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examples of cinematic techniques
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Bullets Over Broadway
Bullets Over Broadway is definitely something you've never seen before. It's
hard to imagine any other writer in the entire world coming up with the basic
plot that drives the film. Woody Allen takes a humerous concept and allows it to
grow more absurd and surreal with each passing moment. And somehow, by film's
end, the ridiculous seems acceptable. The film has been referred to as a comic
take on the themes explored in Crimes and Misdemeanors, and while a comparison
is interesting, I don't necessarily think it holds up. Bullets Over Broadway is
an entirely unique film, inhabiting a bizarre universe completely its own. While
both films feature the killing of an innocent, if annoying, female character,
the comparison really ends there. Besides, in this film, the character pays for
his murder. Perhaps the more interesting question the film raises is this:
should artists really be willing to kill (or die for) their art?
Of course, you'd never have time to ponder this question while in the midst of
viewing the film. There's simply too much else going on, too many characters and
plotlines to allow you the time to reflect on the underlying questions the film
raises about art. And this is for the best; after all, the film is a comedy.
Allen stayed behind the camera for this film, marking the first time he decided
not to act in one of his own comedies. Though he'd not appeared in any of his
three dramatic films (Interiors, September, Another Woman), he had always made
an appearance of some sort in each of his comedies. It's an intersting choice
that has no real explanation, but definitely ends up being the right decision. I
say this only because John Cusack is wonderful in his Woody-ish lead role. You
don't miss Allen, primarily because of Cusack's built-in charm and the great
chemistry he has with both Dianne Wiest and Chazz Palminteri. Both Wiest and
Palminteri were nominated for supporting Oscars (Wiest won the award), and both
definitely benefited from Cusack's performance.
Bullets Over Broadway tells the story of a young, seemingly talented playwright,
David Shayne (Cusack). As the movie begins, he's having problems raising the
funding for his latest play. In addition, he has no cast to speak of, and a
great deal of self-doubt. His agent finally finds a producer, who happens to be
a powerful gangster. The aging gangster, Rocco,agrees to back the play -- as
debut as an actor. Although he never made it to Hollywood, he would often appear
created the play as a comedy, showing how the world might be in the times of the
Dark humor and satire were present in the original film, in order to provide a break from the intensity and paranoi...
were not of a very high standard. In Act 1 we see him stealing a ball
...situations in this movie are very serious like death and prison, the audience finds its way to relate.
...(Robert Webber) · Juror 7 kept referring to he baseball game and was distracted throughout· Juror 12 kept telling everyone irrelevant stories about his work and had no real inputs for the group
The portrayal of art cinema is to some extent accurate when considering the time period of this film. Art film was first introduced to the American film industry during the period of time when this film came out. Art cinema utilizes its own set of artistic expression. Hollywood classical films on the other hand, are at odds with the artistic concept, and are considered to be mainstream. When we look at Classical films, we think of the basic Hollywood movie where there is a beginning, middle and end, and the whole movie comes together at the end, with a little bit of romance. In this specific movie, the audience is faced with a confusing dilemma of choosing whether this movie is an art film or a classical film. Most even think it has a documentary approach, but what makes this movie even more successful and even more entertaining, is that it is both art cinema and classical cinema.
Fear and Loathing in Las Vegas by Hunter S Thompson is a novel that takes a journalistic approach to Raoul Duke’s drug trip to Las Vegas. His point of view is unreliable because one does not know for sure whether he is experiencing these events, or if it is the drugs speaking for him. He is with his Lawyer, Dr. Gonzo, and they are attempting to find the American Dream. Both are convinced that they can somehow find this in Las Vegas, and set out together to do so. In reality, the different aspects of Las Vegas are representative of the actual American Dream, which, realistically, is disappointing and unachievable today.
The movie, 12 Angry Men is about twelve white men deciding the jail sentence of an 18-year old boy who has allegedly committed murder by stabbing his father. The men must decide if the boy is guilty beyond a reasonable doubt awaiting a death sentence by electric chair. The first scene of the movie is the jurors waling into one room and Juror number 1(foreman) is seen leader of the deliberation. He tells the jurors to gather around a table and explains that the goal of the deliberation is to vote on the sentence of a boy’s guiltiness and innocence. After no deliberation at first, everyone quickly unanimously votes guilty. Everyone except one juror; who explains the reason why he couldn’t cast his vote guilty was because he couldn’t decide such
The movie takes place in the West Side of New York, in the late 1950s.The Jets are a teenage gang of American boys determined not only to check but to destroy the growth of Puerto Rican population and influence on their block. They are opposed by a Puerto Rican gang, the Sharks, led by Bernardo.
Comedy is more fun for him but it is also new territory for him as well. He has been told by close friends and family that he has a good sense of humor, but in acting he feels as if he has to work on his comedic side and that he feels like he is better suited for drama. Washington is not afraid of failure though. In an interview with Charlie Rose, he said “I want to go outside of my box. I’m not afraid of being different. One thing I was taught by Bill Ball who was my artistic director, he said to fail big. I love that philosophy. I don’t want to fall back on anything. I am not worried about being safe. If I fail, I want to fail big. That’s the only way to go…and there really isn’t any ceiling for me. There shouldn’t be a ceiling for anyone. We should always be challenging ourselves to do more. Someone may not be right for a part, but they should be able to play any part given to them.” Washington also talked about the fact that he does not go looking for any sort of role. But, if he were looking, he would look for Shakespeare because it is fun and it is open to so many interpretations with the rich language. He does not like to do a lot of movies or plays with interracial dating either because that is what the story becomes about and there are plenty of stories about that. He likes to keep the play or the film about what it is supposed to be
He has shot “almost every street corner” in the city (Weide, Woody Allen: A Documentary) and can thus set forth on a long overdue adventure. Allen aspired to follow in the steps of Bergman and Fellini and make more dramatic and unusual films but there was this constant struggle, as he states early in the 90s, “my conflict is what I really am and what I really would like myself to be. I’m forever struggling to deepen myself and take a more profound path” (Lax 285). This statement applies to Woody Allen the filmmaker as well as the actor, as he refers to himself as an actor with a small scope (cf. Lax 250) and that he could never be a grand filmmaker like his idols. The tragic events of September 11, the series of unsubstantial films, and his decision not to play the leading man any longer, has “opened a new creative space in his cinema” (Macready 96). He seems to have realized that death can be imminent and unforeseen, just like the attacks, and that we only have a limited time on this planet; time that can be taken away within an instance; wherefore he must have the courage to just make the kind of films he always dreamt of. The wound of the attacks was still too present, so it was time for a new style and a new
Regularly comic drama motion pictures make individuals snicker and dependably place individuals in an incredible state of mind. Movies of this style have a primary accentuation on one 's amusingness. Numerous entertaining motion pictures, for example, Step Brothers, have an upbeat closure. Observing how certain individuals respond to this kind of film is extremely fascinating in light of the fact that everybody has an alternate response from each other. By individuals ' responses it indicates what sort of character they are in life. Numerous viewers don 't comprehend what the purpose of a satire motion picture is, however they can simply give them a decent