To the Lighthouse by Virginia Woolf
Reading To the Lighthouse was more than just another literary experience for me. Virginia Woolf wrote in such a way that challenged my mind, spoke to my emotions and in essence she shut me up and made me listen. Listening was not hard seeing that she had much to say and a unique way of saying it. I found a sensitivity in Woolf's work that I appreciated as it is not a style seen in the work of today. I am only afraid that due to its subtlety, it may go unnoticed by some of my generation of readers. It is interesting to see how discreetly Woolf feeds her opinion on bold and blatant issues to her readers; almost convincing them that they are daily accepted occurrences, for example the 'marriage' between Minta and Paul. Her gentle way of making fun of her characters along with her way of casually mentioning events that others may choose to sensationalize, allows the reader to digest the novel without irritation. However, it is not a one-step process, since the reader will find himself occasionally catching himself on a train of thought courtesy of Virginia Woolf, long after the meal was finished. To the Lighthouse was the first novel that I have read in which the author allows the reader to see each character's point of view. I am used to having each character's feelings and opinions expressed through one main character. Reading this, I got unbiased opinions. Had Woolf not gone into the mind of each character, I would never have thought that Mrs. Ramsay was not always liked. Neither would I have seen each person's insecurities. For example, a one-sided book could have easily portrayed Lily Briscoe as a shy, quiet woman concerned only about her art and not quite caring about anything else. This is not true. Lily is a character most people, especially women, can identify with. She has insecurities about the very means by which she uses to express her inner self, which is her art. She has a hard time allowing people to see what she truly holds dear to her soul except for William Bankes. Like many of us, Lily keeps " a feeler on her surroundings lest someone should creep up." It is this classic case of breaking down barriers and exposing one self to the world that Virginia Woolf captures in a way that the reader recognize at first.
Wiesel’s community at the beginning of the story is a little town in Transylvania where the Jews of Sighet are living. It’s called “The Jewish Community of Sighet”. This is where he spent his childhood. By day he studied Talmud and at night he ran to the synagogue to shed tears over the destruction of the Temple. His world is a place where Jews can live and practice Judaism. As a young boy who is thirteen at the beginning of the story, I am very impressed with his maturity. For someone who is so young at the time he is very observant of his surroundings and is very good at reading people. In the beginning he meets Moishe the Beadle. Moishe is someone who can do many different types of work but he isn’t considered qualified at any of those jobs in a Hasidic house of prayer (shtibl). For some reason, though young Elie is fascinated with him. He meets Moishe the Beadle in 1941. At the time Elie really wants to explore the studies of Kabbalah. One day he asks his father to find him a master so he can pursue this interest. But his father is very hesitant about this idea and thinks young E...
In this report you will see the comparisons between the novel Dawn and the life of Elie Wiesel, its author. The comparisons are very visible once you learn about Elie Wiesel’s life. Elie Wiesel was born on September28,1928 in the town of Hungary. Wiesel went through a lot of hard times as a youngster. In 1944, Wiesel was deported by the nazis and taken to the concentration camps. His family was sent to the town of Auschwitz. The father, mother, and sister of Wiesel died in the concentration camps. His older sister and himself were the only to survive in his family. After surviving the concentration camps, Wiesel moved to Paris, where he studied literature at the Sorbonne from 1948-1951. Since 1949 he has worked as a foreign correspondant and journalist at various times for the French, Jewish, periodical, L’Arche, Tel-Aviv newspaper Yediot Ahronot, and the Jewish daily forward in New York City. Francois mauriac the Roman Catholic Nobelest and Nobel Laureate convinced Wiesel to speak about the Holocaust. Wiesel wrote an 800 page memoir which he later edited into a smaller version called "Night". In the mid 60’s Wiesel spoke out a lot about the Holocaust. Later on Wiesel emerged on as an important moral voice on Religious Issues and the Human Rights. Since 1988 Wiesel has been a professor at Boston University. Some of Wiesel’s greatest novels has been "Night", "Dawn", "The Accident", "The Town Beyond The Wall", "The Gates Of The Forest", "The Fifth Son"...
