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Ancient literature influence on modern culture
Humor as a Literary Tool
Humor as a Literary Tool
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Recommended: Ancient literature influence on modern culture
Comedy is commonly used to lighten the mood of a troubled conscious, assumptions can be made that satire is being used to symbolize external or internal conflicts. Many believe satire is solely to entertain and surface laughter although it is there is meaning behind the laughter not just meaningless laughter. Literary authors use satire to portray the human condition of misery and humiliation to emphasize the mental selfishness of mankind. Making jokes about other genders, races, or interests is a selfish judgment based on personal opinion. In this world there will never be a time where everyone has the same opinion, it is what makes this world so diverse but yet authors thrive on diversity as a target to roast on.
Roasting on another man’s attributes or cultures can be seen as a display of jealousy and self-pity. An attacker will make fun of another man’s flaws to feel better his own flaws; the laughter surfaced by jokes about the flaws gives the attacker confidence. Deep down when a man feels badly about himself it creates a panic of desperation, a gutless desire for reassurance (“Understanding Satire”). Ordering a slave to dance against his own will is self-pleasuring knowing the slave has to do what he/she is ordered, all just to feel better about being homeless (Godot II. 43). Humorous criticism does not only target others but it can also target the attacker’s own self. Many people joke about their own personal flaws to hide the overbearing humiliation of them, beating other people before they can point out the flaws. Even more serious subjects like suicide can be joked about. “What about hanging ourselves? ”Hmm it’d give us an erection“ (Godot I. 12). Such a serious manner and it turns into some sexual joke...
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... point out what that human condition may be whether it is happiness or depression.
Works Cited
Beckett, Samuel. Waiting for Godot: Tragicomedy. New York: Grove, 1954. 12,43.
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Raffel, Burton. Beowulf. New York: New American Literature, 1963. 59. Print.
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“The practical disengagement of humor…helps explain the opposition between amusement and negative emotions.” (530) There are three effects of humor; irresponsibility, blocking compassion, and promoting prejudice. Humor can take away what we are/should be doing in life and sometimes there isn’t anything wrong with that. Sometimes when we hear a hateful thing we just laugh it off as if it was no big deal when it really was. “An
While the tone may range from playful to angry, satire generally criticizes in order to make a change. Exaggeration, parody, reversal, and incongruity are satirical devices. Author’s use satirical devices to strengthen their central idea.
Satire is form of comedy in which flaws in people or society are chastised in order to prompt change in the objects of criticism. Regardless of how long ago comedy itself may have existed, the concept of satire was introduced by the Roman satirists, Juvenal and Horace. The tones conveyed in their writing characterize the main modes of satire, being Horatian and Juvenalian, and are still used in satire today. Presently, two popular forms of comedy that employ satirical elements include parody news sources and comedic performances. Although satirical writing has evolved throughout history, many aspects of satire are still apparent in both the articles of parody news sources, like The Onion, and the performances of professional comedians, like
The satirical humor expresses the social criticism on issues about politics. “Satire features a heightened sense of irony, highlighting contradictions, inconsistencies, absurdities, mining them for their humor, and even highlighting flaws and fakeries to people (Day 256).” Satirical humor involved media about politics so it can gain the audience's attention.The satirical humor reveals everything about the hypocrisy and foolishness of
Ochshorn, Kathleen G. "A Cloak of Grace: Contradictions in A Good Man is Hard to Find." Studies in American Fiction. 18 (1): 113-117. Spring, 1990.
Steve Almond’s “Funny is the New Deep” talks of the role that comedy has in our current society, and most certainly, it plays a huge role here. Namely, through what Almond [Aristotle?] calls the “comic impulse”, we as a people can speak of topics that would otherwise make many of uncomfortable. Almond deems the comic impulse as the most surefire way to keep heavy situations from becoming too foreboding. The comic impulse itself stems from our ability and unconscious need to defend and thus contend with the feeling of tragedy. As such, instead of rather forcing out humor, he implies that humor is something that is not consciously forced out from an author, but instead is more of a subconscious entity, coming out on its own. Almond emphasizes
Satire is a great tool used by many writers and actors since ancient times. The earliest example that we know about is a script from 2nd millennium BC in Ancient Egypt (Definition: Satire) and since then has evolved into a great part of our society. Satire is used to point out the faults of human vice in order for change and reform in either of two ways. There is a very bitter Juvenalian or a mild and light Horatian. In order to fully understand these forms of satire, method, purpose, and applications will be addressed.
