Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Morality in literature
Theme of morality
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Morality in literature
In Ha Jin’s Under the Red Flag, the author interweaves different stories to showcase the individuals’ struggle to go against their natural instincts, as a means to comply with New China’s standards. These standards have been dictated by the political enforcers, and have established a new underlying moral basis that is expected of everyone to comply with. Although the stories are quite different, the connection they share is clearly explicated—they all combat the societal pressures to change themselves or face the consequences of being different. Two characters in particular: Ding Liang and Zhu Wenli, reveal the result of two different choices made.
Winds and Clouds over a Funeral brings light to the subject of an old woman’s death and her request that violates New China’s protocol. Before she dies, she tells her family that she wants to be buried; however, “nowadays the government encouraged people to cremate the dead in order to preserve arable land,” otherwise, “there would be no more land for growing crops if burials were not stopped” (46). The government explains that the shortage in “arable land” is a direct result of the many burials that have occurred over time. According to them, if the people do not act responsibly and cremate instead, they will contribute to future agricultural strains and would essentially lead to the depletion of the nation’s food source. Here, the audience is able to see the challenge ahead. Ding wants to fulfill his mother’s last request, which is to give her the proper burial that respects her traditional mindset. However, he faces the pressure of being “the head of the commune,” seeing the “thousands of eyes [that] are staring at [him]” (49). His decision to go against the government’s demands ca...
... middle of paper ...
...as experienced in the novel. They often encounter external pressures that society imposes on them and if they choose not to comply, they are subject to the consequences of individualism. The laws of New China are underlying and not clearly expressed; however, there is a sense of societal acceptance for the ethical construct of these new protocols. The power held by the party is depicted in the characters’ decisions to go against their innate wants and conform to what is regarded as the correct behavior. Their fates become jeopardized, which stimulates their shifts in action. In conclusion, Jin’s novel highlights the influence of communism and how many people are not able to live freely, being that they reside in a society under the surveillance of the party’s enforcers and have no other choice but to respect the status quo.
Works Cited
Under the Red Flag, Ha Jin
“The Death of Woman Wang”, written by Chinese historian Jonathan Spence, is a book recounting the harsh realities facing citizens of Tancheng country, Shandong Province, Qing controlled China in the late 17th century. Using various primary sources, Spence describes some of the hardships and sorrow that the people of Tancheng faced. From natural disasters, poor leadership, banditry, and invasions, the citizens of Tancheng struggled to survive in a devastated and changing world around them. On its own, “Woman Wang” is an insightful snapshot of one of the worst-off counties in imperial Qing China, however when taking a step back and weaving in an understanding of long held Chinese traditions, there is a greater understanding what happened in
...values, practices, ideals, expectations and self image joining together in order to achieve a common goal. In Yu-i’s case, the traditional Chinese community wanted to maintain ancient practices, while western oriented Chinese adults wanted to modernize the country and make it similar to the United States and Britain. In Kaysen’s case, abnormal behavior in communities resulted in admittance into the community of the mentally ill. The psychologically disturbed community wanted only to fit in, while the sane community decided that they were threats to society. Both Yu-i and Kaysen physically leave their group only to find that the community ideals have only made them better people.