of the world. Yet, there would come the day when he would be known as
Pause, reflect, and the reader may see at once the opposing yet relative perceptions made between life, love, marriage and death in Virginia Woolf’s To the Lighthouse. In this novel, Woolf seems to capture perfectly the very essence of life, while conveying life’s significance as communicated to the reader in light tones of consciousness arranged with the play of visual imagery. That is, each character in the novel plays an intrinsic role in that the individuality of other characters can be seen only through the former’s psyche. Moreover, every aspect of this novel plays a significant role in its creation. For instance; the saturation of the present by the past, the atmospheres conjoining personalities and separating them, and the moments when things come together and fall apart. This paper will explore such aspects of To the Lighthouse while incorporating the notion that the world Woolf creates in this novel is one that combines finite and infinite truth. A created world that recognizes both limitation and isolation and how these themes are interrelated in and throughout the marriage of Mr. and Mrs. Ramsay. Conceptually, Woolf combines all of the aforementioned realities of life into the presentation of Mr. and Mrs. Ramsay, a married couple that seem to stand for both accurate and visionary approaches to the reality of life. It is important, then, to consider that To the Lighthouse is not only representational of life, but that it also catches life. It is thus the goal of this paper to readily show why this is so.
Virginia Woolf, an original, thought-provoking feminist author, influenced women to fight for equality and to question the opportunities for women in literature. With her diaries, novels and poems, she stunned her readers with something they have not seen much before: women rebelling. Woolf was frustrated with women and the untouched and suppressed skills they harbor. She once said, “Women have sat indoors all these millions of years, so that by this time the very walls are permeated by their created force, which has, indeed, so overcharged the capacity of bricks and mortar that it must needs harness itself to pens and brushes and business and politics” (Feminist 595). Woolf sought to eliminate the perceived ideas of women and enlighten readers of the skills that women possess.
openly. In fact, he says he likes Cohn. It is in his subtle critique of
During the nineteenth century, Nathaniel Hawthorne graced America with The Scarlet Letter. Out of all of his works, the commended author’s most enduring and well-known novel is The Scarlet Letter. The narrative was set in the 1600s around the same time as the historical Salem Witch Trials. Over the years, this classic story has been reviewed by numerous essayists. Nathaniel Hawthorne’s most popular novel reflects the injustice of the Salem Witch Trials and received notable analyses from major literary critics.
In her extended essay, A Room of One’s Own (1928), Virginia Woolf argues that in order to write great literature, women have two central needs: an incomes and a room with a locking door. For Woolf, the figure standing between women and literature is the patriarch: “Professor von X, engaged in writing his monumental work entitled The Mental, Moral, and Physical Inferiority of the Female Sex” (Woolf 2107). The Professor becomes the face of oppression in Woolf’s text as she discusses the “dominance of the professor” because “[his] was the power and the money and the influence…With the exception of the fog he seemed to control everything. Yet he was angry” (Woolf 2109). To Woolf, the patriarch only “seems” to control everything, suggesting he – in reality – does not. Instead, he is unable to control everything, and thus is angry. Yet, because the Professor is in possession of money, he controls influence. Meanwhile, women become the patriarch’s moneyless, influence-less inferior. In James Joyce’s short story “The Dead,” the Professor is Gabriel Conroy. He too “tries to control everything.” For example, when he buys his wife Gretta galoshes, she jokes “he’ll buy [her] a diving suit” next (Joyce 25). Gabriel is the one charged with “piloting” a drunk Freddy Malins into his aunt’s house for their annual dinner party (Joyce 28), the one to give the pre-dinner speech (Joyce 24), and carve the goose (Joyce 38). For most of the story, Gabriel acts as if he controls every aspect of his life: even the weather. When the dinner scene grows claustrophobic, Gabriel imagines people standing in the snow, believing “the air is pure there” (Joyce 46). Separated from the weather by a pane of glass, he imposes meaning upon it as he does everyth...