Alain de Botton sees humorist as vital people in our society. In today's society, we see comedians saying very rude and racist remarks but get away with it because it is a “joke.” If one was to say the joke normally, a conflict would occur. The same goes for cartoon shows such as South Park and The Simpsons. The comedy TV shows convey a message without being rude about it. During our Presidential election, South Park made episodes of them mocking both Clinton and Trump, and their ideas. Humorist makes topics that aren’t really talked about in society, talked about. The topics cannot be addressed in any other way but the humor in order for people to pay attention to them. With that being said I agree with de Botton. Humorists force people
According to Everything’s an Argument by Andrea A. Lunsford and John J. Ruszkiewicz, “Humor has always played an important role in argument…” (38). Humor itself is something that activates amusement or laughter. Moreover, in popular culture satire is a tool that is used to point out things in our society. Satire opens the minds of people to philosophies they might completely deny, using humor. There are many elements of satire that identify flaws within our society. A couple of satire elements that will be discussed are irony and exaggeration. In addition, a parody is used in popular culture as a way to mock or mimic situation or person.
The concept of humor is an incredibly complicated one, having undergone complex analyses and innumerable manners of usage from the times of the ancient Greeks through the modern era. Masters of comedy and their works have become part of the human experience, widely ranging from Shakespeare’s masterful Much Ado About Nothing to the much-loved television series I Love Lucy. Humor, although in many ways considered to be largely mass-market and tailored to the popular majority, has not escaped the realm of scholarly analysis. Sigmund Freud, in particular, explored many aspects of humor, culminating in his famous work The Joke and Its Relation to the Unconscious. In this essay, I would like to explore Freud’s fascinating ideas about the nature of humor, comparing them to the ideas of another expert in his own discipline, actor and director Woody Allen. Regarding the philosophy of humor and its effect on both the humorist and his or her listener, Freud and Allen share many concepts of the inner workings and overall process of comedy and wit. This agreement is especially apparent when considering the quality of Jewish humor and the characteristics of the Jewish comedian.
Mad Magazine, The Simpsons, Saturday Night Live. In our society, satire is among the most prevalent of comedic forms. This was not always true, for before the 18th century, satire was not a fully developed form. Satire, however, rose out of necessity; writers and artists needed a way to ambiguously criticize their governments, their churches, and their aristocrats. By the 18th century, satire was hugely popular. Satire as an art form has its roots in the classics, especially in the Roman Horace's Satires. Satire as it was originally proposed was a form of literature using sarcasm, irony, and wit, to bring about a change in society, but in the eighteenth century Voltaire, Jonathan Swift and William Hogarth expanded satire to include politics, as well as art. The political climate of the time was one of tension. Any criticism of government would bring harsh punishments, sometimes exile or death. In order to voice opinions without fear of punishment, malcontented writers turned to Satire. Voltaire's Candide and Swift's Modest Proposal are two examples of this new genre. By creating a fictional world modeled after the world he hated, Voltaire was able to attack scientists, and theologians with impunity. Jonathan Swift created many fictional worlds in his great work, Gulliver's Travels, where he constantly drew parallels to the English government.
James Conroy argues that laughter in serious topics has been regarded through the ages as dangerous, deviant, and subversive; yet equally as refreshing, challenging, and constructive. Political humor is extensively used in almost all countries, but political satire is perceived differently from one country to another. The research question is as follows: what factors make political satire an effective tool that affects politics and policy? I argue that humor is more influential when blended with serious topics, such as international relations or politics. Laughter is a great means to put serious topics under the lenses of critical thinking. The use of humor, and political satire specifically can bring about serious political change. Humor can play all sorts of roles in the political process through being informative, educational and influential while keeping its captive entertaining
Writers at the time such as Aristophanes and Menander wrote comedy similarly to how we do today, mocking politicians, fellow writers, and Greek philosophers (Mark Cartwright). The word ‘comedy’ is derived from Middle English, from Medieval Latin comoedia, from Latin, ‘drama with a happy ending’ (Merriam-Webster). This joyful type of performance may be why we commonly use the word ‘comedy’ to talk about jokes, humor, and hilarious performers. Comedy is meant to bring us joy and relief from reality’s negativity. Mary O’Hara wrote about comedy for a BBC article titled “How Comedy Makes us Better People”: “Comedy is more than just a pleasant way to pass an evening, humour more than something to amuse. They’re interwoven into the fabric of our everyday existence. Whether you’re sharing an amusing story down the pub, making a self-deprecating joke after someone pays you a compliment or telling a dark joke at a funeral, humour is everywhere. (O’Hara)” This is certainly an accurate statement about modern comedy. Comedy is not sadness, but rather a way to forget the woes of everyday life. What is the point in humorous incidents and ridiculous jokes if they do not make a person smile or laugh so hard their gut
Sometimes, when it is misused, humor can be looked upon in a negative way. When jokes are used to hurt other people, or simply for the amusement of the joke teller it is not funny. This is not humor it is bullying — a joke is never funny if it hurts another person. The whole purpose of a joke is to make people laugh and smile and take some of the weight of the world off your shoulders. Laughing and joking are not worth it if it comes at the expense of