main character in Henrik Ibsen’s play, Hedda Gabler. This play is a drama written in the 1890’s, in Norway. Medea is also the main character of a play, Medea, written by Euripides. This play is a tragedy written in about 430 BC, ancient Greek, Athens. Hedda Gabler and Medea are both manipulative women who interfere with the lives of others; however, Hedda manipulates because of her desperation for freedom whereas Medea manipulates because of her desperation for revenge. Hedda does not care for the feelings of others. She encourages people to do inappropriate things because she can and has the type of power over people. She wants to be something other than the stereotypical woman in their society. Some people cannot help
Hedda is a product of the nineteenth century, when women were ordained to become either proper old maids (like George's aunts) or modest housekeepers (like Mrs. Elvsted), however Hedda is an anomaly. She has been raised by a dominating father and rebels against his leadership at the same time she revels in his power. General Gabler taught Hedda to ride and shoot, which symbolizes the origin of her attraction with the violent and the romantic, Hedda's intense preoccupation with pistols, her desire to have control over the fate of another individual and take part in the public life of men, her rejection of family life shown in her at times mal...
Hedda supplies Eilert with the pistol to kill himself with, so he would make her fantasy of a romantic tragedy come true. When it doesn't, and turns into a mess where she will be the one blamed, Hedda is pushed over the edge, and losses complete control. She can no longer handle her confined, impulsive feelings, and makes her death become the reality she craves.
Hedda married Tesman, an academic student who supposed to have a potential success, not because she loves him, but just because as she said “It was a great deal more than any of my other admirers were offering”. In this quote she is showing her real feelings meaning that she never loves him and she just married him because he was the best option among the
Hedda from the story “Hedda Gabler” by Henrik Ibsen, wanted to have freedom or wanted to control her own life. However that desire never come true. Throughout the story we see that Hedda who want to dictate her own life simply couldn’t. One such example is that Hedda got marry. In 1800s, women ought to get marry. Women can’t find any job or have a business, therefore women cannot really survive if they choose to be independent. Hedda is no exception, she is bounded to get marry “I’d dance myself out, dear Judge. My time was up. [Shudders slightly.] Uch, no, I’m not going to say that or even think it.” (Ibsen, 1503) and the only choices she has is to whom she would marry to and after a she gets marry; she wouldn’t be able to live a life she wanted to because in the 1800s women couldn’t control how they live their life. They exist simply to find a men and serve their husband. Even though Hedda has to get marry and live a life that she didn’t want, but she didn’t give up the idea of controlling her own life and go against the society. One such move is that she tries to manipulate the people around her, one such person is her husband George Tesman “You’re right – it was a bit more costly. But Hedda just had to have that trip, Auntie. She really had to. There was no choice.” (Ibsen, 1486) The reason for her manipulation is because she want to
Hedda Gabler is a play with an undoubtedly interesting main character; Hedda herself. While she may have her faults, neurotic traits and undeniable issues it would be glaringly ignorant to ignore the fact that she is, above all a tragic victim. In order to properly showcase how Hedda falls somewhat perfectly into the mould of a tragic victim we must first figure out what exactly a tragic victim is. The most prominent and fitting description seems to come from the Greek philosopher Aristotle in his ‘Poetics’, while his definition is actually of a tragic hero instead of victim it is never the less still an extremely accurate definition and is still able to depict both victims and heroes equally well; he tells us that a tragic victim –or hero- is usually of noble birth, had a tragic flaw that usually leads to their downfall, be a character that the audience can relate to and feel pity or fear for and that the fall of the character is at least partially of their own making. By this definition Hedda is most certainly a tragic victim, and there is little room to argue against this.
Hedda Gabler is a text in which a very domineering society drives a woman to her suicidal death. Many argue that Hedda’s death is an act of courage, as rebellion against the rules of the society, however other believe that Hedda’s actions show cowardice, as she is unable to cope with the harsh reality of the her situation. Hedda's singular goal throughout the play has been to prove that she is still in possession of free will. Hedda shows many examples of both courage and cowardice throughout the play, differing to the character she is with.
The use of sarcasm is used by the characters in both plays to hide their direct thoughts and emotions. For example in Medea whenever she is talking to Jason she uses a sarcastic tone that lets us understand her anger and resentment against Jason, she says phrases like: “I willingly deceived my father; left my home; with you I came to Iolcus by Mount Pelion, showing much love and little wisdom” (p 31), and when she talks she talks bitterly to criticize Jason and to put him down, instead of insulting him directly, as she also does in some sections, she also uses sarcasm to communicate her emotions. When Jason accuses it being her fault she was left alone Hedda retaliates using rhetorical questions with a sarcastic tone: “My choice? What did I do? Did I make you my wife and then abandon you?” (p 35). In Hedda Gabler, Hedda is extremely sarcastic when she speaks to characters like Miss Tesman. In the first scene when Hedda first meets Miss Tesman, she purposely confuses Miss Tesman’s hat for the maid’s (Berte) to irritate Miss Tesman and get a reaction out of her, Hedda says after apologizing: “Yes, it’s very nice. Charming.” (p 275). Her tone is fake and sarcasti...
Hester Prynne had outstanding character traits for a person that went through a rough time. She was very trustworthy and kept secrets that could have altered some outcomes in her life. Her unbelievable forgiving nature allowed her to remain helpful to the citizens of Boston and make them articles of clothing even with all the crude behavior she experienced. Hester was also brave, by committing to stay in the place of her sin. Hester is an outstanding
The characters in the play are consistent with the stereotypical ones of the Victorian era. Women were expected to get married and stay at home, being seen as unintelligent and fragile. Hedda Gabler is neither of things, thus emphasizing Henrik Ibsen’s point of female oppression in the Victorian era. Hedda’s character does not present the typical affectionate trait a woman would have towards her husband; The idea that women were supposed to get marriage and have children early during the Victorian era. The male role was expected to be extreme dominance over the woman, and to be the bread winner. Henrik Ibsen’s reflection of the Victorian era in the story, Hedda Gabler emphasizes on the social standards imposed upon women and men. The play questions the power dynamics distributed between the two genders, the concept that a woman’s proper role in her marriage is to tend her husband, while the man’s role is to provide for the family and uphold its reputation. Henrik Ibsen presents two characters who are victims of this drastic social code and the measures of both characters have to take in order to structure their ideals around a strict society. When both characters ideals conflict with the social mores of society, the result is often unsatisfying or tragic. For example, Hedda’s lust for power in the story is a trait not often found in women during the Victorian period. The role of power is reserved for only the men in Victorian society. In order to behold power, Hedda sacrifices her stereotypical image as a woman. Hedda does not display the typical loving wife role, but rather adopts a vicious and manipulating female character trait. George Tesman breaks this stereotype as well, by depending on Hedda to get his professorsh...
The character of Hedda Gabler centers around society and social issues. Her high social rank is indicated from the beginning, as Miss Tesman says of Hedda, "General Gabler's daughter. What a life she had in the general's day!" (Ibsen 672). Upon Hedda's first appearance, she makes many snobbish remarks. First, she turns up her nose at George's special handmade slippers. Later she insults Aunt Julie's new hat, pretending to mistake it for the maid's. Hedda seems to abhor everything about George Tesman and his bourgeoisie existence. She demands much more class than he has been able to provide her, for she was the beautiful, charming daughter of General Gabler and deserved nothing but the finest.