Woolf’s pathos to begin the story paints a picture in readers minds of what the
Nathaniel Hawthorne, the author of The House of Seven Gables, was born on July 4, 1804 in the town of Salem, Massachusetts. He was a proud son and grandson of New England seafarers. His father pass away leaving his mother widowed. Hawthorne and his family consist of his mother, and his two sisters. After finishing college, he returned to Salem determined to be a writer. He fought twelve years to perfect his literary skills. Then in 1851, he wrote The House of Seven Gables. On May 19, 1864 Nathaniel Hawthorne met his death. Hawthorne describe his work, The House of Seven Gables to be a romance: “the point of view in which this tale comes under the Romantic definition lies in the attempt to connect a bygone time with the very present that is flitting away from us.” (pg 7, Hawthorne) A romance works to relate with the readers by creating a mixture of historical events and fictional events. It invokes humans' consciences by getting the readers to reflect back on their past actions “usually through a far more sub-tile process than the ostensible one.” (pg 8, Hawthorne) Judge Jaffrey Pyncheon and Clifford Pyncheon are two of the main characters in the book, The House of Seven Gables; it allows the readers to re-evaluate the nature of human character.
In my personal reference, Romanticism is a kind of literature from the eighteenth century that put its focus on nature and imaginative ideals. The Romantic Movement was a reaction to the Age of Enlightenment and the Industrial Revolution. This movement consisted of many changes in society during the eighteenth century and it went against the ideals of urban environments that were popping up all around during this time by focussing on nature. The Romantic features that are seen in the book The Scarlet Letter are the ideals of individualism and truth, and not falling into society’s ways and judgements. This book was written by Nathaniel Hawthorne in the year 1850. This book was about Hester Prynne, a woman living in Boston, who commits a sin in her Puritan community. Hester is an adulterer, who sleeps with the town’s Reverend Arthur Dimmesdale. Hester admits to this adultery and has her child Pearl, but Dimmesdale hides in the shadows to live a life full of guilt and suffering. Little does he know, this suffering will be made worse and worse by Roger Chillingworth, the husband of Hester, who befriends him. Out of all of the characters in this book, Hester Prynne reflects the ideals of Romanticism the best.
Elinor Represents the Sense and Marianne the Sensibility of the Novel’s Title. Discuss. “She had an excellent heart – her disposition was affectionate and her feelings were strong, but she knew how to govern them…” Right from the opening of the novel, the author, Jane Austen, makes it clear that Elinor, the eldest of the Dashwood sisters, represents the “Sense” in the title of the novel. Elinor endures some very strong emotions and, in virtually every situation, unlike most heroines in novels of that era, she is able to conceal or control them. For this reason she appears to be a perfect role model for her sister Marianne, the “Sensibility” of the novel’s title.
To the Lighthouse is a novel full of hidden messages, symbolism and history. All of these elements make “To the Lighthouse” a novel that is not easy to read. There are no clears signs within the novel telling us “Hey look here!! This is where the action is!!” The novel also lacks to mention when the events all takes place, who is speaking, and lastly does not give us an indication in what way we should think and feel of them. Virginia Woolf’s novel opens with an answer to a question that hasn’t been asked yet. This answer is given by a character who is not identified or described, and is addressed to the child who is sitting on the floor near a “drawing room window” in an undisclosed place that is also not described or identified. Also within this novel, there is not much respect for the standard novelistic conventions of clock time or consecutive action. Just when the audience starts to think that they’ve begun to establish an order of events, they start to realize that Woolf seems to take pleasure in confusing her audience by inserting an event or idea that has happened in the past or she anticipates a reaction, so that time in her novelistic world, the past and present and future, seem to flow into one another in an unbroken stream of consciousness.
The Scarlet Letter is a blend of realism, symbolism, and allegory. Nathaniel Hawthorne uses historical settings for this fictional novel and even gives historical background information for the inspiration of the story of Hester Prynne in the introduction of The Scarlet Letter, ‘The Custom-House’. The psychological exploration of the characters and the author’s use of realistic dialogue only add to the realism of the novel. The most obvious symbol of the novel is the actual scarlet letter ‘A’ that Hester wears on her chest every day, but Hawthorne also uses Hester’s daughter Pearl and their surroundings as symbols as well. Allegory is present as well in The Scarlet Letter and is created through the character types of several characters in the novel.
Some people will go far in order to get what they want, but how many individuals would be willing to die for the sake of creating their own fate? Deciding one’s meaning of life with sincerity and passion is the core of existentialism. This philosophy plays an integral part in Hemingway’s writing, as well as his personal life. Paradigms of existentialism appear often in Hemingway’s book, The Old Man and the Sea, especially when Santiago, the old man, is determined to fell the great marlin he pursues, wants to prove to Manolin how much of a strange old man he is, and contends against the brutal sharks when there is little chance of him succeeding.