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william blake's marxism london
comparison between london by william blake and upon westminster bridge by william wordsworth
comparison between london by william blake and upon westminster bridge by william wordsworth
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Comparing Blake's London, Wordsworth's Composed Upon Westminster Bridge, September 3rd 1802 and Johnson's Inglan is a Bitch
Blake's disapproval of changes that happened in his time comes in his
poem "London". For instance, the narrator in "London" describes both
the Thames and the city streets as "chartered," or controlled by
people only interested in making money. He also refers to "mind-forged
manacles" whereby he comments on how the authorities try to stop
pioneers in such thoughts like Blake. He relates that every man's face
contains "Marks of weakness, marks of woe"; and he discusses the
"every cry of every Man" and "every Infant's cry of fear." This
alliteration helps the poem flow along and really sticks in your mind
when you read it. This could be due to the fact that everywhere they
go they are under pressure from people for money, with money becoming
even more important with the introduction of the industrial
revolution. He shows his disapproval for marriage in the church by
connecting marriage and death together by referring to a "marriage
hearse" and describes it as "blighted with plague." He also talks
about "the hapless Soldier's sigh" and the "youthful Harlot's curse"
and describes "blackening Churches" and palaces running with blood.
London depicts the atmosphere of the city of London In the poem '
London' Blake describes it as an extremely depressing, doomed city
reflected in the faces of the people who show 'marks of weakness,
marks of woe'. In his poem Blake uses lots of repetition, for example
:
"And mark in every face I meet
Marks of weakness, marks of woe'
'In every cry of every man
In every infants cry of fear,
In every voice, in every ban'
Blake gives his very negative view of London, focusing on the gap
between the classes and the poverty that results. Yet Blake never
writes this he makes it clear with all the poor young women having to
sell their bodies "How the youthful harlots curse" and the children
working from birth
The two poems share multiple similarities, including the underlying reason behind writing the odes. Both authors look longingly to deceased men to serve as examples of progress that needed to be made in their two countries. In “London, 1802,” Wordsworth is speaking to John Milton, an English poet and political writer. He expresses his concern for 18th century England, claiming that the English have become “selfish men” and losing sight of their heritage. With Milton’s help, Wordsworth states the English would be returned their “manners, virtue, freedom, power.” In “Douglass,” Dunbar is speaking to Frederick Douglass, an American writer and abolitionist leader, explaining how strong segregation and discrimination is, ...
Both London, 1802 by William Wordsworth and Douglass by Paul Laurence Dunbar are poems addressing the changes in conditions among their respective societies, London for Wordsworth and the United States for Dunbar. The poems are reactions to different time periods as both writers look upon the conditions of their societies and reminisce of better times as they long for the glory days of the past. London, 1802 and Douglass are poems that have several similarities among their content, however there are distinct differences between the two that the reader can pick up on as well.
In "London", William Blake brings to light a city overrun by poverty and hardship. Blake discards the common, glorifying view of London and replaces it with his idea of truth. London is nothing more but a city strapped by harsh economic times where Royalty and other venues of power have allowed morality and goodness to deteriorate so that suffering and poverty are all that exist. It is with the use of three distinct metaphors; "mind-forg'd manacles", "blackning Church", and "Marriage hearse", that Blake conveys the idea of a city that suffers from physical and psychological imprisonment, social oppression, and an unraveling moral society.
William Blake’s works’ were simpler than Lord Byron’s. Blake took a softer approach as he expressed his ideas without saying too much. His works included phrases that had more meaning to its simple message. He took what he had learned in the world and added it into his poetry. He was able to capture all sides of life whether it dealt with a child or the unknown presence of an object. He was bale to take the little and turn it into something big that would be remembered for a long time.
In line 17 the word “hearse” is used as a car to take the bride to the
living we enjoy in the United States is a result of the fact that we,
poem is about only a small snapshot of the city, when it is very quiet
Historic poetry is unique in the respect that it gives readers an insight into a certain historic time period that textbooks cannot provide. Historic poetry not only gives a description of the time period but it allows the readers to connect to the emotions of the poet and to a point experience what it would have felt to live in that era. This is the case with William Blake’s poem London. London not only describes the horrid condition of England’s lower class during the industrial revolution but it also connects this description with a strong emotion response from the speaker. Blake’s stylistic and structure choices through out the poem paint a dark and morbid view of London but the emotion of the poem remains divide. The words of the poem’s speaker evokes both sympathy for the lower classes at the same time as he is chastising the people who have the power to change the situation.
The poems ‘lines composed on Westminster Bridge’ and ‘London’ are created by William Wordsworth and William Blake respectively. Wordsworth’s work originated in the eighteenth century and he himself lived in the countryside, and rarely visited large cities such as London. This is reflected on his poem, making it personal to his experience in London, however William Blake on the other hand had a vast knowledge of London and was actually a London poet, which allowed him to express his views of London from a Londoner’s point of view. I therefore will be examining comparisons in both poems, as well as their contrasting views of London and the poetic devices used to express their opinions.
During the 18th century, two great companion; William Wordsworth collaborated together to create Lyrical Ballad; one of the greatest works of the Romantic period. The two major poems of Lyrical Ballad are Wordsworth’s “Lines Composed a Few Miles above Tintern Abbey” and Coleridge’s “Frost at Midnight.” Even though these two poems contain different experiences of the two speakers, upon close reading of these poems, the similarities are found in their use of language, the tone, the use of illustrative imagery to fascinate the reader’s visual sense and the message to their loved ones.
Notari, Debbie. "London, 1802 by Wordsworth." Educational Portal. Educational-Portal, n.d. Web. 10 Mar. 2014. .
?London? is a poem of serious social satire directed against social institutions. According to Blake author Michael Phillips ?it is a poem whose moral realism is so severe that it is raised to the intensity of apocalyptic vision.? Blake becomes more specific in his descriptions of the prevalent evil and moral decay of society as the poem progresses. Blake?s informative nature is clearly evident in ?London? as he ?points the finger? and exposes powerful institutions.
The sonnet, “Composed Upon Westminster Bridge, September 3, 1802,” shows Wordsworth’s appreciating the beauty of London and demonstrating it as “emotion recollected in tranquility.” It’s characteristic of his love for solitude that it is set in the early morning when there is no bustle and noise.
William Blake uses repetition, rhyming and imagery in his poem to help promote the idea that London, England is not the city that people dream that it is, the city itself can be a
William Wordsworth and Samuel Taylor Coleridge spearheaded a philosophical writing movement in England in the late 18th and early 19th century. Although Wordsworth and S.T. Coleridge are often considered the fathers of the English Romantic movement, their collective theologies and philosophies were often criticized but rarely taken serious by the pair of writers due to their illustrious prestige as poets. The combined effort in the Lyrical Ballads catapulted their names into the mainstream of writers in 1798 and with this work; they solidified their place in English literature. Although, most people fail to note that the majority of Coleridge's and Wordsworth's work was him simply bending and breaking particular rules of poetry that were in place during his time and in order to fully understand his work, one must fully understand his views of poetry itself.