The two short stories, “The Princess of Nebraska” and “A Thousand Years of Good Prayers” by Yiyun Li, depict the lives of two people under Chinese communist control, trapped by the social restraints of their society in search of individual salvation. In “Princess of Nebraska”, a young girl (Sasha) struggles to find internal purpose and satisfaction within her life, feeling that the restraints of communist control keep her from achieving the sense of self she desires. She believes the United States is the solution to gaining her individual freedom and fantasizes the recreation of her identity and life. Similarly, “A Thousand Years of Good Prayers” revolves around the same theme of social freedom vs the discovery of the individual self. Mr.Shi,
After Chairman Mao’s death, Ji-Li and the rest of China realize that he was never the right leader for China and instead of improving China’s society, he actually prevented it. In the end, Ji-Li knows she was brainwashed by Mao’s actions. The Communist Party told them what to wear, read, think, and how to act. They never let China be free to be who they are. It was not until Mao's death that Ji-li began questioning what they were told. “It was only after Mao’s death in 1976 that people woke up. We finally learned that the whole Cultural Revolution had been part of a power struggle at the highest levels of the Party. Our leader had taken advantage of our trust and loyalty to manipulate the whole country.” (Jiang, Chapter 18). Now, as an adult, Ji-li tries to bridge the gap between China and America. She loves the freedom she enjoys in America, especially that she does not have to worry about what she says or thinks, but she does not hate China. People can not use political corruption and injustice to get what they want out of society. Promoting equality and opportunities for all is key to improving society. We can not get behind beating people up or imprisoning them because they did not abide by society’s
A young socialist group was created by the name “Red Guards” are hunting down “capitalist-roaders” who are guilty of the “Four Olds” which is old customs, old habits, old thoughts, or old culture. This is shown when the village chef comes for Fugui to get rid of the puppets because everyone knows that they are part of the old culture and though the puppets remind Jiazhen of her son Yongqing, the family burns the puppets. The audience is shown that the Communist party has infiltrated people’s houses and propaganda is even in the marriage song between Fengxia and Erxi. It is known that by this time the Revolution is at it’s strongest. Education is depicted to not matter and that proves to cause a disaster as later in the film during Fengxia’s childbirth the doctors are all gone and only the students are left. It is noticed that these students are all young woman and the Communist party is trying to make gender roles equal for these young woman, however it is clear that since the doctors were the only ones educated to help this puts the death of Fengxia who dies of blood loss after giving birth to her son Mantou. Fengxia who is mute and considered back in China as a disability in Chinese culture as a “dishonor” since disabilities was considered that no doctor or nurse would that treat them, manly because they did not know how. This part in the film is symbolic to this part of China during that time as it shows both children, Youqing and Fengxia victims of the Communist Party polices. At the end, when Erxi buys a box full of young chicks for his son, which they decide to keep in the chest formerly used for the shadow puppet props. Implies the history of Puppetry in Chinese culture such as it was made for an emperor who had lost a loved one and so an Official made a shadow puppet of her and when presenting it to the emperor he was overjoyed that he could see his loved one again.
...non-conformist attitudes, and in The King of Chess the chess fool defeating the old chess master symbolizes the act of the old culture being defeated by the new. The King of Trees depicts how the belief systems in revolutionary China enforced new social norms on the population. Understanding the power of the social norms that were imposed in China at this time helps the reader understand how individuality in the citizens might have been expressed as well as why the government felt threatened by such behavior. One theme in The King of Trees is that individuality is persistent despite what is socially acceptable, and understanding the concept of social norms allows one to appreciate both sides of the difficulty conforming to social norms.
All through time, successive generations have rebelled against the values and traditions of their elders. In all countries, including China, new generations have sought to find a different path than that of their past leaders. Traditional values become outdated and are replaced with what the younger society deems as significant. Family concentrates on this very subject. In the novel, three brothers struggle against the outdated Confucian values of their elders. Alike in their dislike of the traditional Confucian system of their grandfather, yet very different in their interactions with him and others, begin to reach beyond the ancient values of Confucianism and strive for a breath of freedom. Their struggles against the old values lead to pain, suffering and eventually achievement for the three of them, however at a harsh price for two brothers.
Zhu Ying was a member of the military’s theatre troupe, and about to be a member of the party, until she refused to sleep with party members. After that, they transferred and then imprisoned her. While her role in the military could have made Zhu Ying an androgynous figure, an emblem of communist gender equality, the party’s expectation that she have sex with party members makes her a sexual object, which is its own form of feminization. Zhu Ying is allowed to retain her femininity only if she consents to being a sexual object; when she does not, she is sent to be a laborer, and later imprisoned. Moreover, by being separated from her boyfriend, her chance at domestic happiness is taken away. After imprisonment, she has no opportunity to fill the traditional female role of marriage and children (which she may or may not have desired). Thus, the party halts the “natural” order of marriage and
In the novel “Red Scarf Girl” by Ji Li Jiang, the theory of Marxism is at play as Ji Li strives to help the reader understand the impact that the Cultural Revolution in China had on her family and on her country. By using the struggle between the social classes, Ji Li helps the reader gain a greater understanding of the negative impact that a corrupt government can have and often times does have on the lives of its people. As the reader moves throughout the novel, it makes sense why, by the end of the book, Ji Li Jiang would call China her country but America her home, for she came to understand just how much she appreciates freedom.
In analyzing these two stories, it is first notable to mention how differing their experiences truly are. Sammy is a late adolescent store clerk who, in his first job, is discontent with the normal workings of society and the bureaucratic nature of the store at which he works. He feels oppressed by the very fabric and nature of aging, out-of date rules, and, at the end of this story, climaxes with exposing his true feelings and quits his jobs in a display of nonconformity and rebellion. Jing-Mei, on the other hand, is a younger Asian American whose life and every waking moment is guided by the pressures of her mother, whose idealistic word-view aids in trying to mold her into something decent by both the double standards Asian society and their newly acquired American culture. In contrasting these two perspectives, we see that while ...
The early part of the novel shows women’s place in Chinese culture. Women had no say or position in society. They were viewed as objects, and were used as concubines and treated with disparagement in society. The status of women’s social rank in the 20th century in China is a definite positive change. As the development of Communism continued, women were allowed to be involved in not only protests, but attended universities and more opportunities outside “house” work. Communism established gender equality and legimated free marriage, instead of concunbinage. Mao’s slogan, “Women hold half of the sky”, became extremely popular. Women did almost any job a man performed. Women were victims by being compared to objects and treated as sex slaves. This was compared to the human acts right, because it was an issue of inhumane treatment.
...ues the Chinese chose instead to uphold their values and some societal relations such as the position of women and the definitions of public and private space between men and women came under scrutiny. The duties of filial piety have a place in traditional Chinese society and have to value to continue to evolve with the country, but values are only worth keeping if they do not hinder the progress and growth of a nation.
Saboteur, written by Ha Jin exposes a difficult period of China: the Cultural Revolution and its consequences on people’s life. Through the author’s skillful use of setting, symbolism and the main character’s dynamism, the reader is able to understand the theme of the story that is revenge.
In his poem, “Notes from the City of the Sun”, Bei Dao utilizes obscure imagery consistent with the Misty Poets and veiled political references to illustrate the struggles in Chinese society during the Cultural Revolution. The poem is sectioned into fourteen short stanzas containing imagery that are symbolic of the cultural hegemony in China under the rule of Mao Zedong. Bei Dao, born Zhao Zhen-kai, is an anti-revolutionary poet and one of the founders of a group known as the Misty Poets. The Misty Poets wrote poems that protested the Cultural Revolution led by Mao Zedong. Therefore, a lot of Bei Dao’s poems speak out against the Cultural Revolution and the restrictions that it placed on any form of art. Bei Dao’s poetry is categorized as “misty” because of the ambiguity in its references to Mao Zedong and the Cultural Revolution. An obscure imagery that occurs twice in “Notes” is the sun imagery. Another imagery that depicts the injustice of the Cultural Revolution is the description of freedom as scraps of paper. In the poem, Bei Dao also equates faith to sheep falling into a ditch; this is a depiction blind faith during the Cultural Revolution. The purpose of this essay is to analyze how Bei Dao’s use of the Misty Poet’s ambiguous imagery and implicit political context in the poem “Notes from the City of the Sun” to illustrate the cultural hegemony in China under Mao.
Considering communist China's recent increased aggression, and deteriorating relations between them and the United States, the dangers of this novel must be weighed carefully. It is often taught in schools, despite the fact that it promotes un-American and anti-capitalist views. With today's political tension, do we really want our youth exposed to literature that encourages them to mistrust the government and supports a communist revolution?